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- catalog abstract ""Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, installations, and drawings, Bochner became deeply involved with photography in the mid to late 1960s, although most of these works have only recently been exhibited. This book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some seventy-five of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works." "Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art. In Bochner's photography, Rothkopf argues, a clear arc can be traced from his grappling with Minimalism toward a more rigorous and nuanced articulation of Conceptual art. Examining this shift, the author compares Bochner's work with that of other artists who were engaged with photography during this period, among them Robert Smithson, Sol LeWitt, and Bruce Nauman. For Bochner and others, Rothkopf concludes, photography was used as a response to the limits of minimal sculpture and helped make possible the birth of Conceptual art. The book also features an essay by Elisabeth Sussman on the relevance of Bochner's 1966 film experiments to his later photographic projects."--Jacket.".
- catalog contributor b12463072.
- catalog contributor b12463073.
- catalog contributor b12463074.
- catalog contributor b12463075.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description ""Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, installations, and drawings, Bochner became deeply involved with photography in the mid to late 1960s, although most of these works have only recently been exhibited. This book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some seventy-five of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works."".
- catalog description ""Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art. In Bochner's photography, Rothkopf argues, a clear arc can be traced from his grappling with Minimalism toward a more rigorous and nuanced articulation of Conceptual art. Examining this shift, the author compares Bochner's work with that of other artists who were engaged with photography during this period, among them Robert Smithson, Sol LeWitt, and Bruce Nauman. For Bochner and others, Rothkopf concludes, photography was used as a response to the limits of minimal sculpture and helped make possible the birth of Conceptual art.".
- catalog description "Includes bibliographical references (p. 181).".
- catalog description "The book also features an essay by Elisabeth Sussman on the relevance of Bochner's 1966 film experiments to his later photographic projects."--Jacket.".
- catalog extent "xiii, 186 p. :".
- catalog identifier "0300093489 (hardcover : alk. paper)".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "New Haven : Yale University Press ; Cambridge, Mass. : Harvard University Art Museums,".
- catalog subject "779/.092 21".
- catalog subject "Bochner, Mel, 1940- Exhibitions.".
- catalog subject "Photography, Artistic Exhibitions.".
- catalog subject "TR647 .R68 2002".
- catalog title "Mel Bochner photographs, 1966-1969 / Scott Rothkopf ; with an essay by Elisabeth Sussman.".
- catalog type "Exhibition catalogs. fast".
- catalog type "text".