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- 00012618 contributor B7565.
- 00012618 created "c2001.".
- 00012618 date "2001".
- 00012618 date "c2001.".
- 00012618 dateCopyrighted "c2001.".
- 00012618 description "Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism.".
- 00012618 description "Includes bibliographical references (p. 259-279) and index.".
- 00012618 extent "x, 294 p. ;".
- 00012618 identifier "0801867231 (alk. paper)".
- 00012618 identifier 00012618.html.
- 00012618 identifier 00012618.html.
- 00012618 identifier 00012618.html.
- 00012618 issued "2001".
- 00012618 issued "c2001.".
- 00012618 language "eng".
- 00012618 publisher "Baltimore : Johns Hopkins University Press,".
- 00012618 subject "840.9/12 21".
- 00012618 subject "French literature 19th century History and criticism.".
- 00012618 subject "Mimesis in literature.".
- 00012618 subject "PQ283 .J46 2001".
- 00012618 tableOfContents "Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism.".
- 00012618 title "Trauma and its representations : the social life of mimesis in post-revolutionary France / Deborah Jenson.".
- 00012618 type "text".