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- 2001006517 contributor B8913678.
- 2001006517 created "c2002.".
- 2001006517 date "2002".
- 2001006517 date "c2002.".
- 2001006517 dateCopyrighted "c2002.".
- 2001006517 description "Includes bibliographical references p. (269-279) and index.".
- 2001006517 description "Machine generated contents note: INTRODUCTION The Absolute and the Problematic in Twentieth-Century Chinese Narrative -- 1. Modernity: The Historical Subject and the Representational Subject -- 2. The Modern Paradigm Destabilized and Displaced -- ---PART I Trauma, Nachtrdglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past -- 3. Trauma and Historical Violence in Communist China -- 4. Yu Hua: The Past Remembered or the Present Dismembered -- 5. Can Xue: Ever-Haunting Nightmares -- ---PART II Irony as Verbal Catachresis: Schizophrenia in the Master Discourse -- 6. Irony and an Alternative Reading of -- Maoist Discourse -- 7. Xu Xiaohe: Laughter from Despair -- 8. Can Xue: Discursive Dystopias -- ---PART III Irony as Structural Parody: Deconstructing the Grand Narrative -- 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model -- 10. Ge Fei: Indeterminate History and Memory -- 11. Yu Hua: Perplexed Narration and the Subject -- 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence -- POSTSCRIPT Answering the Question: What Is the Postmodem/Post-Mao-Deng? -- Notes -- Glossary -- Bibliography -- Index.".
- 2001006517 extent "ix, 286 p. :".
- 2001006517 identifier "0472112414 (alk. paper)".
- 2001006517 identifier 2001006517.html.
- 2001006517 identifier 2001006517.html.
- 2001006517 issued "2002".
- 2001006517 issued "c2002.".
- 2001006517 language "eng".
- 2001006517 publisher "Ann Arbor : University of Michigan Press,".
- 2001006517 spatial "China".
- 2001006517 subject "895.1/3509113 21".
- 2001006517 subject "Chinese fiction 20th century History and criticism.".
- 2001006517 subject "PN98.P67 Y35 2002".
- 2001006517 subject "Postmodernism (Literature) China".
- 2001006517 tableOfContents "Machine generated contents note: INTRODUCTION The Absolute and the Problematic in Twentieth-Century Chinese Narrative -- 1. Modernity: The Historical Subject and the Representational Subject -- 2. The Modern Paradigm Destabilized and Displaced -- ---PART I Trauma, Nachtrdglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past -- 3. Trauma and Historical Violence in Communist China -- 4. Yu Hua: The Past Remembered or the Present Dismembered -- 5. Can Xue: Ever-Haunting Nightmares -- ---PART II Irony as Verbal Catachresis: Schizophrenia in the Master Discourse -- 6. Irony and an Alternative Reading of -- Maoist Discourse -- 7. Xu Xiaohe: Laughter from Despair -- 8. Can Xue: Discursive Dystopias -- ---PART III Irony as Structural Parody: Deconstructing the Grand Narrative -- 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model -- 10. Ge Fei: Indeterminate History and Memory -- 11. Yu Hua: Perplexed Narration and the Subject -- 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence -- POSTSCRIPT Answering the Question: What Is the Postmodem/Post-Mao-Deng? -- Notes -- Glossary -- Bibliography -- Index.".
- 2001006517 title "The Chinese postmodern: trauma and irony in Chinese avant-garde fiction / Xiaobin Yang.".
- 2001006517 type "text".