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- 2001035662 contributor B8939013.
- 2001035662 created "c2002.".
- 2001035662 date "2002".
- 2001035662 date "c2002.".
- 2001035662 dateCopyrighted "c2002.".
- 2001035662 description "Includes bibliographical references (p. 257-267) and index.".
- 2001035662 description "Machine generated contents note: Preface 9 -- Part I: Renaissance Cultural Realities -- 1. The Making of Italian Renaissance Tragedy 17 -- Revitalization Process 20 -- Realism and Living Realities on the Stage 29 -- Dramaturgical Novelties: Sounds and Dramatic Space 32 -- 2. Renaissance Living Traditions and the Revival of -- Ancient Tragedy 35 -- Length of the Dramatic Text: Political Imperatives and -- Verbal Rhetoric 37 -- Contemporary Spatial Setting and Courtly Ambiance 46 -- Brigands and Pirates 54 -- 3. Their Gods, Our God: Christian Religion in the Tragic -- World of Myth 58 -- Religion in Christian and Mythological Settings 61 -- The Deus ex Machina Expedient: Martelli's Tullia and -- Aretino's Orazia 71 -- 4. The Nature of Kingship: The Debate on Machiavellism 79 -- The Machiavellian Notion of Kingship and the Tragic Stage 81 -- Giraldi's Orbecche 85 -- Theater as Rhetoric of Power 97 -- 5. Tragic Heroines: The Debate on the Emerging Question -- of Women 101 -- The Traditional Notion of Womanhood 103 -- The Stage View of Women 105 -- Theater's Ambivalent Endorsement of Women 121 -- Part II: Theatrical Innovations -- 6. The Evolving Concept of Stage and Dramatic Space 129 -- The Notion of Scenic and Dramatic Space 136 -- Aretino's Orazia: A Case in Point 144 -- 7. Representing the Unrepresentable: The Hic et Nunc of -- Tragedy 155 -- Dramatic Limitations of Stage Narrative: The Role of the -- Messenger 158 -- The Immediacy of the Tragic Here and Now: Giraldi's -- Orbecche and Aretino's Orazia 162 -- 8. The Theatrical Language of Sounds and Movements 177 -- Dramaturgical Elements in Rucellai's Oreste: Sounds, -- Retardation Technique, and Movements 181 -- Three Dramatizations of Dido's Death: Pazzi, Giraldi, and -- Dolce 193 -- Conclusion 203 -- Notes 209 -- Bibliography 257 -- Index 268.".
- 2001035662 extent "272 p. :".
- 2001035662 identifier "0838754902 (alk. paper)".
- 2001035662 identifier 2001035662.html.
- 2001035662 issued "2002".
- 2001035662 issued "c2002.".
- 2001035662 language "eng".
- 2001035662 publisher "Lewisburg, Pa. : Bucknell University Press ; London : Associated University Presses,".
- 2001035662 spatial "Italy".
- 2001035662 subject "852/.05120903 21".
- 2001035662 subject "Italian drama (Tragedy) History and criticism.".
- 2001035662 subject "Italian drama To 1700 History and criticism.".
- 2001035662 subject "Narration (Rhetoric) History 16th century.".
- 2001035662 subject "Narration (Rhetoric) History To 1500.".
- 2001035662 subject "PQ4147 .D5 2002".
- 2001035662 subject "Theater Italy History 16th century.".
- 2001035662 subject "Theater Italy History Medieval, 500-1500.".
- 2001035662 tableOfContents "Machine generated contents note: Preface 9 -- Part I: Renaissance Cultural Realities -- 1. The Making of Italian Renaissance Tragedy 17 -- Revitalization Process 20 -- Realism and Living Realities on the Stage 29 -- Dramaturgical Novelties: Sounds and Dramatic Space 32 -- 2. Renaissance Living Traditions and the Revival of -- Ancient Tragedy 35 -- Length of the Dramatic Text: Political Imperatives and -- Verbal Rhetoric 37 -- Contemporary Spatial Setting and Courtly Ambiance 46 -- Brigands and Pirates 54 -- 3. Their Gods, Our God: Christian Religion in the Tragic -- World of Myth 58 -- Religion in Christian and Mythological Settings 61 -- The Deus ex Machina Expedient: Martelli's Tullia and -- Aretino's Orazia 71 -- 4. The Nature of Kingship: The Debate on Machiavellism 79 -- The Machiavellian Notion of Kingship and the Tragic Stage 81 -- Giraldi's Orbecche 85 -- Theater as Rhetoric of Power 97 -- 5. Tragic Heroines: The Debate on the Emerging Question -- of Women 101 -- The Traditional Notion of Womanhood 103 -- The Stage View of Women 105 -- Theater's Ambivalent Endorsement of Women 121 -- Part II: Theatrical Innovations -- 6. The Evolving Concept of Stage and Dramatic Space 129 -- The Notion of Scenic and Dramatic Space 136 -- Aretino's Orazia: A Case in Point 144 -- 7. Representing the Unrepresentable: The Hic et Nunc of -- Tragedy 155 -- Dramatic Limitations of Stage Narrative: The Role of the -- Messenger 158 -- The Immediacy of the Tragic Here and Now: Giraldi's -- Orbecche and Aretino's Orazia 162 -- 8. The Theatrical Language of Sounds and Movements 177 -- Dramaturgical Elements in Rucellai's Oreste: Sounds, -- Retardation Technique, and Movements 181 -- Three Dramatizations of Dido's Death: Pazzi, Giraldi, and -- Dolce 193 -- Conclusion 203 -- Notes 209 -- Bibliography 257 -- Index 268.".
- 2001035662 title "The Italian tragedy in the Renaissance : cultural realities and theatrical innovations / Salvatore Di Maria.".
- 2001035662 type "text".