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- 2005007037 contributor B10112461.
- 2005007037 created "c2005.".
- 2005007037 date "2005".
- 2005007037 date "c2005.".
- 2005007037 dateCopyrighted "c2005.".
- 2005007037 description "Overview -- Copyright basics -- Types of copyrights -- Mechanical royalties -- Performance royalties -- Synchronization -- Other types of income -- Songwriters and publishers -- Digging deeper -- The value of music -- This is a low-budget production -- It will be good exposure -- A foreign idea -- Step this way -- Subjective tense -- Types of publishing deals -- Ownership vs. administration -- Work for hire -- Songwriting -- Administration -- Copublishing -- The final solution -- Beware the jabberwock, my son -- Song plugging -- No deal at all -- I have it here someplace -- Mechanical licenses -- Compulsory licenses -- Compulsory license requirements -- Mechanical licenses in the real world -- You're a publisher again -- Reduced rate licensing -- Harry who? -- Oh! Canada! -- Record clubs -- Those other foreigners -- Who gets the money? -- Performance income -- How the system works -- Direct licenses -- Ok, so where does all the money go? -- Getting in on the action -- I still haven't been paid -- What's on tv? -- Do they monitor my gym? --".
- 2005007037 description "The enforcer -- My performing right society is better than yours -- Synchronizations -- Film factors -- Half the world -- Out-of-context uses -- I ain't got no money that I can depend on -- There's never anything on tv -- Video licenses -- It was here a second ago -- That's BS! No, PBS -- Those foreigners did what? -- Least favored nations -- A few more do's and don'ts -- Confirmation letters -- Sundry uses -- Advertising -- Video games -- Print -- Ringtones -- Karaoke -- Foreign translations -- Samples -- That's not fair; or is it? -- New technologies -- Subpublishing -- A good subpublisher -- Let's make a deal -- An experiment gone wrong -- The subpublisher dinner circuit -- Cowriting and copublishing -- Back to reality -- Don't bogart that joint (work) -- Let's make more paper -- Controlled composition clauses -- A controlled what? -- The meter is running -- Our special reducing formula -- Just in case that isn't enough -- Et tu, Brute? -- Wait, there's more! -- Seen it all before? Or have you? -- Can you make it all go away? -- More on copyright -- Hey PA, what's this form? -- Wait, I changed my mind -- The corporation wrote your song -- I feel renewed -- Transfers and other forms -- Can you help me, SR? -- The advantages of being dead -- The advantages of being foreign -- Representation and further advice -- You get what you pay for -- My lawyer is a sewer, er, suer -- A boy named sue -- Let us count this day our daily beans -- Know what they owe -- Learn me more -- Appendix: Can you do the splits? -- Glossary -- Index.".
- 2005007037 extent "xv, 166 p. :".
- 2005007037 identifier "0634090542".
- 2005007037 identifier 2005007037.html.
- 2005007037 issued "2005".
- 2005007037 issued "c2005.".
- 2005007037 language "eng".
- 2005007037 publisher "Milwaukee : Hal Leonard,".
- 2005007037 spatial "United States.".
- 2005007037 subject "070.5/794/0973 22".
- 2005007037 subject "Copyright Music.".
- 2005007037 subject "ML112 .W58 2005".
- 2005007037 subject "Music Economic aspects.".
- 2005007037 subject "Music publishing United States.".
- 2005007037 tableOfContents "Overview -- Copyright basics -- Types of copyrights -- Mechanical royalties -- Performance royalties -- Synchronization -- Other types of income -- Songwriters and publishers -- Digging deeper -- The value of music -- This is a low-budget production -- It will be good exposure -- A foreign idea -- Step this way -- Subjective tense -- Types of publishing deals -- Ownership vs. administration -- Work for hire -- Songwriting -- Administration -- Copublishing -- The final solution -- Beware the jabberwock, my son -- Song plugging -- No deal at all -- I have it here someplace -- Mechanical licenses -- Compulsory licenses -- Compulsory license requirements -- Mechanical licenses in the real world -- You're a publisher again -- Reduced rate licensing -- Harry who? -- Oh! Canada! -- Record clubs -- Those other foreigners -- Who gets the money? -- Performance income -- How the system works -- Direct licenses -- Ok, so where does all the money go? -- Getting in on the action -- I still haven't been paid -- What's on tv? -- Do they monitor my gym? --".
- 2005007037 tableOfContents "The enforcer -- My performing right society is better than yours -- Synchronizations -- Film factors -- Half the world -- Out-of-context uses -- I ain't got no money that I can depend on -- There's never anything on tv -- Video licenses -- It was here a second ago -- That's BS! No, PBS -- Those foreigners did what? -- Least favored nations -- A few more do's and don'ts -- Confirmation letters -- Sundry uses -- Advertising -- Video games -- Print -- Ringtones -- Karaoke -- Foreign translations -- Samples -- That's not fair; or is it? -- New technologies -- Subpublishing -- A good subpublisher -- Let's make a deal -- An experiment gone wrong -- The subpublisher dinner circuit -- Cowriting and copublishing -- Back to reality -- Don't bogart that joint (work) -- Let's make more paper -- Controlled composition clauses -- A controlled what? -- The meter is running -- Our special reducing formula -- Just in case that isn't enough -- Et tu, Brute? -- Wait, there's more! -- Seen it all before? Or have you? -- Can you make it all go away? -- More on copyright -- Hey PA, what's this form? -- Wait, I changed my mind -- The corporation wrote your song -- I feel renewed -- Transfers and other forms -- Can you help me, SR? -- The advantages of being dead -- The advantages of being foreign -- Representation and further advice -- You get what you pay for -- My lawyer is a sewer, er, suer -- A boy named sue -- Let us count this day our daily beans -- Know what they owe -- Learn me more -- Appendix: Can you do the splits? -- Glossary -- Index.".
- 2005007037 title "The plain and simple guide to music publishing / by Randall D. Wixen.".
- 2005007037 type "text".