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- 2009054059 abstract "Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided they met certain requirements. As newcomers to the city, immigrant merchant families had to acquire the material commodities necessary for everyday life. De Maria investigates important aspects of the artistic, commercial and familial activities of naturalised citizen families. Much of the documentation concerning their commercial interests, real estate development, household management, chapel decoration and confraternity affiliations has not previously been published, allowing this study to expand both the context and the interpretation of Venetian painting and architecture of the highest calibre, including the commissions to Titian, Tintoretto and Veronese.".
- 2009054059 contributor B11458010.
- 2009054059 coverage "Venice (Italy) Social conditions 16th century.".
- 2009054059 created "c2010.".
- 2009054059 date "2010".
- 2009054059 date "c2010.".
- 2009054059 dateCopyrighted "c2010.".
- 2009054059 description "Becoming Venice, becoming Venetian -- The commercial famiglia -- The Scuola Grande di San Rocco, I: the family chapel -- The Scuola Grande di San Rocco II: competition and cooperation -- Creating a façade: the patronage of domestic architecture -- Inside the naturalized citizen home -- Fame and infamy, the seventeenth century -- Catalogue: individual family histories.".
- 2009054059 description "Includes bibliographical references (p. 265-281) and index.".
- 2009054059 description "Situated between the patriciate and popular orders, cittadini occupied the middle-tier of Venice's tripartite social hierarchy. Unlike the nobility, the citizenry was not a closed caste, and foreign individuals not fortunate enough to be born in Venice could become naturalised citizens provided they met certain requirements. As newcomers to the city, immigrant merchant families had to acquire the material commodities necessary for everyday life. De Maria investigates important aspects of the artistic, commercial and familial activities of naturalised citizen families. Much of the documentation concerning their commercial interests, real estate development, household management, chapel decoration and confraternity affiliations has not previously been published, allowing this study to expand both the context and the interpretation of Venetian painting and architecture of the highest calibre, including the commissions to Titian, Tintoretto and Veronese.".
- 2009054059 extent "xi, 288 p. :".
- 2009054059 identifier "030014881X (cl : alk. paper)".
- 2009054059 identifier "9780300148817 (cl : alk. paper)".
- 2009054059 issued "2010".
- 2009054059 issued "c2010.".
- 2009054059 language "eng".
- 2009054059 publisher "New Haven : Yale University Press,".
- 2009054059 spatial "Italy Venice".
- 2009054059 spatial "Venice (Italy) Social conditions 16th century.".
- 2009054059 subject "704/.0869120945311 22".
- 2009054059 subject "Art and society Italy Venice History 16th century.".
- 2009054059 subject "Immigrants Italy Venice Social conditions 16th century.".
- 2009054059 subject "N72.S6 D46 2010".
- 2009054059 tableOfContents "Becoming Venice, becoming Venetian -- The commercial famiglia -- The Scuola Grande di San Rocco, I: the family chapel -- The Scuola Grande di San Rocco II: competition and cooperation -- Creating a façade: the patronage of domestic architecture -- Inside the naturalized citizen home -- Fame and infamy, the seventeenth century -- Catalogue: individual family histories.".
- 2009054059 title "Becoming Venetian : immigrants and the arts in early modern Venice / Blake de Maria.".
- 2009054059 type "text".