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- 2010004262 abstract "Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.".
- 2010004262 contributor B11741631.
- 2010004262 contributor B11741632.
- 2010004262 created "c2010.".
- 2010004262 date "2010".
- 2010004262 date "c2010.".
- 2010004262 dateCopyrighted "c2010.".
- 2010004262 description "Includes bibliographical references (p. 201-234) and index.".
- 2010004262 description "Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.".
- 2010004262 description "What's the matter with methodology? -- Historical distance (bridging and spanning) -- On the limits of interpretation: Dürer's Melencolia I -- What the formalist knows -- The spectator: Riegl, Steinberg, and Morris -- The gaze in perspective: Merleau-Ponty, Lacan, Damisch -- Seeing and reading: Lyotard, Barthes, Schapiro -- Plasticity: the Hegelian writing of art -- Curriculum.".
- 2010004262 extent "x, 243 p. :".
- 2010004262 identifier "0226388255 (cloth : alk. paper)".
- 2010004262 identifier "0226388263 (pbk. : alk. paper)".
- 2010004262 identifier "9780226388250 (cloth : alk. paper)".
- 2010004262 identifier "9780226388267 (pbk. : alk. paper)".
- 2010004262 issued "2010".
- 2010004262 issued "c2010.".
- 2010004262 language "eng".
- 2010004262 publisher "Chicago ; London : University of Chicago Press,".
- 2010004262 subject "707.2/2 22".
- 2010004262 subject "Art Historiography.".
- 2010004262 subject "Art History Philosophy.".
- 2010004262 subject "N7480 .I84 2010".
- 2010004262 tableOfContents "What's the matter with methodology? -- Historical distance (bridging and spanning) -- On the limits of interpretation: Dürer's Melencolia I -- What the formalist knows -- The spectator: Riegl, Steinberg, and Morris -- The gaze in perspective: Merleau-Ponty, Lacan, Damisch -- Seeing and reading: Lyotard, Barthes, Schapiro -- Plasticity: the Hegelian writing of art -- Curriculum.".
- 2010004262 title "Writing art history : disciplinary departures / Margaret Iversen and Stephen Melville.".
- 2010004262 type "text".