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- 2012029749 contributor B12461640.
- 2012029749 created "2013.".
- 2012029749 date "2013".
- 2012029749 date "2013.".
- 2012029749 dateCopyrighted "2013.".
- 2012029749 description "Includes bibliographical references (p. 218-238) and index.".
- 2012029749 description "Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.".
- 2012029749 extent "x, 244 p. ;".
- 2012029749 identifier "9781107028005 (hardback)".
- 2012029749 issued "2013".
- 2012029749 issued "2013.".
- 2012029749 language "eng".
- 2012029749 publisher "Cambridge ; New York : Cambridge University Press,".
- 2012029749 spatial "England".
- 2012029749 subject "820.9/353 23".
- 2012029749 subject "English literature Early modern, 1500-1700 History and criticism Theory, etc.".
- 2012029749 subject "English literature Psychological aspects.".
- 2012029749 subject "LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh".
- 2012029749 subject "Mind and body.".
- 2012029749 subject "PR428.P76 S47 2013".
- 2012029749 subject "Reader-response criticism.".
- 2012029749 subject "Reading Physiological aspects.".
- 2012029749 subject "Senses and sensation in literature.".
- 2012029749 subject "Shakespeare, William, 1564-1616 Criticism and interpretation".
- 2012029749 subject "Theater audiences England History 16th century.".
- 2012029749 subject "Theater audiences England History 17th century.".
- 2012029749 tableOfContents "Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith.".
- 2012029749 title "Shakespearean sensations : experiencing literature in early modern England / edited by Katharine A. Craik and Tanya Pollard.".
- 2012029749 type "text".