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- 01GJFF6HD3V55FDBMAA2E5DPMG classification A2.
- 01GJFF6HD3V55FDBMAA2E5DPMG date "2018".
- 01GJFF6HD3V55FDBMAA2E5DPMG language "eng".
- 01GJFF6HD3V55FDBMAA2E5DPMG type journalArticle.
- 01GJFF6HD3V55FDBMAA2E5DPMG subject "Languages and Literatures".
- 01GJFF6HD3V55FDBMAA2E5DPMG doi "10.21825/jeps.v3i2.9717".
- 01GJFF6HD3V55FDBMAA2E5DPMG issn "2506-6587".
- 01GJFF6HD3V55FDBMAA2E5DPMG issue "2".
- 01GJFF6HD3V55FDBMAA2E5DPMG volume "3".
- 01GJFF6HD3V55FDBMAA2E5DPMG abstract "The shock of the First World War resulted in a range of initiatives that, on the artistic level, radically called into question a number of fundamental concepts. While the function of new art was a topic that was discussed in different European countries, the international orientation of each national art differed from country to country. In Belgium, this was a complex issue. Notions such as ‘literature’ and especially ‘internationalism’ became the subject of a harsh battle for definition that was carried out in several literary and artistic magazines. In this article, I look at how these terms were defined within the artistic group surrounding the Brussels magazine L’Art libre (1919–22). I will give a general definition of internationalism in order to then elaborate the extent to which it may come into conflict with a focus on local, Flemish reality. As a social entity, Flanders did indeed fit into the internationalist program to recognize suppressed nations. Yet as an artistic entity, its existence was more problematically situated within a tendency for ever-increasing artistic internationalization. My analysis will show a number of discursive and argumentative strategies used by writers and critics in order to legitimate the idea of ‘Flanders’, both as a literary and as a social entity.".
- 01GJFF6HD3V55FDBMAA2E5DPMG author efd6c3b0-83b2-11ec-90d2-c41ef28d0a2d.
- 01GJFF6HD3V55FDBMAA2E5DPMG dateCreated "2022-11-22T10:47:34Z".
- 01GJFF6HD3V55FDBMAA2E5DPMG dateModified "2024-07-09T07:44:22Z".
- 01GJFF6HD3V55FDBMAA2E5DPMG name "‘Vous êtes un fanatique, oui — j’en suis un aussi’ : the position of Flanders within the context of internationalization in Post-War Belgium : the case of L’Art Libre (1919-22)".
- 01GJFF6HD3V55FDBMAA2E5DPMG pagination urn:uuid:5b5db059-7e48-4ce9-aa54-36f738a656be.
- 01GJFF6HD3V55FDBMAA2E5DPMG sameAs LU-01GJFF6HD3V55FDBMAA2E5DPMG.
- 01GJFF6HD3V55FDBMAA2E5DPMG sourceOrganization urn:uuid:9d13ba14-455a-40da-8815-25980d7aabca.
- 01GJFF6HD3V55FDBMAA2E5DPMG type A2.