Matches in UGent Biblio for { <https://biblio.ugent.be/publication/1171735#aggregation> ?p ?o. }
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- aggregation classification "C1".
- aggregation creator person.
- aggregation date "2007".
- aggregation hasFormat 1171735.bibtex.
- aggregation hasFormat 1171735.csv.
- aggregation hasFormat 1171735.dc.
- aggregation hasFormat 1171735.didl.
- aggregation hasFormat 1171735.doc.
- aggregation hasFormat 1171735.json.
- aggregation hasFormat 1171735.mets.
- aggregation hasFormat 1171735.mods.
- aggregation hasFormat 1171735.rdf.
- aggregation hasFormat 1171735.ris.
- aggregation hasFormat 1171735.txt.
- aggregation hasFormat 1171735.xls.
- aggregation hasFormat 1171735.yaml.
- aggregation language "eng".
- aggregation publisher "Musée de Quai Branly".
- aggregation subject "Cultural Sciences".
- aggregation title "From 'artefact' to 'art by appropriation': carvings of Asmat and Kamoro of West New Guinea".
- aggregation abstract "When the metamorphosis of ethnic objects into ‘art’ took place in the fifties of last century, the idea was that art was universal. Western people paid so to say respect to material culture of indigenous cultures by calling these objects art. But by claiming these objects as art, also western criteria were attached to them. In fact the approach remained still ‘Eurocentric’. This transformation of ethnic objects into ‘art’ can be regarded as one of the consequences of ‘collecting’. For western aesthetic appreciation and taste largely appoint the economic value of these objects.".
- aggregation authorList BK214832.
- aggregation endPage "31".
- aggregation startPage "30".
- aggregation isDescribedBy 1171735.
- aggregation similarTo LU-1171735.