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- aggregation classification "C1".
- aggregation creator person.
- aggregation date "2011".
- aggregation format "application/pdf".
- aggregation hasFormat 1989276.bibtex.
- aggregation hasFormat 1989276.csv.
- aggregation hasFormat 1989276.dc.
- aggregation hasFormat 1989276.didl.
- aggregation hasFormat 1989276.doc.
- aggregation hasFormat 1989276.json.
- aggregation hasFormat 1989276.mets.
- aggregation hasFormat 1989276.mods.
- aggregation hasFormat 1989276.rdf.
- aggregation hasFormat 1989276.ris.
- aggregation hasFormat 1989276.txt.
- aggregation hasFormat 1989276.xls.
- aggregation hasFormat 1989276.yaml.
- aggregation isPartOf urn:isbn:9781897233559.
- aggregation language "eng".
- aggregation publisher "The International Institute for Advanced Studies in Systems Research and Cybernetics (IIAS)".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Philosophy and Religion".
- aggregation title "The role of the artist's gesture in the perception of art and artistic style".
- aggregation abstract "The perception of art is a complex and multi-layered phenomenon. One obvious aspect in perceiving and appreciating a work of art is the recognition of its representational content, either figurative or non- figurative. A second and no less important aspect is the assessment of its graphic or plastic qualities. Assessing these qualities is part of our understanding of the process in which the work has been produced. Many artists testify that this process is not primarily an activity carried out by the mind, but rather “[...] a bodily activity, one that is an expression of the lived-body’s way of being in the world.” (Wentworth, 2004: 15) The perception and appreciation of works of art therefore involves the understanding of its coming into being on the basis of the artist’s gestures. In this contribution, these two related ideas are elaborated on the basis of a number of phenomenological insights. First, the Husserlian idea that in the perception of cultural objects their coming into being is appresented, and second the idea that in the art of drawing, this is a matter of appresentation of the draftsman bodily gestures.".
- aggregation authorList BK324260.
- aggregation endPage "19".
- aggregation startPage "15".
- aggregation volume "9".
- aggregation aggregates 1989291.
- aggregation isDescribedBy 1989276.
- aggregation similarTo LU-1989276.