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- aggregation classification "A1".
- aggregation creator person.
- aggregation creator person.
- aggregation date "2014".
- aggregation format "application/pdf".
- aggregation hasFormat 4130019.bibtex.
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- aggregation hasFormat 4130019.rdf.
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- aggregation hasFormat 4130019.yaml.
- aggregation isPartOf urn:issn:0013-838X.
- aggregation language "eng".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Languages and Literatures".
- aggregation title "Laurence Binyon and the modernists: Ezra Pound, T.S. Eliot, and Marinetti".
- aggregation abstract "This article will claim that Laurence Binyon deserves a re-assessment for two reasons: his critical work has echoes in the poetic theory of Ezra Pound and T.S. Eliot, and, secondly, he was a pivotal figure for the avant-garde in Britain. Although Binyon started his career in the late Victorian period and his work may not appear to diverge from that of his direct predecessors, he was susceptible to some of the most innovative artistic movements of the early twentieth century. His early texts on Chinese and Japanese art show that Binyon was much more modern than Pound’s biographers claim, and his work needs to be assessed in that light. Binyon’s use of the term “make it new” long before Pound first mentioned it, and his progressive poetics in “Poetry and Modern Life”, are particularly interesting for our thesis.".
- aggregation authorList BK1039043.
- aggregation endPage "909".
- aggregation issue "8".
- aggregation startPage "907".
- aggregation volume "95".
- aggregation aggregates 5823453.
- aggregation isDescribedBy 4130019.
- aggregation similarTo 0013838X.2014.946806.
- aggregation similarTo LU-4130019.