Matches in UGent Biblio for { <https://biblio.ugent.be/publication/431864#aggregation> ?p ?o. }
Showing items 1 to 31 of
31
with 100 items per page.
- aggregation classification "A1".
- aggregation creator person.
- aggregation date "2005".
- aggregation format "application/pdf".
- aggregation hasFormat 431864.bibtex.
- aggregation hasFormat 431864.csv.
- aggregation hasFormat 431864.dc.
- aggregation hasFormat 431864.didl.
- aggregation hasFormat 431864.doc.
- aggregation hasFormat 431864.json.
- aggregation hasFormat 431864.mets.
- aggregation hasFormat 431864.mods.
- aggregation hasFormat 431864.rdf.
- aggregation hasFormat 431864.ris.
- aggregation hasFormat 431864.txt.
- aggregation hasFormat 431864.xls.
- aggregation hasFormat 431864.yaml.
- aggregation isPartOf urn:issn:0035-6867.
- aggregation language "ita".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Performing Arts".
- aggregation title "Dall' 'effeminato' al 'virtuoso': modelli d’identità di genere nel 'Telemaco' (1718) di Alessandro Scarlatti".
- aggregation abstract "Few books can claim both the popularity and controversiality of Fenelon's Les Aventures de Telemaque (1699), a novel translated into several languages and repeatedly praised for containing "delightful images of practical philosophy" (Muratori, 1706). But Telemaque had more to offer than just reading matter. The dramatic episodes punctuating its epic framework have invited numerous theatrical adaptations. Fenelon's recasting of Telemachus's adventures on Calypso's isle (Books I, IV and VII) bore such conspicuously 'operatic' qualities that it became a favorite opera scenario. Clues as to the reception of this particular episode in settecento opera can be found in Muratori's widely-read Della perfetta poesia italiana (1706). In fact, the story of a young prince experiencing difficulties in abandoning "the charms of an idle and effeminate life" chimes with Muratori's rationalist stance on opera and gender. The seducing 'siren songs' of Calypso and her nymphs can be seen as representing the debasing effects of music on contemporary audiences, and the discursive persuasion of Telemachus's counselor Mentor (Minerva in male disguise) as the voice of rationality. As a result, Telemachus's rejection of effeminacy and sensuality must have provided reformist poets with a powerful tool to redefine operatic virtue. Alessandro Scarlatti's Telemaco (Rome, 1718), the first full-scale Italian opera to elaborate on Fenelon's novel, confirms such reading. Intertextual analysis indicates that Carlo Sigismondo Capeci drew his libretto from a hereto-unknown source, Pellegrin's Telemaque (Paris, 1714). Yet, while copying Pellegrin's scenic lay-out, Capeci restored elements from the novel that were absent from the French opera, most notably the character of Mentor and the semantic devices with which Fenelon had stressed the 'poisoning' effect of feminine eros on masculine eloquence. A closer look at Scarlatti's score reveals how the restoration of Fenelon's gender ideology has helped to differentiate characters exclusively performed by male singers.".
- aggregation authorList BK493299.
- aggregation endPage "111".
- aggregation issue "1-2".
- aggregation startPage "85".
- aggregation volume "40".
- aggregation aggregates 528185.
- aggregation isDescribedBy 431864.
- aggregation similarTo LU-431864.