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- aggregation classification "A2".
- aggregation creator person.
- aggregation date "2012".
- aggregation format "application/pdf".
- aggregation hasFormat 4443205.bibtex.
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- aggregation hasFormat 4443205.doc.
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- aggregation isPartOf urn:issn:1800-7074.
- aggregation language "eng".
- aggregation publisher "Istraživački medijski centar".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Arts and Architecture".
- aggregation title "The rock: points of view in Bart De Clercq's painting".
- aggregation abstract "Images are of the order of monsters. They are beautiful in the same way that they are shocking to the eye. In Édouard Manet’s own words: “Un des plus beaux, des plus curieux, et des plus terribles spectacles que l’on puisse voir, c’est une course de taureaux. J’espère, à mon retour, mettre sur la toile l’aspect brillant, papillotant et en même temps dramatique de la corrida à laquelle j’ai assisté.” In the bullfighting occurring at the moment of looking at images (any image), the fight between the beholder’s eye and the painting’s gaze, in Lacan’s sense, is won by the latter. The toreros, the embodiment of modern warriors for the bourgeois spectators in the second half of the European XIX century, are always destined to symbolic death: the power of the (self-) annihilating gaze of the picture itself wins over the eye in the ritual of exchange between subjects and objects of looking, whose roles mingle, interchange and constantly shift during the realistic and also hallucinatory act of seeing images.".
- aggregation authorList BK1206518.
- aggregation endPage "881".
- aggregation issue "13-14".
- aggregation startPage "853".
- aggregation volume "5".
- aggregation aggregates 4443206.
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- aggregation similarTo LU-4443205.