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- aggregation classification "A1".
- aggregation creator person.
- aggregation date "2012".
- aggregation format "application/pdf".
- aggregation hasFormat 5668571.bibtex.
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- aggregation isPartOf urn:issn:0028-2677.
- aggregation language "eng".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Languages and Literatures".
- aggregation title "Faust is dead: Mark Ravenhill's view on a posthuman era".
- aggregation abstract "This article departs from a close reading of Mark Ravenhill's Faust (Faust is Dead) and argues that the play in its radical postmodern sensibilities asks fundamental questions about the future of the tragic hero in contemporary playwriting. One of its central notions is Fukuyama's megalothymia to denote the human drive to compete with one another. As Fukuyama has delineated in his book The End of History and the Last Man (1992), man has lost this drive and is lost in an apathetic existence. It is this state of lethargy that can be noticed in Ravenhill's play, and that also explains the use of cruelty, as a means to undo this posthuman, desireless existence. Consequently, the tragic hero has become a spectator in his own drama.".
- aggregation authorList BK1445500.
- aggregation endPage "659".
- aggregation issue "4".
- aggregation startPage "651".
- aggregation volume "96".
- aggregation aggregates 5668574.
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