Matches in UGent Biblio for { <https://biblio.ugent.be/publication/905787#aggregation> ?p ?o. }
Showing items 1 to 36 of
36
with 100 items per page.
- aggregation classification "A1".
- aggregation creator person.
- aggregation creator person.
- aggregation creator person.
- aggregation creator person.
- aggregation creator person.
- aggregation date "2010".
- aggregation format "application/pdf".
- aggregation hasFormat 905787.bibtex.
- aggregation hasFormat 905787.csv.
- aggregation hasFormat 905787.dc.
- aggregation hasFormat 905787.didl.
- aggregation hasFormat 905787.doc.
- aggregation hasFormat 905787.json.
- aggregation hasFormat 905787.mets.
- aggregation hasFormat 905787.mods.
- aggregation hasFormat 905787.rdf.
- aggregation hasFormat 905787.ris.
- aggregation hasFormat 905787.txt.
- aggregation hasFormat 905787.xls.
- aggregation hasFormat 905787.yaml.
- aggregation isPartOf urn:issn:1783-7677.
- aggregation language "eng".
- aggregation rights "I have transferred the copyright for this publication to the publisher".
- aggregation subject "Performing Arts".
- aggregation title "From expressive gesture to sound: the development of an embodied mapping trajectory inside a musical interface".
- aggregation abstract "This paper contributes to the development of a multimodal, musical tool that extends the natural action range of the human body to communicate expressiveness into the virtual music domain. The core of this musical tool consists of a low cost, highly functional computational model developed upon the Max/MSP platform that (1) captures real-time movement of the human body into a 3D coordinate system on the basis of the orientation output of any type of inertial sensor system that is OSC-compatible, (2) extract low-level movement features that specify the amount of contraction/expansion as a measure of how a subject uses the surrounding space, (3) recognizes these movement features as being expressive gestures, and (4) creates a mapping trajectory between these expressive gestures and the sound synthesis process of adding harmonic related voices on an in origin monophonic voice. The concern for a user-oriented and intuitive mapping strategy was thereby of central importance. This was achieved by conducting an empirical experiment based on theoretical concepts from the embodied music cognition paradigm. Based on empirical evidence, this paper proposes a mapping trajectory that facilitates the interaction between a musician and his instrument, the artistic collaboration between (multimedia) artists and the communication of expressiveness in a social, musical context.".
- aggregation authorList BK888783.
- aggregation endPage "78".
- aggregation issue "1-2".
- aggregation startPage "67".
- aggregation volume "3".
- aggregation aggregates 905832.
- aggregation isDescribedBy 905787.
- aggregation similarTo s12193‐009‐0027-3.
- aggregation similarTo LU-905787.