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• Cinema_of_China abstract "The Cinema of China is one of three distinct historical threads of Chinese-language cinema together with the Cinema of Hong Kong and the Cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, The Battle of Dingjunshan, was made in 1905, with the film industry being centered around Shanghai in the first decade. The first sound film, Sing-Song Girl Red Peony, using the sound-on-disc technology, was made in 1931. The 1930s, considered the first "golden period" of Chinese cinema, saw the advent of the Leftist cinematic movement and the dispute between Nationalists and Communists was reflected in the films produced. After the Japanese invasion of China and the occupation of Shanghai, the industry in the city was severely curtailed, with filmmakers moving to Hong Kong, Chongqing and other places, starting a "Solitary Island" period in Shanghai, referring to the city's foreign concessions, with the remaining filmmakers working there. Princess Iron Fan (1941), the first Chinese animated feature film, was released at the end of this period. After being completely engulfed by the occupation in 1941, and until the end of the war in 1945, the film industry in the city was under Japanese control.After the end of the war, a second golden age took place, with production in Shanghai resuming, with films such as Spring in a Small Town (1948), named the best Chinese-language film at the 24th Hong Kong Film Awards. Remorse at Death (1948), by the same director, was the first Chinese color film. After the communist revolution in 1949, previous and some foreign films were banned in 1951, and movie attendance increased sharply. During the Cultural Revolution, the film industry was severely restricted, coming almost to a standstill from 1967 to 1972. The industry flourished following the end of the Cultural Revolution, including the "scar dramas" of the 1980s, such as Evening Rain (1980), Legend of Tianyun Mountain (1980) and Hibiscus Town (1986), made mostly by the Fourth Generation of Chinese filmmakers, depicting the emotional traumas left by the period. Starting in the mid to late 1980s, with films such as One and Eight (1983) and Yellow Earth (1984), the rise of the Fifth Generation brought increased popularity to Chinese cinema abroad, especially among Western arthouse audiences, with films like Red Sorghum (1987), The Story of Qiu Ju (1992) and Farewell My Concubine (1993) winning major international awards. The movement partially ended after the Tiananmen Square protests of 1989. The post-1990 period saw the rise of the Sixth Generation and post-Sixth Generation, both mostly making films outside of the main Chinese film system and played mostly on the international film festival circuit.Following the international commercial success of films such as Crouching Tiger, Hidden Dragon (2000) and Hero (2002), the number of co-productions in Chinese-language cinema has increased and there has been a movement of Chinese-language cinema into a domain of large scale international influence. After The Dream Factory (1997) demonstrated the viability of the commercial model, and with the growth of the Chinese box office, Chinese films have broken box office records and, as of January 2014, 6 of the top 10 highest-grossing films in China are domestic productions, with Lost in Thailand (2012) currently being the highest grossing Chinese film in the domestic market and the first to reach 1 billion yuan.China is the home of the largest film studio in the world, Hengdian World Studios, and in 2010 it had the third largest film industry by number of feature films produced annually. In 2012 the country became the second-largest market in the world by box office receipts. In 2013, the gross box office in China was ¥21.8 billion (US$3.6 billion), with domestic films having a share of 59%. The country is predicted to have the largest market in the world in 2018. China has also became a major hub of business for Hollywood studios.The vast majority of the Mainland-produced movies use Mandarin. Mainland films are often dubbed into Cantonese when exported to Hong Kong for theatrical runs.".
• Cinema_of_China thumbnail Tan_Xinpei_Dingjunshan_1905.jpg?width=300.
• Cinema_of_China wikiPageExternalLink filmbib.htm.
• Cinema_of_China wikiPageExternalLink about_cm.html.
• Cinema_of_China wikiPageExternalLink journals.php?issn=17508061.
• Cinema_of_China wikiPageID "10791".
• Cinema_of_China wikiPageRevisionID "604579219".
• Cinema_of_China admissionsTotal "612000000".
• Cinema_of_China admissionsYear "2013".
• Cinema_of_China boxOfficeNational "1.28E10".
• Cinema_of_China boxOfficeTotal "2.18E10".
• Cinema_of_China boxOfficeYear "2013".
• Cinema_of_China caption "Actor Tan Xinpei in The Battle of Dingjunshan, 1905".
• Cinema_of_China hasPhotoCollection Cinema_of_China.
• Cinema_of_China name "Cinema of China".
• Cinema_of_China producedTotal "638".
• Cinema_of_China producedYear "2013".
• Cinema_of_China screens "18195".
• Cinema_of_China screensPerCapita "0.7".
• Cinema_of_China subject Category:Arts_in_China.
• Cinema_of_China subject Category:Cinema_of_China.
• Cinema_of_China type Art102743547.
• Cinema_of_China type Artifact100021939.
• Cinema_of_China type ArtsInChina.
• Cinema_of_China type Creation103129123.
• Cinema_of_China type Object100002684.
• Cinema_of_China type PhysicalEntity100001930.
• Cinema_of_China type Whole100003553.
• Cinema_of_China type Country.
• Cinema_of_China type Place.
• Cinema_of_China type PopulatedPlace.
• Cinema_of_China type Wikidata:Q532.
• Cinema_of_China type Country.
• Cinema_of_China type Place.
• Cinema_of_China type Location.
• Cinema_of_China comment "The Cinema of China is one of three distinct historical threads of Chinese-language cinema together with the Cinema of Hong Kong and the Cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, The Battle of Dingjunshan, was made in 1905, with the film industry being centered around Shanghai in the first decade. The first sound film, Sing-Song Girl Red Peony, using the sound-on-disc technology, was made in 1931.".
• Cinema_of_China label "Chinesischer Film".
• Cinema_of_China label "Cine de China".
• Cinema_of_China label "Cinema cinese".
• Cinema_of_China label "Cinema da China".
• Cinema_of_China label "Cinema of China".
• Cinema_of_China label "Cinéma chinois".
• Cinema_of_China label "Кинематограф Китая".
• Cinema_of_China label "سينما صينية".
• Cinema_of_China label "中国大陆电影".
• Cinema_of_China label "中国映画".
• Cinema_of_China sameAs Čínská_kinematografie.
• Cinema_of_China sameAs Chinesischer_Film.
• Cinema_of_China sameAs Cine_de_China.
• Cinema_of_China sameAs Cinéma_chinois.
• Cinema_of_China sameAs Cinema_cinese.
• Cinema_of_China sameAs 中国映画.
• Cinema_of_China sameAs 중국의_영화.
• Cinema_of_China sameAs Cinema_da_China.
• Cinema_of_China sameAs Q842792.
• Cinema_of_China sameAs Q842792.
• Cinema_of_China sameAs Cinema_of_China.
• Cinema_of_China wasDerivedFrom Cinema_of_China?oldid=604579219.
• Cinema_of_China depiction Tan_Xinpei_Dingjunshan_1905.jpg.
• Cinema_of_China isPrimaryTopicOf Cinema_of_China.