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- Cognitive_Constraints_on_Compositional_Systems abstract "Fred Lerdahl's "Cognitive Constraints on Compositional Systems" cites Pierre Boulez's Le Marteau sans Maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis". (In semiological terms, this is a gap between the esthesic and poietic processes.) To explain this gap, and in hopes of bridging it, Lerdahl proposes the concept of a musical grammar, "a limited set of rules that can generate indefinitely large sets of musical events and/or their structural descriptions." He divides this further into compositional grammar and listening grammar, the latter being one "more or less unconsciously employed by auditors, that generates mental representations of the music". He divides the former into natural and artificial compositional grammars. While the two have historically been fruitfully mixed, a natural grammar arises spontaneously in a culture while an artificial one is a conscious invention of an individual or group in a culture; the gap can arise only between listening grammar and artificial grammars. To begin to understand the listening grammar Lerdahl and Ray Jackendoff created a theory of musical cognition, A Generative Theory of Tonal Music (1983; ISBN 0-262-62107-X). That theory is outlined in the essay. Lerdahl's constraints on artificial compositional grammars are:".
- Cognitive_Constraints_on_Compositional_Systems wikiPageExternalLink Cognitive%20Constraints%20on%20Compositional%20Systems.pdf.
- Cognitive_Constraints_on_Compositional_Systems wikiPageID "1693839".
- Cognitive_Constraints_on_Compositional_Systems wikiPageRevisionID "606377418".
- Cognitive_Constraints_on_Compositional_Systems hasPhotoCollection Cognitive_Constraints_on_Compositional_Systems.
- Cognitive_Constraints_on_Compositional_Systems subject Category:1988_essays.
- Cognitive_Constraints_on_Compositional_Systems subject Category:Cognitive_musicology.
- Cognitive_Constraints_on_Compositional_Systems subject Category:Essays_about_music.
- Cognitive_Constraints_on_Compositional_Systems subject Category:Music_cognition.
- Cognitive_Constraints_on_Compositional_Systems subject Category:Philosophy_of_music.
- Cognitive_Constraints_on_Compositional_Systems type 1988Essays.
- Cognitive_Constraints_on_Compositional_Systems type Abstraction100002137.
- Cognitive_Constraints_on_Compositional_Systems type Communication100033020.
- Cognitive_Constraints_on_Compositional_Systems type Essay106409562.
- Cognitive_Constraints_on_Compositional_Systems type Essays.
- Cognitive_Constraints_on_Compositional_Systems type Writing106362953.
- Cognitive_Constraints_on_Compositional_Systems type WrittenCommunication106349220.
- Cognitive_Constraints_on_Compositional_Systems comment "Fred Lerdahl's "Cognitive Constraints on Compositional Systems" cites Pierre Boulez's Le Marteau sans Maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis".".
- Cognitive_Constraints_on_Compositional_Systems label "Cognitive Constraints on Compositional Systems".
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- Cognitive_Constraints_on_Compositional_Systems sameAs Q5141159.
- Cognitive_Constraints_on_Compositional_Systems sameAs Cognitive_Constraints_on_Compositional_Systems.
- Cognitive_Constraints_on_Compositional_Systems wasDerivedFrom Cognitive_Constraints_on_Compositional_Systems?oldid=606377418.
- Cognitive_Constraints_on_Compositional_Systems isPrimaryTopicOf Cognitive_Constraints_on_Compositional_Systems.