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- Crafts_in_Kosovo abstract "The road for the genuine craftsmanship identification is hard to overcome because the records in the facility miss, excluding the of Ethem Zurnaxhiu's family. In addition, some really characteristic examples:In the church of Saint Premtes exists a record that the mural painting has been done by the Greek artist Astrap, documented because of the appended artists signature. The sofi Sinan Pasha's mosque, where the same technique was used - al’seco, as in the first layer of depiction in the al’arabesco style in the 16th century, and in the second layer in the al’barok style in the 18th century, not any signature of the creators of the time was found. This occurrence may be understandable given the Islamic concept and the time of creation, but is surprising that it affects the contemporary creators. For instance, the mosque in the Mamushë Countryside has its mural painting with the verses of Kur’an with the al’seco technique, but no signature of its creator Meli Zenko from Gostivar has been found.Writing the creators and the masters name in the technical documentation should be mandatory, because on the contrary we will be guilty in front of the next inherited generations. In the lack of the relevant facts of the creators and time of creation of the composition of material culture of the ancient city, it can be said that the authentic craftsmanship aboriginal starts with the introduction and development of the civilization in this area in the 1st century. Roman-era graves monuments, done by the local masters and other crafty facilities belonging to the Early Byzantines-era. One of the early craft centers of the city was the space in the first elbow of the gizzard, after the locality of the Top angels, in the place where now are the public enterprise magazines Cylen of Prizren, once the Idriz Ahmed Buza's mill. Facts demonstrate the early development of life and crafts in this area of the city. In Prizren, there were evidenced the Roman-era graves and remains. In this territory, later on, the manufacturing of guns and pistols was developed and exported in large quantity in Europe, Asia and Africa. The decoration of these arms with gold, silver, amber and wood carving was done by the masters of the city.".
- Crafts_in_Kosovo thumbnail The_Sahatçiu_heritage-%22Anker%22.jpg?width=300.
- Crafts_in_Kosovo wikiPageID "38627648".
- Crafts_in_Kosovo wikiPageRevisionID "605897858".
- Crafts_in_Kosovo hasPhotoCollection Crafts_in_Kosovo.
- Crafts_in_Kosovo subject Category:Crafts.
- Crafts_in_Kosovo subject Category:Kosovar_culture.
- Crafts_in_Kosovo comment "The road for the genuine craftsmanship identification is hard to overcome because the records in the facility miss, excluding the of Ethem Zurnaxhiu's family. In addition, some really characteristic examples:In the church of Saint Premtes exists a record that the mural painting has been done by the Greek artist Astrap, documented because of the appended artists signature.".
- Crafts_in_Kosovo label "Crafts in Kosovo".
- Crafts_in_Kosovo sameAs m.0r8l6g5.
- Crafts_in_Kosovo sameAs Q16952479.
- Crafts_in_Kosovo sameAs Q16952479.
- Crafts_in_Kosovo wasDerivedFrom Crafts_in_Kosovo?oldid=605897858.
- Crafts_in_Kosovo depiction The_Sahatçiu_heritage-%22Anker%22.jpg.
- Crafts_in_Kosovo isPrimaryTopicOf Crafts_in_Kosovo.