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- Gol-e_Sadbarg abstract "Gol-e Sadbarg (Persian: گل صدبرگ), meaning The One-Hundred-Petalled-Rose, is one of the most popular albums in the genre of Iranian classical music. More precisely, it is believed to be among the best-selling albums of Iran’s classical music ever.Released in 1984, the album is the fruit of the collaboration among a number of Iranian elite musicians such as Shahram Nazeri, Jalal Zolfonoun, Bijan Kamkar and Reza Ghassemi, among others. Gol-e Sadbarg introduced and established a new approach to Persian classical music.Before Gol-e Sadbarg, one could hardly find Persian Lute the Setar as the main instrument in classical songs. When the cassette was released in 1984, Iranian people started to experience something really different since the composers had included only two instruments; namely, the Setar and the Daf (an Iranian percussion).Though the masters Jalal Zolfonoun and Shahram Nazeri had started to use the Setar and resurrect its can-be-claimed faded identity as a major instrument years earlier when they released (not officially) the album The Moses and the shepherd, Gol-e Sadbarg tasted differently.Following the album, the number of Iranians who started to learn the instrument multiplied unbelievably. As Mehrdad Torabi (a famous teacher of Tar and Setar who has written instructional books on Setar) claims, thanks to Gol-Sadbarg, musical schools of Tehran found themselves loaded with young students who were eager to learn playing the Setar.The same exact thing happened to the Daf. Till Gol-e Sadbarg, the main percussion of classical Persian music was the Tonbak. Though the Daf was borrowed from Kurdish music of Iran a couple of years earlier, the presence was no more than a marginal role in a piece performed by Shayda group orchestrated by master Lotfi. It is to note that the same musician i.e. master Bijan Kamkar played the Daf in both concerts. There were so many delicate things around it that brought the album and the instruments such undeniable success. Firstly, Shahram Nazeri who song the album had something other singers failed to do: his voice which was totally different; his yodels were unique and his mournful intricacies could get the listeners somewhere others could not.Also, the composers of the album, i.e. Shahram Nazeri, Jalal Zolfonoun and Reza Ghassemi, were so careful about setting poetry to the melodies of Iranian music. The poems were chosen from such great poets such as Attar, Hafez and Rumi (Molana J.A.D Balkhi). It is worth mentioning that Shahram Nazeri was the first musician who seriously started to compose music for and sing Rumi’s poetry in 1970s.In case of Gol-e Sadbarg, although the melodies were taken from musical Radif of Iran, there was a strong taste of folklore music in it. The noticeably rhythmic use of the Daf accompanied by the melodies produced by five musicians who played their Setars started a new page in the history of classic Iranian music.After about three decades, in concerts, people still sing along Shahram Nazeri whenever he is asked to sing the song Andak Andak (step by step) from this seminal album.Vocalist: Shahram NazeriComposers: Jalal Zolfonoun, Reza Ghassemi and Shahram NazeriConductor: Jalal ZolfonounDaf: Bijan KamkarSetar: Jalal Zolfonoun, Reza Ghassemi, M.H. Mehdian, Kaveh Dalir-Azar & Houshang Amir-Ardalan".
- Gol-e_Sadbarg wikiPageID "27924323".
- Gol-e_Sadbarg wikiPageRevisionID "596629071".
- Gol-e_Sadbarg advert "August 2010".
- Gol-e_Sadbarg hasPhotoCollection Gol-e_Sadbarg.
- Gol-e_Sadbarg unreferenced "August 2010".
- Gol-e_Sadbarg subject Category:1984_albums.
- Gol-e_Sadbarg type 1984Albums.
- Gol-e_Sadbarg type Album106591815.
- Gol-e_Sadbarg type Artifact100021939.
- Gol-e_Sadbarg type Instrumentality103575240.
- Gol-e_Sadbarg type Medium106254669.
- Gol-e_Sadbarg type Object100002684.
- Gol-e_Sadbarg type PhysicalEntity100001930.
- Gol-e_Sadbarg type Whole100003553.
- Gol-e_Sadbarg comment "Gol-e Sadbarg (Persian: گل صدبرگ), meaning The One-Hundred-Petalled-Rose, is one of the most popular albums in the genre of Iranian classical music. More precisely, it is believed to be among the best-selling albums of Iran’s classical music ever.Released in 1984, the album is the fruit of the collaboration among a number of Iranian elite musicians such as Shahram Nazeri, Jalal Zolfonoun, Bijan Kamkar and Reza Ghassemi, among others.".
- Gol-e_Sadbarg label "Gol-e Sadbarg".
- Gol-e_Sadbarg sameAs m.0ch2f18.
- Gol-e_Sadbarg sameAs Q5951960.
- Gol-e_Sadbarg sameAs Q5951960.
- Gol-e_Sadbarg sameAs Gol-e_Sadbarg.
- Gol-e_Sadbarg wasDerivedFrom Gol-e_Sadbarg?oldid=596629071.
- Gol-e_Sadbarg isPrimaryTopicOf Gol-e_Sadbarg.