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- Papadic_Octoechos abstract "Oktōēchos (here transcribed "Octoechos"; Greek: ὁ Ὀκτώηχος, pronounced in Constantinopolitan: [oxˈtóixos]; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syrian, Coptic, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic Orthodox chant today.Until 1204 neither the Hagia Sophia nor any other cathedral of the Byzantine Empire did abandon its habits, and the Hagiopolitan eight mode system came into use not earlier than in the mixed rite of Constantinople, after the patriarchate and the court had returned from their exile in Nikaia in 1261.".
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- Papadic_Octoechos subject Category:Byzantine_music.
- Papadic_Octoechos subject Category:Classical_and_art_music_traditions.
- Papadic_Octoechos subject Category:Eastern_Orthodox_liturgical_music.
- Papadic_Octoechos subject Category:Medieval_music.
- Papadic_Octoechos subject Category:Modes.
- Papadic_Octoechos subject Category:Ottoman_classical_music.
- Papadic_Octoechos comment "Oktōēchos (here transcribed "Octoechos"; Greek: ὁ Ὀκτώηχος, pronounced in Constantinopolitan: [oxˈtóixos]; from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syrian, Coptic, Armenian, Georgian, Latin and Slavic churches since the Middle Ages.".
- Papadic_Octoechos label "Papadic Octoechos".
- Papadic_Octoechos sameAs Παπαδική_Οκτώηχος.
- Papadic_Octoechos sameAs m.0pct_vr.
- Papadic_Octoechos sameAs Q15881432.
- Papadic_Octoechos sameAs Q15881432.
- Papadic_Octoechos wasDerivedFrom Papadic_Octoechos?oldid=604919123.
- Papadic_Octoechos isPrimaryTopicOf Papadic_Octoechos.