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- Septimal_major_third abstract "In music, the septimal major third About this sound play , also called the supermajor third (by Hermann Helmholtz among others) and sometimes Bohlen–Pierce third is the musical interval exactly or approximately equal to a just 9:7 ratio of frequencies, or alternately 14:11. It is equal to 435 cents, sharper than a just major third (5:4) by the septimal quarter tone (36:35) (About this sound play ). In 24-TET the septimal major third is approximated by 9 quarter tones, or 450 cents (About this sound play ).The septimal major third has a characteristic brassy sound which is much less sweet than a pure major third, but is classed as a 9-limit consonance. Together with the root 1:1 and the perfect fifth of 3:2, it makes up the septimal major triad, or supermajor triad About this sound play . However, in terms of the overtone series, this is a utonal rather than otonal chord, being an inverted 6:7:9, i.e. a 9⁄9:9⁄7:9⁄6 chord. The septimal major triad can also be represented by the ratio 14:18:21. The septimal major triad contains an interval of a septimal minor third between its third and fifth ( 3:2 / 9:7 = 7:6 ). Similarly, the septimal major third is the interval between the third and the fifth of the septimal minor triad. In the early meantone era the interval made its appearance as the alternative major third in remote keys, under the name diminished fourth. Tunings of the meantone fifth in the neighborhood of Zarlino's 2⁄7-comma meantone will give four septimal thirds among the twelve major thirds of the tuning; this entails that three septimal major triads appear along with one chord containing a septimal major third with an ordinary minor third above it, making up a wolf fifth.".
- Septimal_major_third thumbnail Septimal_major_third_on_C.png?width=300.
- Septimal_major_third wikiPageID "5489015".
- Septimal_major_third wikiPageRevisionID "581392314".
- Septimal_major_third abbreviation "S3, SM3".
- Septimal_major_third cents24tEqualTemperament "450".
- Septimal_major_third centsEqualTemperament "400".
- Septimal_major_third centsJustIntonation "435".
- Septimal_major_third complement Minor_sixth.
- Septimal_major_third hasPhotoCollection Septimal_major_third.
- Septimal_major_third intervalClass "~4½".
- Septimal_major_third inverse Minor_sixth.
- Septimal_major_third justInterval "9".
- Septimal_major_third mainIntervalName "Septimal major third".
- Septimal_major_third otherNames "Supermajor third".
- Septimal_major_third semitones "~4½".
- Septimal_major_third subject Category:7-limit_tuning_and_intervals.
- Septimal_major_third subject Category:Major_intervals.
- Septimal_major_third subject Category:Thirds.
- Septimal_major_third type Abstraction100002137.
- Septimal_major_third type Intervals.
- Septimal_major_third type Measure100033615.
- Septimal_major_third type TimeInterval115269513.
- Septimal_major_third comment "In music, the septimal major third About this sound play , also called the supermajor third (by Hermann Helmholtz among others) and sometimes Bohlen–Pierce third is the musical interval exactly or approximately equal to a just 9:7 ratio of frequencies, or alternately 14:11. It is equal to 435 cents, sharper than a just major third (5:4) by the septimal quarter tone (36:35) (About this sound play ).".
- Septimal_major_third label "Septimal major third".
- Septimal_major_third sameAs m.0dp18l.
- Septimal_major_third sameAs Q7452282.
- Septimal_major_third sameAs Q7452282.
- Septimal_major_third sameAs Septimal_major_third.
- Septimal_major_third wasDerivedFrom Septimal_major_third?oldid=581392314.
- Septimal_major_third depiction Septimal_major_third_on_C.png.
- Septimal_major_third isPrimaryTopicOf Septimal_major_third.
