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- Spanish_Tinge abstract "The phrase Spanish tinge is a reference to the belief that an Afro-Latin rhythmic touch offers a reliable method of spicing the more conventional 4/4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:Then we had Spanish people there. I heard a lot of Spanish tunes. I tried to play them in correct tempo, but I personally didn't believe they were perfected in the tempos. Now take the habanera "La Paloma", which I transformed in New Orleans style. You leave the left hand just the same. The difference comes in the right hand — in the syncopation, which gives it an entirely different color that really changes the color from red to blue.Now in one of my earliest tunes, "New Orleans Blues", you can notice the Spanish tinge. In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz.It is important to point out that what Morton described as a "Spanish" influence did not refer to cultural elements coming specifically from Spain. What he was calling "Spanish" was in fact the tresillo and habanera rhythms of the Cuban contradanza ("habanera"). We know this because Morton demonstrated the "tinge" to Alan Lomax in the 1938 Library of Congress recordings. What is known in Latin music as the habanera rhythm (also known as the congo, tango-congo, and tango.), and tresillo, are in fact, two of the most basic duple-pulse cells found in sub-Saharan African music traditions. They were brought to Cuba and elsewhere in the New World via the Atlantic slave trade.Morton categorized his compositions in three groups: blues, stomps and Spanish tinge—for those with habanera rhythms. Tunes with the "tinge" include "New Orleans Blues", "La Paloma", "The Crave", and "The Spanish Tinge". Morton also called attention to the habanera in "St. Louis Blues" as one of the elements in the song's success.".
- Spanish_Tinge thumbnail MortonBricktopRowCropMortonFace.jpg?width=300.
- Spanish_Tinge wikiPageExternalLink 8691-tom-waits.
- Spanish_Tinge wikiPageID "7918705".
- Spanish_Tinge wikiPageRevisionID "592501623".
- Spanish_Tinge align "right".
- Spanish_Tinge caption "Habanera rhythm.".
- Spanish_Tinge caption "Tresillo rhythm.".
- Spanish_Tinge direction "vertical".
- Spanish_Tinge hasPhotoCollection Spanish_Tinge.
- Spanish_Tinge image "Habanera .png".
- Spanish_Tinge image "Tresillo divisive.png".
- Spanish_Tinge width "220".
- Spanish_Tinge subject Category:Jazz_techniques.
- Spanish_Tinge subject Category:Latin_American_music.
- Spanish_Tinge subject Category:Pop_music.
- Spanish_Tinge type Ability105616246.
- Spanish_Tinge type Abstraction100002137.
- Spanish_Tinge type Cognition100023271.
- Spanish_Tinge type JazzTechniques.
- Spanish_Tinge type Know-how105616786.
- Spanish_Tinge type Method105660268.
- Spanish_Tinge type PsychologicalFeature100023100.
- Spanish_Tinge type Technique105665146.
- Spanish_Tinge comment "The phrase Spanish tinge is a reference to the belief that an Afro-Latin rhythmic touch offers a reliable method of spicing the more conventional 4/4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:Then we had Spanish people there. I heard a lot of Spanish tunes.".
- Spanish_Tinge label "Spanish Tinge".
- Spanish_Tinge sameAs m.026k184.
- Spanish_Tinge sameAs Q7573311.
- Spanish_Tinge sameAs Q7573311.
- Spanish_Tinge sameAs Spanish_Tinge.
- Spanish_Tinge wasDerivedFrom Spanish_Tinge?oldid=592501623.
- Spanish_Tinge depiction MortonBricktopRowCropMortonFace.jpg.
- Spanish_Tinge isPrimaryTopicOf Spanish_Tinge.
