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- Stomp_progression abstract "In music and jazz harmony, the Stomp progression is an eight-bar chord progression named for its use in the "stomp" section of the composition "King Porter Stomp" (1923) by Jelly Roll Morton, later arranged by Fletcher Henderson. It was one of the most popular tunes of the swing era, and the Stomp progression was often used.[citation needed]The progression is based on the last section of the piece, bars 57-64 in the original sheet music for piano or the Fake Book lead sheet, where the chords for the last 10 bars of the piece are:Gb / Gdim / | Db7/Ab / Db7 / | Gb / Gdim / | Db7/Ab / Db7 / | Gb7 / Gdim / |Db/Ab Adim Bbm Db/Ab | Gdim / Gb / | Db/F Bbm Adim Db/Ab | Gdim Gb6 Db/F Ab | Db9 / / / ǁIn pieces where the progression is repeated, this becomes something like:[citation needed]||: Gb7 Gdim7 | Db7/Ab Db7 | Gb7 Gdim7 | Db7/Ab Db7 | Gb7 Gdim7 | Db7/Ab Bb7 | Eb7 | Ab7 Db7 :ǁwhich is, ignoring the temporary tonicization of G♭,[citation needed] and treating the key as that of the trio and stomp sections, D♭:||: IV7 #ivdim7 | I7/5 I7 | IV7 #ivdim7 | I7/5 I7 | IV7 #ivdim7 | I7/5 VI7 | II7 | V7 I7 :ǁThe last two measures contain the ragtime progression.Many bands and composers have used the Stomp chord progression to write new compositions, writing new head tunes or melodies, but using the chord changes to, as Morton phrased it, "make great tunes of themselves". Examples include Benny Carter's "Everybody Shuffle" (1934). See contrafact.Other examples include:Larry Clinton and Bunny Berigan's "Study in Brown"Fats Waller's "Soothin' Syrup Stomp"Cab Calloway's "At the Clambake Carnival"Harry James's "Jump Town" and "Call the Porter"Benny Goodman's "Slipped Disc"Duke Ellington's "Bojangles (A Portrait of Bill Robinson)" (1940) chorus riffSy Oliver's "Well, Git It!" for Tommy Dorsey's Orchestra(1942)Willie Bryant Orchestra's 1935 recording of George Gershwin's "Liza", eight-bar tag ending↑ ↑ ↑ ↑ 4.0 4.1 4.2 4.3 4.4 ↑ 5.0 5.1 5.2 5.3".
- Stomp_progression wikiPageID "18427741".
- Stomp_progression wikiPageRevisionID "586886018".
- Stomp_progression hasPhotoCollection Stomp_progression.
- Stomp_progression subject Category:Chord_progressions.
- Stomp_progression type Abstraction100002137.
- Stomp_progression type Arrangement107938773.
- Stomp_progression type ChordProgressions.
- Stomp_progression type Group100031264.
- Stomp_progression type Ordering108456993.
- Stomp_progression type Progression108458912.
- Stomp_progression type Series108457976.
- Stomp_progression comment "In music and jazz harmony, the Stomp progression is an eight-bar chord progression named for its use in the "stomp" section of the composition "King Porter Stomp" (1923) by Jelly Roll Morton, later arranged by Fletcher Henderson.".
- Stomp_progression label "Stomp progression".
- Stomp_progression label "Stomp".
- Stomp_progression sameAs Stomp.
- Stomp_progression sameAs m.04f29jj.
- Stomp_progression sameAs Q7618769.
- Stomp_progression sameAs Q7618769.
- Stomp_progression sameAs Stomp_progression.
- Stomp_progression wasDerivedFrom Stomp_progression?oldid=586886018.
- Stomp_progression isPrimaryTopicOf Stomp_progression.