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- The_Order_of_Release abstract "The Order of Release, 1746 is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly detailed Pre-Raphaelitism of his early years. Effie Gray, who later left her husband for the artist, modelled for the principal figure. The painting depicts the wife of a rebel Scottish soldier, who has been imprisoned after the Jacobite rising of 1745, arriving with an order securing his release. She holds her child, showing the order to a guard, while her husband embraces her. The Illustrated London News reviewed the painting as follows:It is time now that we speak of Millais – Millais the Pre-Raffaelite; the "pretender" Millais that was; the "usurper" Millais that is; the "legitimate" Millais that perhaps (much virtue in that little word) may be; and who has certainly a larger crowd of admirers in his little corner in the Middle Room than all the Academicians put together command; . . .Truth to say, Mr. Millais, in this "Order of Release" (265), has achieved for himself an "order of merit" worth more than any academic honour, and has earned a fame which a whole corporate academy might be proud to portion amongst its constituent members. Whilst we admit – nay assert this – we would by no means wish to be understood as enrolling ourselves incontinently of this young artist’s "party" (for there is partisanship in everything, even in art); but simply as asserting that Pre-Raffaelitism (or rather the artists who have been foolishly styled Pre-Raffaelites) is a "great fact," and perhaps may lead to the regeneration of art in this country;. . . The subject is simply that of a wife, with child in her arms, coming with an order of release for her husband, who has been taken in the Civil Wars. The husband, overcome with emotions, and weak from a recent wound (his arm is in a sling), can but fall upon her neck and weep; moan, "firm of purpose," sheds no tear; she has none to shed; but her eye is red and heavy with weeping and waking; and she looks at the stern and unconcerned gaoler with a proud look, expressing that she has won the reward for all her trouble past. The colouring, the textural execution, are marvellous (for these degenerate days).The dark, generalised background is a departure from the highly detailed backgrounds of earlier works such as Ophelia, as is the emphatic chiaroscuro. However, the portrayal of tense relationships disrupted by historical dramas was a continuation of the theme of A Huguenot and The Proscribed Royalist, 1651.While working on the painting, Millais fell in love with Effie, the wife of his principal supporter, the critic John Ruskin. A study for the painting has a drawing of her head on one side and an image of a man kneeling in supplication to a woman on the other, labelled "accepted".".
- The_Order_of_Release author John_Everett_Millais.
- The_Order_of_Release museum Tate_Britain.
- The_Order_of_Release thumbnail Millais_Order_of_Release.jpg?width=300.
- The_Order_of_Release wikiPageExternalLink king5.html.
- The_Order_of_Release wikiPageID "7669920".
- The_Order_of_Release wikiPageRevisionID "590841758".
- The_Order_of_Release artist John_Everett_Millais.
- The_Order_of_Release city London.
- The_Order_of_Release hasPhotoCollection The_Order_of_Release.
- The_Order_of_Release heightMetric "102.9".
- The_Order_of_Release imageFile "Millais Order of Release.jpg".
- The_Order_of_Release imperialUnit "in".
- The_Order_of_Release metricUnit "cm".
- The_Order_of_Release museum Tate_Britain.
- The_Order_of_Release title "The Order of Release, 1746".
- The_Order_of_Release type Oil_painting.
- The_Order_of_Release widthMetric "73.7".
- The_Order_of_Release year "1852".
- The_Order_of_Release subject Category:1853_paintings.
- The_Order_of_Release subject Category:Jacobite_rising_of_1745.
- The_Order_of_Release subject Category:Paintings_by_John_Everett_Millais.
- The_Order_of_Release type 1853Paintings.
- The_Order_of_Release type Art102743547.
- The_Order_of_Release type Artifact100021939.
- The_Order_of_Release type Creation103129123.
- The_Order_of_Release type GraphicArt103453809.
- The_Order_of_Release type Object100002684.
- The_Order_of_Release type Painting103876519.
- The_Order_of_Release type PaintingsByJohnEverettMillais.
- The_Order_of_Release type PhysicalEntity100001930.
- The_Order_of_Release type Pre-RaphaelitePaintings.
- The_Order_of_Release type Whole100003553.
- The_Order_of_Release type Artwork.
- The_Order_of_Release type Work.
- The_Order_of_Release type CreativeWork.
- The_Order_of_Release type InformationEntity.
- The_Order_of_Release comment "The Order of Release, 1746 is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly detailed Pre-Raphaelitism of his early years. Effie Gray, who later left her husband for the artist, modelled for the principal figure. The painting depicts the wife of a rebel Scottish soldier, who has been imprisoned after the Jacobite rising of 1745, arriving with an order securing his release.".
- The_Order_of_Release label "The Order of Release".
- The_Order_of_Release label "Приказ об освобождении (картина)".
- The_Order_of_Release sameAs m.0268dw6.
- The_Order_of_Release sameAs Q822541.
- The_Order_of_Release sameAs Q822541.
- The_Order_of_Release sameAs The_Order_of_Release.
- The_Order_of_Release wasDerivedFrom The_Order_of_Release?oldid=590841758.
- The_Order_of_Release depiction Millais_Order_of_Release.jpg.
- The_Order_of_Release isPrimaryTopicOf The_Order_of_Release.
- The_Order_of_Release name "The Order of Release, 1746".