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- catalog contributor b239726.
- catalog created "1971]".
- catalog date "1971".
- catalog date "1971]".
- catalog dateCopyrighted "1971]".
- catalog description "Book I. The mechanics and vocabulary of film composition. 3 = 2 ; The primary equipment ; Click tracks ; The mechanics of click tracks ; The breakdown of a film ; Conversions ; The variable click track ; Special click tracks designed for creative expression ; The mechanics of free timing ; Picture cueing ; Click tracks to free timing ; Segues and overlaps ; Overlay tracks ; Double tracking ; Sweetener tracks -- Book II. The psychology of creating music for films. The approach ; Why? ; Where? ; When? ; What? and who? ; Dialogue is counterpoint ; The different types of scoring -- Book III. The responsibilities of the composer. Pre-filming preparation ; Production procedures ; Post production procedures ; Listening to the end result.".
- catalog description "On accompanying audio discs: Music segments from the actual film sound tracks.".
- catalog extent "iv, 253 p. and phonodiscs (4 s. 7 in. 33 1/3 rpm.)".
- catalog hasFormat "Scoring for films.".
- catalog isFormatOf "Scoring for films.".
- catalog issued "1971".
- catalog issued "1971]".
- catalog language "eng".
- catalog publisher "[n.p., E.D.J. Music; sole selling agent: Criterion Music Corp., New York,".
- catalog relation "Scoring for films.".
- catalog subject "782.8/5".
- catalog subject "Composition (Music)".
- catalog subject "MT737 .H2".
- catalog subject "Motion picture music Excerpts.".
- catalog subject "Motion picture music Instruction and study.".
- catalog tableOfContents "Book I. The mechanics and vocabulary of film composition. 3 = 2 ; The primary equipment ; Click tracks ; The mechanics of click tracks ; The breakdown of a film ; Conversions ; The variable click track ; Special click tracks designed for creative expression ; The mechanics of free timing ; Picture cueing ; Click tracks to free timing ; Segues and overlaps ; Overlay tracks ; Double tracking ; Sweetener tracks -- Book II. The psychology of creating music for films. The approach ; Why? ; Where? ; When? ; What? and who? ; Dialogue is counterpoint ; The different types of scoring -- Book III. The responsibilities of the composer. Pre-filming preparation ; Production procedures ; Post production procedures ; Listening to the end result.".
- catalog tableOfContents "On accompanying audio discs: Music segments from the actual film sound tracks.".
- catalog title "Scoring for films; a complete text, by Earle Hagen.".
- catalog type "text".