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- catalog abstract "In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.".
- catalog contributor b283704.
- catalog contributor b283705.
- catalog contributor b283706.
- catalog created "[c1960]".
- catalog date "1960".
- catalog date "[c1960]".
- catalog dateCopyrighted "[c1960]".
- catalog description "In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.".
- catalog description "Pt. 1. Definitions and principles. Architectonic levels -- Pulse -- Meter -- Rhythm -- Accent -- Stress -- Grouping -- Pt. 2. Rhythms on lower architectonic levels. Trochee and iamb in duple meter -- Articulation and structure -- Amphibrach, anapest, and dactyl in duple meter -- Dactyl, anapest, and amphibrach in triple meter -- The character of particular rhythms -- Iamb and trochee in triple meter -- Rhythmic ambiguity -- The influence of rhythm on melodic motion -- Recapitulation and illustration -- Exercises -- Pt. 3. More complex rhythmic structures. Theoretical considerations -- The coherence of higher-level rhythms -- Groupings on higher levels -- Analysis of a whole section -- Exercises -- Pt. 4. Rhythm and meter. Meter and the bar line -- Non-congruence -- the influence of stress upon meter -- Syncopations, suspensions, and ties -- Metric crossing -- Exercises -- Pt. 5. Rhythm, mobility, and tension. Rhythm and mobility -- Rhythm and tension -- And extended anacrusis -- An accented rest -- Summary example -- Exercises -- Pt. 6. Rhythm, continuity, and form. Rhythm, form, and morphological lengths -- Continuity and form -- Themes, non-themes, and continuity -- Rhythm and texture -- Exercises -- Pt. 7. Rhythmic development. Ambiguous Rhythm -- Rhythmic vagueness -- Rhythmic transformation -- Anacrustic development -- Exercises -- Pt. 8. Extended examples. Choplin, Prelude in E-flat, Op. 24 -- Beethoven, Symphony No. 8, first movement.".
- catalog extent "ix, 212 p.".
- catalog hasFormat "Rhythmic structure of music.".
- catalog identifier "0226115224".
- catalog isFormatOf "Rhythmic structure of music.".
- catalog issued "1960".
- catalog issued "[c1960]".
- catalog language "eng".
- catalog publisher "[Chicago] University of Chicago Press".
- catalog relation "Rhythmic structure of music.".
- catalog subject "781.62".
- catalog subject "MT42 .C642".
- catalog subject "Musical meter and rhythm.".
- catalog tableOfContents "Pt. 1. Definitions and principles. Architectonic levels -- Pulse -- Meter -- Rhythm -- Accent -- Stress -- Grouping -- Pt. 2. Rhythms on lower architectonic levels. Trochee and iamb in duple meter -- Articulation and structure -- Amphibrach, anapest, and dactyl in duple meter -- Dactyl, anapest, and amphibrach in triple meter -- The character of particular rhythms -- Iamb and trochee in triple meter -- Rhythmic ambiguity -- The influence of rhythm on melodic motion -- Recapitulation and illustration -- Exercises -- Pt. 3. More complex rhythmic structures. Theoretical considerations -- The coherence of higher-level rhythms -- Groupings on higher levels -- Analysis of a whole section -- Exercises -- Pt. 4. Rhythm and meter. Meter and the bar line -- Non-congruence -- the influence of stress upon meter -- Syncopations, suspensions, and ties -- Metric crossing -- Exercises -- Pt. 5. Rhythm, mobility, and tension. Rhythm and mobility -- Rhythm and tension -- And extended anacrusis -- An accented rest -- Summary example -- Exercises -- Pt. 6. Rhythm, continuity, and form. Rhythm, form, and morphological lengths -- Continuity and form -- Themes, non-themes, and continuity -- Rhythm and texture -- Exercises -- Pt. 7. Rhythmic development. Ambiguous Rhythm -- Rhythmic vagueness -- Rhythmic transformation -- Anacrustic development -- Exercises -- Pt. 8. Extended examples. Choplin, Prelude in E-flat, Op. 24 -- Beethoven, Symphony No. 8, first movement.".
- catalog title "The rhythmic structure of music [by] Grosvenor W. Cooper and Leonard B. Meyer.".
- catalog type "text".