Data Portal @ linkeddatafragments.org

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/000390838/catalog> ?p ?o. }

• catalog contributor b459048.
• catalog contributor b459049.
• catalog contributor b459050.
• catalog created "1985.".
• catalog date "1985".
• catalog date "1985.".
• catalog dateCopyrighted "1985.".
• catalog description "Bibliography: p. 480-491.".
• catalog description "Classical narrative space and the spectator's attention. The stability of the classical approach after 1917 -- Pt. 4. Film style and technology to 1930. Technology, style and mode of production / David Bordwell and Janet Staiger. Initial standardization of the basic technology / Kristin Thompson. Major technological changes of the 1920s / Kristin Thompson. The Mazda tests of 1928 / David Bordwell. The introduction of sound / David Bordwell -- Pt. 5. The Hollywood mode of production, 1930-60 / Janet Staiger. The labor-force, financing and the mode of production. The producer-unit system: management by specialization after 1931. The package-unit system: unit management after 1955 -- Pt. 6. Film style and technology, 1930-60 / David Bordwell. Deep-focus cinematography. Technicolor. Widescreen processes and stereophonic sound -- Pt. 7. Historical implications of the classical Hollywood cinema / David Bordwell and Janet Staiger.".
• catalog description "Pt. 1. The classical Hollywood style, 1917-60 / David Bordwell. An excessively obvious cinema. Story causality and motivation. Classical narration. Time in the classical film. Space in the classical film. Shot and scene. The bounds of difference -- Pt. 2. The Hollywood mode of production to 1930 / Janet Staiger. The Hollywood mode of production: its conditions of existence. Standardization and differentiation: the reinforcement and dispersion of Hollywood's practices. The director system: management in the first years. The director-unit system: management of multiple-unit companies after 1909. The central producer system: centralized management after 1914. The division and order of production: the subdivision of work from the first years through the 1920s -- Pt. 3. The formulation of the classical style, 1909-28 / Kristin Thompson. From primitive to classical. The formulation of the classical narrative. The continuity system.".
• catalog description "Since 1960: the persistence of a mode of film practice. Alternative modes of film practice -- Envoi.".
• catalog extent "xv, 506 p., 64 leaves of plates :".
• catalog identifier "0231060548 (alk. paper) :".
• catalog issued "1985".
• catalog issued "1985.".
• catalog language "eng".
• catalog publisher "New York : Columbia University Press,".
• catalog spatial "United States".
• catalog subject "Motion picture industry United States History.".
• catalog subject "Motion pictures Aesthetics.".
• catalog subject "Motion pictures United States History.".
• catalog subject "PN1993.5.U6 B655 1985".
• catalog tableOfContents "Classical narrative space and the spectator's attention. The stability of the classical approach after 1917 -- Pt. 4. Film style and technology to 1930. Technology, style and mode of production / David Bordwell and Janet Staiger. Initial standardization of the basic technology / Kristin Thompson. Major technological changes of the 1920s / Kristin Thompson. The Mazda tests of 1928 / David Bordwell. The introduction of sound / David Bordwell -- Pt. 5. The Hollywood mode of production, 1930-60 / Janet Staiger. The labor-force, financing and the mode of production. The producer-unit system: management by specialization after 1931. The package-unit system: unit management after 1955 -- Pt. 6. Film style and technology, 1930-60 / David Bordwell. Deep-focus cinematography. Technicolor. Widescreen processes and stereophonic sound -- Pt. 7. Historical implications of the classical Hollywood cinema / David Bordwell and Janet Staiger.".
• catalog tableOfContents "Pt. 1. The classical Hollywood style, 1917-60 / David Bordwell. An excessively obvious cinema. Story causality and motivation. Classical narration. Time in the classical film. Space in the classical film. Shot and scene. The bounds of difference -- Pt. 2. The Hollywood mode of production to 1930 / Janet Staiger. The Hollywood mode of production: its conditions of existence. Standardization and differentiation: the reinforcement and dispersion of Hollywood's practices. The director system: management in the first years. The director-unit system: management of multiple-unit companies after 1909. The central producer system: centralized management after 1914. The division and order of production: the subdivision of work from the first years through the 1920s -- Pt. 3. The formulation of the classical style, 1909-28 / Kristin Thompson. From primitive to classical. The formulation of the classical narrative. The continuity system.".
• catalog tableOfContents "Since 1960: the persistence of a mode of film practice. Alternative modes of film practice -- Envoi.".
• catalog title "The classical Hollywood cinema : film style & mode of production to 1960 / David Bordwell, Kristin Thompson, and Janet Staiger.".
• catalog type "History. fast".
• catalog type "text".