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• catalog contributor b898569.
• catalog contributor b898570.
• catalog contributor b898571.
• catalog contributor b898572.
• catalog contributor b898573.
• catalog created "[1975]".
• catalog date "1975".
• catalog date "[1975]".
• catalog dateCopyrighted "[1975]".
• catalog description "1 .Prehistory and beginnings. -- Introduction -- The subtrata -- Leon Battista Alberti -- Leonardo da Vinci -- Giambattista della Porta -- Athanasius Kircher -- Johannes Zahn -- E.G. Robertson -- The Age of Discovery -- Five essential steps -- Persistence of vision -- Photography -- Motion picture camera -- Film -- Projection -- Industrial development -- An industry emerges: 1895-1900 -- Refinement and progress: 1900-1907 -- The trust and the independents: 1908-1912 -- 2. Beginnings of form. -- The single-shot film -- Georges Méliès -- Edwin S. Porter -- Griffith: the formative years -- Other pioneers -- 3. Refinement in form. -- Griffith--The art of filmic representation -- The Birth of a Nation -- Intolerance-Grand Fugue or Visual Babel -- The Other Side of the Peak -- The Aesop of Inceville -- Screenwriting-The anonymous legion -- Silent comedy and the art of mime -- Sennett-The Fastest Fun on Earth -- Chaplin-The Mob God -- Buster Keaton -- Harold Lloyd -- ".
• catalog description "9. International style and form. -- Sound in a chaotic period -- Film in Britain -- Film in Italy -- Film in the U.S.S.R. -- Film in Germany -- Film in France -- 10. Non-narrative development. -- Beginnings -- The uses of nonfiction film -- Documentary -- Robert Flaherty -- John Grierson -- Pare Lorentz -- The Workers' Film and Photo League -- Factual film in Europe -- Factual film in the Soviet Union -- Factual film in Nazi Germany -- Compilation documentaries -- The March of Time -- 11. The turning point. -- A critical boxscore -- Preoccupations and requirements of the industry -- New complexion and new direction of sound -- Recycling -- Social consequences and the American problem picture -- Seeds of change-the roots of new realism -- 12. International Renaissance. -- The new realism in Italy -- Roberto Rossellini -- Vittorio de Sica -- Luchino Visconti -- Cesare Zavattini -- The French experience -- François Truffaut -- Jean-Luc Godard -- Alain Resnais -- ".
• catalog description "Bibliography: p. 513-520.".
• catalog description "Harry Landon / Laurel and Hardy -- The other auteurs -- Hollywood's Prussian Prodigy-von Stroheim -- DeMille-The Bath and the Bible -- The Velvet Touch-Ernst Lubitsch -- Fairbanks in Adventureland-The Original One-Man Genre -- The second string -- Silent beginnings -- 4. An industry emerges. -- Introduction -- The independents take over -- The feature film -- The star system -- The establishment of Hollywood -- Changing exhibition patterns -- A new system -- Film formulas -- 5. International silent film. -- Introduction -- Germany -- The Creative Milieu -- German Filmmakers in America -- The Soviet Union -- Sergei Eisenstein -- Pudovkin, Vertov, and Dovzhenko -- France -- Scandinavia -- Summary -- 6. Evolution in form and function. -- The many faces of film -- Dreambuilding, cinemorality, and the formula film -- Cellulioid mirror-silent films and social issues -- Institutional and Public Issues -- Private Issues and Taboos -- Racial Issues -- Feast and Famine-Religion and Politics -- ".
• catalog description "Kitchen sink realists -- Jack Clayton -- Tony Richardson -- Lindsay Anderson -- Italian encore -- Federico Fellini -- Michelangelo Antonioni -- The Bergman touch -- Buñuel and bourgeois charms -- Kurosawa and Ray -- Eastern Europe -- 13. Film and the age of televsion. -- A new era begins -- Social realism -- Film Noir -- Hollywood and Communism -- Television -- The divorce -- The foreign affair -- A new technology -- Independent production -- A new morality -- The system changes -- Musicals -- Western -- Comedy -- Some general observations -- An assessment -- Post script -- 14. Changing form and function. -- Documentary -- Television and documentary -- Other developments -- The past decade -- Animation -- The Avant-Garde Experimental film -- 15. An American Renaissance. -- New styles, freedom, audiences, markets, and films -- Take over and change -- New faces and old -- The director as "star" -- John Frankenheimer -- Sidney Lumet -- Arthur Penn -- Mike Nichols -- Robert Altman -- ".
• catalog description "Sam Peckinpah -- Stanley Kubrick -- Technology -- Films of the decade: an overview -- Decline of the genre -- The big three: sex, violence, race -- Sex -- Violence -- Race -- Film and TV -- Regulation and control -- Conclusions -- 16. New directions. -- Studios, stars and systems -- Film styles and audience disposition -- Technology and exhibition -- 17. Film environment and experience. -- An assessment.".
• catalog description "The image abroad -- 7. Sound and color: a new beginning. -- The impact of technology -- Early attemps at sound -- Amplification and synchronization -- Warner Brothers and Vitaphone -- The industry reacts -- Problems -- Impact of sound -- Solutions to problems -- The improvement of lighting -- The development of color -- Summary -- 8. Studio styles and form. -- Studios and stars -- Individual studio profiles -- MGM -- Paramount -- Warner Brothers -- 20th Century-Fox -- Columbia -- Radio-Keith-Orpheum (RKO) -- Universal -- A minor case: Republic -- The directors -- Short subjects -- Summary.".
• catalog extent "xvii, 537 p. :".
• catalog hasFormat "Light and shadows.".
• catalog identifier "088284024X :".
• catalog isFormatOf "Light and shadows.".
• catalog issued "1975".
• catalog issued "[1975]".
• catalog language "eng".
• catalog publisher "Port Washington, N.Y. : Alfred Pub. Co.,".
• catalog relation "Light and shadows.".
• catalog subject "Motion pictures History.".
• catalog subject "Motion pictures.".
• catalog subject "PN1993.5.A1 B59 1975".
• catalog tableOfContents "1 .Prehistory and beginnings. -- Introduction -- The subtrata -- Leon Battista Alberti -- Leonardo da Vinci -- Giambattista della Porta -- Athanasius Kircher -- Johannes Zahn -- E.G. Robertson -- The Age of Discovery -- Five essential steps -- Persistence of vision -- Photography -- Motion picture camera -- Film -- Projection -- Industrial development -- An industry emerges: 1895-1900 -- Refinement and progress: 1900-1907 -- The trust and the independents: 1908-1912 -- 2. Beginnings of form. -- The single-shot film -- Georges Méliès -- Edwin S. Porter -- Griffith: the formative years -- Other pioneers -- 3. Refinement in form. -- Griffith--The art of filmic representation -- The Birth of a Nation -- Intolerance-Grand Fugue or Visual Babel -- The Other Side of the Peak -- The Aesop of Inceville -- Screenwriting-The anonymous legion -- Silent comedy and the art of mime -- Sennett-The Fastest Fun on Earth -- Chaplin-The Mob God -- Buster Keaton -- Harold Lloyd -- ".
• catalog tableOfContents "9. International style and form. -- Sound in a chaotic period -- Film in Britain -- Film in Italy -- Film in the U.S.S.R. -- Film in Germany -- Film in France -- 10. Non-narrative development. -- Beginnings -- The uses of nonfiction film -- Documentary -- Robert Flaherty -- John Grierson -- Pare Lorentz -- The Workers' Film and Photo League -- Factual film in Europe -- Factual film in the Soviet Union -- Factual film in Nazi Germany -- Compilation documentaries -- The March of Time -- 11. The turning point. -- A critical boxscore -- Preoccupations and requirements of the industry -- New complexion and new direction of sound -- Recycling -- Social consequences and the American problem picture -- Seeds of change-the roots of new realism -- 12. International Renaissance. -- The new realism in Italy -- Roberto Rossellini -- Vittorio de Sica -- Luchino Visconti -- Cesare Zavattini -- The French experience -- François Truffaut -- Jean-Luc Godard -- Alain Resnais -- ".
• catalog tableOfContents "Harry Landon / Laurel and Hardy -- The other auteurs -- Hollywood's Prussian Prodigy-von Stroheim -- DeMille-The Bath and the Bible -- The Velvet Touch-Ernst Lubitsch -- Fairbanks in Adventureland-The Original One-Man Genre -- The second string -- Silent beginnings -- 4. An industry emerges. -- Introduction -- The independents take over -- The feature film -- The star system -- The establishment of Hollywood -- Changing exhibition patterns -- A new system -- Film formulas -- 5. International silent film. -- Introduction -- Germany -- The Creative Milieu -- German Filmmakers in America -- The Soviet Union -- Sergei Eisenstein -- Pudovkin, Vertov, and Dovzhenko -- France -- Scandinavia -- Summary -- 6. Evolution in form and function. -- The many faces of film -- Dreambuilding, cinemorality, and the formula film -- Cellulioid mirror-silent films and social issues -- Institutional and Public Issues -- Private Issues and Taboos -- Racial Issues -- Feast and Famine-Religion and Politics -- ".
• catalog tableOfContents "Kitchen sink realists -- Jack Clayton -- Tony Richardson -- Lindsay Anderson -- Italian encore -- Federico Fellini -- Michelangelo Antonioni -- The Bergman touch -- Buñuel and bourgeois charms -- Kurosawa and Ray -- Eastern Europe -- 13. Film and the age of televsion. -- A new era begins -- Social realism -- Film Noir -- Hollywood and Communism -- Television -- The divorce -- The foreign affair -- A new technology -- Independent production -- A new morality -- The system changes -- Musicals -- Western -- Comedy -- Some general observations -- An assessment -- Post script -- 14. Changing form and function. -- Documentary -- Television and documentary -- Other developments -- The past decade -- Animation -- The Avant-Garde Experimental film -- 15. An American Renaissance. -- New styles, freedom, audiences, markets, and films -- Take over and change -- New faces and old -- The director as "star" -- John Frankenheimer -- Sidney Lumet -- Arthur Penn -- Mike Nichols -- Robert Altman -- ".
• catalog tableOfContents "Sam Peckinpah -- Stanley Kubrick -- Technology -- Films of the decade: an overview -- Decline of the genre -- The big three: sex, violence, race -- Sex -- Violence -- Race -- Film and TV -- Regulation and control -- Conclusions -- 16. New directions. -- Studios, stars and systems -- Film styles and audience disposition -- Technology and exhibition -- 17. Film environment and experience. -- An assessment.".
• catalog tableOfContents "The image abroad -- 7. Sound and color: a new beginning. -- The impact of technology -- Early attemps at sound -- Amplification and synchronization -- Warner Brothers and Vitaphone -- The industry reacts -- Problems -- Impact of sound -- Solutions to problems -- The improvement of lighting -- The development of color -- Summary -- 8. Studio styles and form. -- Studios and stars -- Individual studio profiles -- MGM -- Paramount -- Warner Brothers -- 20th Century-Fox -- Columbia -- Radio-Keith-Orpheum (RKO) -- Universal -- A minor case: Republic -- The directors -- Short subjects -- Summary.".
• catalog title "Light and shadows : a history of motion pictures / Thomas W. Bohn, and Richard L. Stromgren, with the assistance of Daniel H. Johnson.".
• catalog type "History. fast".
• catalog type "text".