Matches in Harvard for { <http://id.lib.harvard.edu/aleph/000714742/catalog> ?p ?o. }
Showing items 1 to 30 of
30
with 100 items per page.
- catalog contributor b923183.
- catalog contributor b923184.
- catalog contributor b923185.
- catalog created "c1976.".
- catalog date "1976".
- catalog date "c1976.".
- catalog dateCopyrighted "c1976.".
- catalog description "Visual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J. M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L. M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J. J., et al. The change from visible to invisible.--Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts.--Artifact : Sekler, E. F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M. L. Blue night by Paul Klee. Zucker, W. M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change.".
- catalog extent "xviii, 186 p. :".
- catalog hasFormat "Vision and artifact.".
- catalog identifier "0826119603".
- catalog isFormatOf "Vision and artifact.".
- catalog issued "1976".
- catalog issued "c1976.".
- catalog language "eng".
- catalog publisher "New York : Springer Pub. Co.,".
- catalog relation "Vision and artifact.".
- catalog subject "701/.15".
- catalog subject "Arnheim, Rudolf.".
- catalog subject "Art Psychology.".
- catalog subject "Art essays".
- catalog subject "Illusions essays".
- catalog subject "N 71 V831 1976".
- catalog subject "N71 .V57".
- catalog subject "Optical illusions.".
- catalog subject "Visual Perception essays".
- catalog subject "Visual perception.".
- catalog tableOfContents "Visual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J. M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L. M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J. J., et al. The change from visible to invisible.--Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts.--Artifact : Sekler, E. F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M. L. Blue night by Paul Klee. Zucker, W. M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change.".
- catalog title "Vision and artifact / Mary Henle, editor ; foreword by Rudolf Arnheim.".
- catalog type "text".