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- catalog contributor b977585.
- catalog coverage "English-speaking countries Intellectual life 20th century.".
- catalog created "1977.".
- catalog date "1977".
- catalog date "1977.".
- catalog dateCopyrighted "1977.".
- catalog description "Bibliography: p. 231-239.".
- catalog description "The 1940s: MacNeice and the art of the real; his dilemma in Autumn Journal; MacNeice as a war casualty; Auden departs for New york, and rejects his political poetry; the 'new' Auen and New Year Letter; Randall Jarrell and the end of the Audenesque; literature and society during the war; and the new Kulturbolschewismus; Alun Lewis and the crisis of creativity during wartime; Roy Fuller and the decline of political commitment in English poetry. -- The 1950s: The 'collapse' of the poetry market after the war, and the reaction against modernism; literary intellectuals in the new prosperity; Larkin, the saddest heart in the supermarket; Donald Davie on the road to Palo Alto; a cento from the new age; Richard Wilbur and some versions of formalism (Donald Hall, Anthony Thwaite); the movement meets its anti-type in Theodore Roethke: two poets who tell us what it meant to dissent from the reigning orthodoxies; William Carlos Williams takes the measure of American life in Paterson; but Charles Olson wasn't impressed; Allen Ginsberg opens a Pandora's box with an elegy for the bohemia of the 1940s and a prayer for the restless spirit of his mother; three ex-formalists take us into the 1960s: W.D. Snodgrass, Robert Lowell and Sylvia Plath. -- The 1960s and 1970s: The hegemony of the chatty-vernacular, anti-poetic, corn-porn typical poem of the 1960s and 1970s masks the stealthy emergence of the long poem as the common poetic medium of the day; a salon des refusés of untypical long poems by Charles Reznikoff, Richard Emil Braun and Basil Bunting, suggests something of the capacious heritage of Ezra Pound; an angry primitivism arrives, led by Gary Snyder; Galway Kinnell from alienation to primitivism; the loose, baggy monsters of John Berryman and Robert Lowell; the final contention between Geoffrey Hill and Ted Hughes.".
- catalog extent "x, 246 p. ;".
- catalog hasFormat "Art of the real.".
- catalog identifier "0874719380 (Rowman and Littlefield) :".
- catalog isFormatOf "Art of the real.".
- catalog issued "1977".
- catalog issued "1977.".
- catalog language "eng".
- catalog publisher "London : Dent ; Totowa, N.J. : Rowman and Littlefield,".
- catalog relation "Art of the real.".
- catalog spatial "English-speaking countries Intellectual life 20th century.".
- catalog subject "American poetry 20th century History and criticism.".
- catalog subject "English poetry 20th century History and criticism.".
- catalog subject "PR601 .H6 1977".
- catalog tableOfContents "The 1940s: MacNeice and the art of the real; his dilemma in Autumn Journal; MacNeice as a war casualty; Auden departs for New york, and rejects his political poetry; the 'new' Auen and New Year Letter; Randall Jarrell and the end of the Audenesque; literature and society during the war; and the new Kulturbolschewismus; Alun Lewis and the crisis of creativity during wartime; Roy Fuller and the decline of political commitment in English poetry. -- The 1950s: The 'collapse' of the poetry market after the war, and the reaction against modernism; literary intellectuals in the new prosperity; Larkin, the saddest heart in the supermarket; Donald Davie on the road to Palo Alto; a cento from the new age; Richard Wilbur and some versions of formalism (Donald Hall, Anthony Thwaite); the movement meets its anti-type in Theodore Roethke: two poets who tell us what it meant to dissent from the reigning orthodoxies; William Carlos Williams takes the measure of American life in Paterson; but Charles Olson wasn't impressed; Allen Ginsberg opens a Pandora's box with an elegy for the bohemia of the 1940s and a prayer for the restless spirit of his mother; three ex-formalists take us into the 1960s: W.D. Snodgrass, Robert Lowell and Sylvia Plath. -- The 1960s and 1970s: The hegemony of the chatty-vernacular, anti-poetic, corn-porn typical poem of the 1960s and 1970s masks the stealthy emergence of the long poem as the common poetic medium of the day; a salon des refusés of untypical long poems by Charles Reznikoff, Richard Emil Braun and Basil Bunting, suggests something of the capacious heritage of Ezra Pound; an angry primitivism arrives, led by Gary Snyder; Galway Kinnell from alienation to primitivism; the loose, baggy monsters of John Berryman and Robert Lowell; the final contention between Geoffrey Hill and Ted Hughes.".
- catalog title "The art of the real : poetry in England and America since 1939 / Eric Homberger.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".