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- catalog abstract "This volume examines the development of Italian motion pictures from 1960 to the 1970s. The author analyzes the films of various Italian directors, including Fellini, Antonioni, and Bertolucci. In the 1960s, Italian directors began to deviate from the tenets of neorealism, creating autobiographical, fantastical, and mythical films that unabashedly celebrated the artistic imagination. These filmmakers turned their attention away from the urban and rural poor and toward the alienation of the cosmopolitan middle and upper classes. What was lost in political content was gained in stylistic innovation: films of the period featured groundbreaking uses of symbolic mise-en-scène, allegorical narratives, elliptical editing, and expressive cinematography. Key films include Michelangelo Antonioni's L'Avventura (1959), Federico Fellini's La Dolce Vita (1960), Pier Paolo Pasolini's Teorema (1968), and Bernardo Bertolucci's The Conformist (1970).".
- catalog contributor b1154340.
- catalog created "1982.".
- catalog date "1982".
- catalog date "1982.".
- catalog dateCopyrighted "1982.".
- catalog description "Introduction -- Exile and exasperation: Antonioni and Ferreri -- Distance and didactics: Bellochio and Cavani -- Form as fatheresque: Bolognini and Bertolucci -- Fable and phenomena: Pasolini and Fellini -- Debate and denunciation: Rosi and Petrie -- Peasant perspectives: Olmi and the Tavianis -- Terminus and tantrum: Visconti and Wertmuller -- During the devolution: Brusati, Brass, Giuseppe Bertolucci, Peter Del Monte, and Nano Moretti.".
- catalog description "This volume examines the development of Italian motion pictures from 1960 to the 1970s. The author analyzes the films of various Italian directors, including Fellini, Antonioni, and Bertolucci. In the 1960s, Italian directors began to deviate from the tenets of neorealism, creating autobiographical, fantastical, and mythical films that unabashedly celebrated the artistic imagination. These filmmakers turned their attention away from the urban and rural poor and toward the alienation of the cosmopolitan middle and upper classes. What was lost in political content was gained in stylistic innovation: films of the period featured groundbreaking uses of symbolic mise-en-scène, allegorical narratives, elliptical editing, and expressive cinematography. Key films include Michelangelo Antonioni's L'Avventura (1959), Federico Fellini's La Dolce Vita (1960), Pier Paolo Pasolini's Teorema (1968), and Bernardo Bertolucci's The Conformist (1970).".
- catalog extent "x, 294 p. :".
- catalog hasFormat "New Italian cinema.".
- catalog identifier "019520381X :".
- catalog isFormatOf "New Italian cinema.".
- catalog issued "1982".
- catalog issued "1982.".
- catalog language "eng".
- catalog publisher "New York : Oxford University Press,".
- catalog relation "New Italian cinema.".
- catalog spatial "Italy.".
- catalog subject "Motion picture plays History and criticism.".
- catalog subject "Motion picture plays, Italian History and criticism.".
- catalog subject "Motion pictures Italy.".
- catalog subject "PN1993.5.I88 W57 1982".
- catalog tableOfContents "Introduction -- Exile and exasperation: Antonioni and Ferreri -- Distance and didactics: Bellochio and Cavani -- Form as fatheresque: Bolognini and Bertolucci -- Fable and phenomena: Pasolini and Fellini -- Debate and denunciation: Rosi and Petrie -- Peasant perspectives: Olmi and the Tavianis -- Terminus and tantrum: Visconti and Wertmuller -- During the devolution: Brusati, Brass, Giuseppe Bertolucci, Peter Del Monte, and Nano Moretti.".
- catalog title "The new Italian cinema : studies in dance and despair / R.T. Witcombe.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".