Data Portal @ linkeddatafragments.org

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/001200151/catalog> ?p ?o. }

• catalog contributor b1677196.
• catalog created "c1985.".
• catalog date "1985".
• catalog date "c1985.".
• catalog dateCopyrighted "c1985.".
• catalog description "1. Allegories of spectatorship. The complicity of the spectator -- Realism and the desiring spectator -- Film and dreams : Sherlock, Jr. -- Fiction and voyeurism -- A paradigmatic instance : Hitchcock's Rear Window -- Rear Window : the critique of voyeurism -- The shattering of distance -- Voyeurism and point-of-view -- Voyeurism and neighborliness -- Godard's erotic sabotage -- A Married Woman and Masculine, Feminine -- Feminist pornography -- Numero Deux and Every Man for Himself -- Obscure objects of desire -- 2. The process of production. Art and the culture industry : Balzac's Lost Illusions -- Hollywood on Hollywood : the silent period -- Film and productive labor : the man with the movie camera -- Hollywood reflexivity : the sound film -- Sunset Boulevard -- The musical and self-flaunting artifice -- Reflexivity and animation -- Auteurism and its discontents -- Fellini and 8 1/2 -- The new Hollywood : Peter Bogdanovich and Targets -- ".
• catalog description "Bibliography: p. [277]-280.".
• catalog description "New German reflexivity : Beware of a Holy Whore -- Truffaut and Day for Night -- Filmmaking in the third world -- Andrzej Wajda and Man of Marble -- Declining stars : Fedora and Veronika Voss -- Into the eighties : Godard and Wenders -- 3. The genre of self-consciousness. The cameo appearance : from Cervantes to Woody Allen -- The self-conscious genre : summa, anatomy, carnival -- The centrality of parody -- The Quixotic theme -- The narrative strategies of reflexivity -- Story and discourse -- Tempo in film and novel -- Titles and intertitles -- The dialogue of author/reader/spectator -- The self-correcting style -- The indeterminate text -- The incorporation of criticism -- Reflexive adaptations : Tom Jones, Lolita, The French Lieutenant's Woman -- The multiplicity of styles -- 4. The carnival of modernism. A seminal instance : Ubu Roi -- Ubu's grandchild : the modernism of Jean-Luc Godard -- Godard and avant-garde theatre -- Carnival and the apocalypse -- The Exterminating Angel -- ".
• catalog description "Ubu and Les Carabiniers -- Les Carabiniers : the war film intertext -- Carnival and Latin American culture -- Brazilian modernism and the cannibalist metaphor -- Mario de Andrade and the carnivalization of language -- Macunaima : from novel to film -- The politics of carnival -- 5. The pleasures of subversion. The lessons of Brecht -- The lessons applied : Tout Va Bien -- The politics of technique -- Further applications : Numero Deux -- The video subversion of language : split writing/split screen -- Realism, reflexivity, sexuality : Sauve Qui Peut/(la Vie) -- The politics of pleasure : Jonah Who Will be 25 in the Year 2000 -- Beyond deconstruction.".
• catalog extent "xiv, 285 p. :".
• catalog hasFormat "Reflexivity in film and literature.".
• catalog identifier "0835716074 (alk. paper)".
• catalog isFormatOf "Reflexivity in film and literature.".
• catalog isPartOf "Studies in cinema ; no. 31".
• catalog issued "1985".
• catalog issued "c1985.".
• catalog language "eng".
• catalog publisher "Ann Arbor, Mich. : UMI Research Press,".
• catalog relation "Reflexivity in film and literature.".
• catalog subject "Literature, Modern History and criticism.".
• catalog subject "Motion picture plays History and criticism.".
• catalog subject "Motion pictures and literature.".
• catalog subject "Motion pictures and theater.".
• catalog subject "PN1995 .S675 1985".
• catalog subject "Theater History.".
• catalog tableOfContents "1. Allegories of spectatorship. The complicity of the spectator -- Realism and the desiring spectator -- Film and dreams : Sherlock, Jr. -- Fiction and voyeurism -- A paradigmatic instance : Hitchcock's Rear Window -- Rear Window : the critique of voyeurism -- The shattering of distance -- Voyeurism and point-of-view -- Voyeurism and neighborliness -- Godard's erotic sabotage -- A Married Woman and Masculine, Feminine -- Feminist pornography -- Numero Deux and Every Man for Himself -- Obscure objects of desire -- 2. The process of production. Art and the culture industry : Balzac's Lost Illusions -- Hollywood on Hollywood : the silent period -- Film and productive labor : the man with the movie camera -- Hollywood reflexivity : the sound film -- Sunset Boulevard -- The musical and self-flaunting artifice -- Reflexivity and animation -- Auteurism and its discontents -- Fellini and 8 1/2 -- The new Hollywood : Peter Bogdanovich and Targets -- ".
• catalog tableOfContents "New German reflexivity : Beware of a Holy Whore -- Truffaut and Day for Night -- Filmmaking in the third world -- Andrzej Wajda and Man of Marble -- Declining stars : Fedora and Veronika Voss -- Into the eighties : Godard and Wenders -- 3. The genre of self-consciousness. The cameo appearance : from Cervantes to Woody Allen -- The self-conscious genre : summa, anatomy, carnival -- The centrality of parody -- The Quixotic theme -- The narrative strategies of reflexivity -- Story and discourse -- Tempo in film and novel -- Titles and intertitles -- The dialogue of author/reader/spectator -- The self-correcting style -- The indeterminate text -- The incorporation of criticism -- Reflexive adaptations : Tom Jones, Lolita, The French Lieutenant's Woman -- The multiplicity of styles -- 4. The carnival of modernism. A seminal instance : Ubu Roi -- Ubu's grandchild : the modernism of Jean-Luc Godard -- Godard and avant-garde theatre -- Carnival and the apocalypse -- The Exterminating Angel -- ".
• catalog tableOfContents "Ubu and Les Carabiniers -- Les Carabiniers : the war film intertext -- Carnival and Latin American culture -- Brazilian modernism and the cannibalist metaphor -- Mario de Andrade and the carnivalization of language -- Macunaima : from novel to film -- The politics of carnival -- 5. The pleasures of subversion. The lessons of Brecht -- The lessons applied : Tout Va Bien -- The politics of technique -- Further applications : Numero Deux -- The video subversion of language : split writing/split screen -- Realism, reflexivity, sexuality : Sauve Qui Peut/(la Vie) -- The politics of pleasure : Jonah Who Will be 25 in the Year 2000 -- Beyond deconstruction.".
• catalog title "Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard / by Robert Stam.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "History. fast".
• catalog type "text".