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- catalog contributor b2143203.
- catalog contributor b2143204.
- catalog created "[1970]".
- catalog date "1970".
- catalog date "[1970]".
- catalog dateCopyrighted "[1970]".
- catalog description "Musicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.".
- catalog extent "xvi, 354 p.".
- catalog hasFormat "Computer and music.".
- catalog identifier "0801405505".
- catalog isFormatOf "Computer and music.".
- catalog issued "1970".
- catalog issued "[1970]".
- catalog language "eng".
- catalog publisher "Ithaca, Cornell University Press".
- catalog relation "Computer and music.".
- catalog subject "789.7".
- catalog subject "Computer music History and criticism.".
- catalog subject "ML55 .C75".
- catalog subject "Music Data processing.".
- catalog tableOfContents "Musicke's handmaiden, by E. A. Bowles.--From musical ideas to computers and back, by H. Brün.--Ethics and esthetics of computer composition, by G. Strang.--Music composed with computers, by L. Hiller.--MUSPEC, by J. P. Citron.--Webern's use of motive, by M. E. Fiore.--Toward a theory of Webernian harmony, by R. Fuller.--Harmony before and after 1910, by R. Jackson.--Permutations of a twelve-tone row, by G. Lefkoff.--Programs involving numerically related tones, by I. Morton and J. Lofstedt.--Possibilities for equally tempered systems, by W. Stoney.--Root progression and composer identification, by J. Youngblood.--Analysis of Javanese music, by F. Lieberman.--Computer-oriented comparative musicology, by B. Suchoff.--Numerical methods of comparing musical styles, by F. Crane and J. Fiehler.--Style analysis by computer, by A. J. Gabura.--Toward a French chanson catalog, by B. Hudson.--Transcription of tablature to standard notation, by W. Earle Hultberg.--Melodic borrowings among organa dupla, by T. Karp.--MIR, a simple programming language, by M. Kassler.--Automated catalog for scores and phonorecords, by J. W. Tanno, A. G. Lynn, and R. E. Roberson.".
- catalog title "The Computer and music. Edited by Harry B. Lincoln.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".