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catalog contributor b2148344.
catalog created "[1968]".
catalog date "1968".
catalog date "[1968]".
catalog dateCopyrighted "[1968]".
catalog description "1. The rhythm of music : Music's temporal aspect ; Music's pulsation ; Tempo ; Meter ; Syncopation ; Rhythmic variants ; Composite works : Gounod: ballet music from Faust. National dances : Dvorak: Slavonic dances nos. 1, 3, 10, 15). Rhythmic notation ; Some compositions with prominent rhythmic characteristics -- 2. The melody of music : Melody's expressive power ; The tonal framework ; Melodic types ; Melodic change ; Melodic notation ; The grammar of melody ; Keys and key signatures ; The melodic cadence ; Dynamics ; Simple melodic patterns ; Tonal memory ; Some compositions with notable melodic qualities".
catalog description "10. Curtain-raiser, concept piece, and rhapsody : Overture backgrounds ; Common overture types ; Rhapsody, prelude, and fantastic. Waypoints in overture development : The Baroque and Classic eras ; The century of Romanticism ; The twentieth century. Particular examples of single-movement works : Ludwig van Beethoven: Leonore Overture No. 3 ; Giocchino Rossini: overtures to TheBarbe of Seville and La Gazza Ladra ; Franz Liszt: Hungarian Rhapsody No. 2 ; Peter I. Tchaikovsky: Capriccio italien ; Georges Enesco: Roumanian Rhapsody No. 1. Single movement compositions -- 11. Additive designs: the suite and associated forms : Associated forms ; Performing media for suites ; The dance suite ; The theatrical suite : Grieg: Peer Gynt Suite No.1 ; Tchaikovsky: Nutcracker Suite No. 1. The descriptive suite ; Wayposts in suite development : Emergence ; The Baroque era ; The Rococo and Classic eras ; The Romantic era ; The Contemporary era. Particular examples of the suite : Johann Sebastian Bach: Suite No. 2 in B minor for Flute and Strings ; Georges Bizet: Suite No. 1 from L'Arlesienne ; Claude Debussy: the Children's Corner Suite ; Dmitri Kabalevsky: suite from The Comedians ; Aaron Copland: Four Dance Episodes from Rodeo. Selected suites".
catalog description "12. Musical dialogue: the concerto : The solo concerto ; The concerto grosso ; The cadenza ; Concerto preforming media ; Concerto modifications ; Wayposts in concerto development : To 1750 ; During the Classic Era ; During the Romantic Era ; In the twentieth century. Particular examples of the concerto : Johann Sebastian Bach: Brandenburg Concerto No. 2 in F major ; Wolfgang Amadeus Mozart: Concerto in A major for Clarinet (K. 622) ; Felix Mendelssohn: Concerto in E minor for violin ; Peter I. Tchaikovsky: Concerto No. 1 in B-flat minor for Piano ; Bela Bartok: Concerto for Orchestra. Selected concertos -- 13. The lyric art: song : Folk song ; Particular kinds of folk song ; Folk song in composed settings ; Art song ; The song cycle ; The orchestral song : Mahler: Leider eines fahrenden Gesellen. Wayposts in art song development : Early song ; Song from 1500 to 1800 ; Song during the nineteenth century ; Song in the twentieth century. Particular examples of song : Franz Schubert: Three Songs : The Hedge Rose ; Margaret at the Spinning Wheel ; The Erlking. Robert Schumann: a song and a song cycle : The Two Grenadiers ; Dichterliebe. Songs by Johannes Brahms, Modest Mussorgsky, Hugo Wolf, Richard Strauss : Vier ernste Gesange ; A Song of the Flea ; Songs and Dances of Death ; Three Michelangelo songs ; Dedication and All Soul's Day. Songs by Claude Debussy and Maurice Ravel : Ariettes Oubliees ; Sheherazade. Songs by Manuel de Falla : Seven Spanish folk songs. Selected art songs and song cycles".
catalog description "14. Aural portraiture: illustrative music : Some of the problems ; Aesthetic considerations ; Whence the subject matter? ; Musical satire ; Implementing the descriptive process : Smetana: The Moldau ; Taylor: Through the Looking Glass. Musical symbolism and thematic association ; Form in illustrative music ; Types of illustrative pieces ; The symphonic poem ; Wayposts in the growth of program music : From emergence to 1800 : Kuhnau: Biblical sonatas, "The Fight Between David and Goliath." In the nineteenth century : Beethoven: Wellington's victory. In the twentieth century : Ives: "Putnam's Camp, Redding, Connecticut" from Three Places in New England. Particular examples of program music : Franz Liszt: Les Preludes ; Camille Saint-Saens: Danse macabre ; Modest P. Mussorgsky-Ravel: pictures at an exhibition ; Richard Strauss: Ein Heldenleben ; George Gershwin: an American in Paris. Selected descriptive compositions -- 15. Chamber music: an intimate art : The essence of chamber music ; Performing media for chamber music ; The sonata ; Wayposts in the rise of chamber music : The early period ; In the Baroque era : Handel: Sonata No. 1 in E minor for Flute. In the Classic era ; In the Romantic period : Beethoven: Quartet No. 5 in A major. In the twentieth century : Debussy: Quartet in G minor. Particular examples of chamber music : Johann Sebastian Bach: Trio Sonata in C minor from The Musical Offering ; Franz Joseph Haydn: Quartet in C major ("Emperor") ; Ludwig van Beethoven: Violin Sonata No. 9 in A major ("Kreutzer") ; Johannes Brahms: Quintet in B minor for Clarinet and Strings ; Igor Stravinsky: Suite from L'Histoire du Soldat. Selected chamber music compositions".
catalog description "16. Music and religion: large vocal forms : The mass ; Styles in mass composition ; Wayposts in musical settings of the mass ; The requiem mass ; Text for the ordinary of a mass ; Oratorio ; Wayposts in the rise of oratorio : Early oratorio in Italy, Germany, and France ; Oratorio in the late Baroque ; Oratorio in the Classic and Romantic eras ; Oratorio in modern times. Handel: Messiah ; The cantata ; Wayposts in cantata development ; J. S. Bach: Wachet auf! Ruft uns die Stimme ; Other large vocal forms : Passion music : J.S. Bach: The Passion According to St. Matthew. Te Deum Laudamus ; Stabat Mater ; Magnificat ; Salve Regina ; Sacred service. Selected large-scale vocal works -- ".
catalog description "17. Musical logic: the symphony : Sources from which the symphony arose ; Patterns for the symphony ; Performing media for symphonies ; Absolute and program symphonies ; Interrelating symphonic movements ; Unusual kinds of symphonies ; Modifications of the symphonic concept ; Wayposts in the rise of the symphony : Formulating the design (c. 1750) ; Symphonism in the Classic era : Filtz: Symphony in A major ; Mozart: Symphony No. 40 in G minor. The Romantic symphony ; Symphonies in the Contemporary era. Particular examples of the symphony : Franz Joseph Haydn: Symphony No. 103 in E-flat major ; Ludwig van Beethoven: Symphony No. 7 in A major ; Felix Mendelssohn: Symphony No. 4 in A major ; Antonin Dvorak: Symphony No. 9 in E minor ; Dmitri Shostakovich: Symphony No. 1 ; Selected symphonies -- ".
catalog description "18. Opera: a merger of music and drama : Opera's component arts ; The dramatic essence of opera ; The problems of language ; Organizational patterns in opera ; The operatic cast ; The operatic overture ; Ballet in opera ; Operatic style ; Wayposts in the rise of the opera : Operatic backgrounds ; Growth in the seventeenth century ; In the eighteenth century ; In the nineteenth century ; In the twentieth century. Excerpts from five representative operas : Wolfgang Amadeus Mozart: The Marriage of Figaro, Act I ; Richard Wagner: highlights from Tannhauser ; Giuseppe Verdi: highlights from La Traviata ; Georges Bizet: Carmen, Act II ; George Gershwin: highlights from Porgy and Bess. Selected operas.".
catalog description "3. The texture of music : Monophony : Ambrosian chant ; Gallican chant ; Mozarabic chant ; Gregorian chant ; Or la truix trop dure te ; J.S. Bach: two Bourrees from Suite No. 3 for 'Cello ; Wagner: excerpt from Tristan und Isolde ; Bizet: excerpts from L'Arlesienne music ; Mussorgsky: excerpt from Pictures at an Exhibition. Polyphony : Organum ; The canon and round ; The quodlibet ; The motet ; The madrigal ; The invention ; The Fugue (J.S. Bach: "Little" Fugue in G minor) ; Orchestral polyphony : Bizet: "Farandole" from L'Arlesienne Suite No. 2 ; Beethoven: Symphony No. 7, second movement ; Holst: March from First Suite in E-flat major ; Borodin: "On the Steppes of Central Asia". Homophony : Accompaniment ; The harmonic cadence ; Consonance and dissonance. Recent ventures : Ives: variations on "America" ; Schoenberg: quintet for wind instruments, and variations for Orchestra. Some compositions with notable textural qualities".
catalog description "4. The instruments of music : Families of musical instruments ; String instruments ; Woodwind instruments ; Brass instruments ; Percussion instruments ; The voice : Soprano ; Contralto ; Tenor ; Bass. Some compositions that demonstrate musical timbre -- 5. The media of music : Solo instruments : Piano ; Organ ; Other keyboard instruments ; Strings ; Winds. Small instrumental ensembles : Duos ; Trios ; Quartets ; Quintets. Large instrumental groups : The symphony orchestra ; The chamber orchestra ; The wind band. Vocal media : Choruses ; The vocal craft ; Solo song ; Chorus and orchestra ; Recent innovations. A conductor's role ; Transcriptions ; Additional compositions for various performing media".
catalog description "6. Growth by addition: part form : Binary and ternary part form ; The question of dimension: simple and large part form ; Early part form ; Four and five part form : Brahms: Symphony No. 2 in D Major, third movement. The Da capo aria : Bizet: "Micaela's Aria" from Carmen ; Mozart: se vuol ballare from the Marriage of Figaro. Part form in short works ; Part form in larger works ; The minuet and trio : Mozart: menuetto from Symphony No. 39 in E-flat major. The scherzo : Beethoven: Septet in E-flat major, fifth movements ; Schubert: Octet in F major, third movement. Particular examples of part form : Johann Sebastian Bach: French Suite No. 5 in G major ; Wolfgang Amadeus Mozart: menuetto from Quintet in A major for Clarinet and Strings (K. 581) ; Ludwig van Beethoven: scherzo from Symphony No. 3 in E-flat major ; Johann Strauss, II: On the beautiful Blue Danube Waltzes ; Dmitri Shostakovich: allegretto from Symphony No. 5. Some further examples of part form".
catalog description "7. Constancy with change: theme and variation form : The variation theme ; Variation activity : Mozart: variations on Ah, vous dirai-je, Maman. Variation procedures : Schubert: Quintet in A major for piano and strings, fourth movement. Chaconne and Passacaglia : Holst: First suite in E-flat major for military band, first movement. Early variation designs ; Free variations : Richard Strauss: Don Quixote ; Calliett: variations on "Pop Goes the Weasel". Variation form in contemporary popular music ; Particular examples of variation form : Wolfgang Amadeus Mozart: finale from Quintet in A major for Clarinet and Strings (K. 581) ; Ludwig van Beethoven: finale from Symphony No. 3 in E-flat major ; Johannes Brahms: variations on a theme by Joseph Haydn ; Anton Arensky: variations on a theme by Tchaikovsky ; Ernst Dohnanyi: variations on a nursery song. Some further examples of variation form".
catalog description "8. Transforming the musical idea: sonata form : Thematic material in sonata form ; The exposition : Mozart: Symphony No. 40 in G minor, first movement. The development ; The recapitulation ; Appendages of sonata form ; A synoptic outline of sonata form ; Sonata form in chamber music : Mozart: Quintet for Strings in G minor (K. 516), first movement ; Beethoven: Piano Sonata No. 8 in C minor (Pathetique), first movement ; Dvorak: Quartet in F major (American), first movement. Sonatina form. Particular examples of sonata form : Franz Schubert: Symphony No. 8 in B minor, first movement ; Carl Maria von Weber: Overture to Oberon ; Michael Glinka: Overture to Ruslan and Ludmilla ; Peter I. Tchaikovsky: Symphony No. 5 in E minor, first movement ; Paul Hindemith: Mathis der Maler Symphony, first movement. Some further examples of sonata form ; Some further examples of sonatina form".
catalog description "9. Thematic recurrence: rondo form : The rondo theme ; Some basic rondo qualities ; Early rondos ; Where rondo form may be used ; Simple rondo form : Ghys: "Amaryllis" ; Beethoven: Piano Sonata No. 8 in C minor (Pathetique), No. 2 in A major, second movement ; Mozart: Serenade No. 10 for Thirteen Wind Instruments (K. 361), finale. Sonata rondo form : Beethoven: Concerto No. 4 in G major for Piano, finale. Particular examples of rondo form : J. S. Bach: Gavotte en Rondeau from Partita No. 3 in E major for Solo Violin ; Ludwig van Beethoven : Concerto in D major for Violin, finale ; Felix Mendelssohn: scherzo from incidental music for A Midsummer Night's Dream ; Camille Saint-Saens: Introduction and Rondo Capriccioso for Violin and Orchestra ; Maurice Ravel: Pavane pour une infant defunte. Some further examples of rondo form".
catalog description "Bibliography: p. 618-621.".
catalog extent "xviii, 650 p.".
catalog hasFormat "Musical idea.".
catalog isFormatOf "Musical idea.".
catalog issued "1968".
catalog issued "[1968]".
catalog language "eng".
catalog publisher "New York, Macmillan Co.".
catalog relation "Musical idea.".
catalog subject "781".
catalog subject "MT6.N164 M9 1968".
catalog subject "Music Instruction and study.".
catalog subject "Musical form.".
catalog tableOfContents "1. The rhythm of music : Music's temporal aspect ; Music's pulsation ; Tempo ; Meter ; Syncopation ; Rhythmic variants ; Composite works : Gounod: ballet music from Faust. National dances : Dvorak: Slavonic dances nos. 1, 3, 10, 15). Rhythmic notation ; Some compositions with prominent rhythmic characteristics -- 2. The melody of music : Melody's expressive power ; The tonal framework ; Melodic types ; Melodic change ; Melodic notation ; The grammar of melody ; Keys and key signatures ; The melodic cadence ; Dynamics ; Simple melodic patterns ; Tonal memory ; Some compositions with notable melodic qualities".
catalog tableOfContents "10. Curtain-raiser, concept piece, and rhapsody : Overture backgrounds ; Common overture types ; Rhapsody, prelude, and fantastic. Waypoints in overture development : The Baroque and Classic eras ; The century of Romanticism ; The twentieth century. Particular examples of single-movement works : Ludwig van Beethoven: Leonore Overture No. 3 ; Giocchino Rossini: overtures to TheBarbe of Seville and La Gazza Ladra ; Franz Liszt: Hungarian Rhapsody No. 2 ; Peter I. Tchaikovsky: Capriccio italien ; Georges Enesco: Roumanian Rhapsody No. 1. Single movement compositions -- 11. Additive designs: the suite and associated forms : Associated forms ; Performing media for suites ; The dance suite ; The theatrical suite : Grieg: Peer Gynt Suite No.1 ; Tchaikovsky: Nutcracker Suite No. 1. The descriptive suite ; Wayposts in suite development : Emergence ; The Baroque era ; The Rococo and Classic eras ; The Romantic era ; The Contemporary era. Particular examples of the suite : Johann Sebastian Bach: Suite No. 2 in B minor for Flute and Strings ; Georges Bizet: Suite No. 1 from L'Arlesienne ; Claude Debussy: the Children's Corner Suite ; Dmitri Kabalevsky: suite from The Comedians ; Aaron Copland: Four Dance Episodes from Rodeo. Selected suites".
catalog tableOfContents "12. Musical dialogue: the concerto : The solo concerto ; The concerto grosso ; The cadenza ; Concerto preforming media ; Concerto modifications ; Wayposts in concerto development : To 1750 ; During the Classic Era ; During the Romantic Era ; In the twentieth century. Particular examples of the concerto : Johann Sebastian Bach: Brandenburg Concerto No. 2 in F major ; Wolfgang Amadeus Mozart: Concerto in A major for Clarinet (K. 622) ; Felix Mendelssohn: Concerto in E minor for violin ; Peter I. Tchaikovsky: Concerto No. 1 in B-flat minor for Piano ; Bela Bartok: Concerto for Orchestra. Selected concertos -- 13. The lyric art: song : Folk song ; Particular kinds of folk song ; Folk song in composed settings ; Art song ; The song cycle ; The orchestral song : Mahler: Leider eines fahrenden Gesellen. Wayposts in art song development : Early song ; Song from 1500 to 1800 ; Song during the nineteenth century ; Song in the twentieth century. Particular examples of song : Franz Schubert: Three Songs : The Hedge Rose ; Margaret at the Spinning Wheel ; The Erlking. Robert Schumann: a song and a song cycle : The Two Grenadiers ; Dichterliebe. Songs by Johannes Brahms, Modest Mussorgsky, Hugo Wolf, Richard Strauss : Vier ernste Gesange ; A Song of the Flea ; Songs and Dances of Death ; Three Michelangelo songs ; Dedication and All Soul's Day. Songs by Claude Debussy and Maurice Ravel : Ariettes Oubliees ; Sheherazade. Songs by Manuel de Falla : Seven Spanish folk songs. Selected art songs and song cycles".
catalog tableOfContents "14. Aural portraiture: illustrative music : Some of the problems ; Aesthetic considerations ; Whence the subject matter? ; Musical satire ; Implementing the descriptive process : Smetana: The Moldau ; Taylor: Through the Looking Glass. Musical symbolism and thematic association ; Form in illustrative music ; Types of illustrative pieces ; The symphonic poem ; Wayposts in the growth of program music : From emergence to 1800 : Kuhnau: Biblical sonatas, "The Fight Between David and Goliath." In the nineteenth century : Beethoven: Wellington's victory. In the twentieth century : Ives: "Putnam's Camp, Redding, Connecticut" from Three Places in New England. Particular examples of program music : Franz Liszt: Les Preludes ; Camille Saint-Saens: Danse macabre ; Modest P. Mussorgsky-Ravel: pictures at an exhibition ; Richard Strauss: Ein Heldenleben ; George Gershwin: an American in Paris. Selected descriptive compositions -- 15. Chamber music: an intimate art : The essence of chamber music ; Performing media for chamber music ; The sonata ; Wayposts in the rise of chamber music : The early period ; In the Baroque era : Handel: Sonata No. 1 in E minor for Flute. In the Classic era ; In the Romantic period : Beethoven: Quartet No. 5 in A major. In the twentieth century : Debussy: Quartet in G minor. Particular examples of chamber music : Johann Sebastian Bach: Trio Sonata in C minor from The Musical Offering ; Franz Joseph Haydn: Quartet in C major ("Emperor") ; Ludwig van Beethoven: Violin Sonata No. 9 in A major ("Kreutzer") ; Johannes Brahms: Quintet in B minor for Clarinet and Strings ; Igor Stravinsky: Suite from L'Histoire du Soldat. Selected chamber music compositions".
catalog tableOfContents "16. Music and religion: large vocal forms : The mass ; Styles in mass composition ; Wayposts in musical settings of the mass ; The requiem mass ; Text for the ordinary of a mass ; Oratorio ; Wayposts in the rise of oratorio : Early oratorio in Italy, Germany, and France ; Oratorio in the late Baroque ; Oratorio in the Classic and Romantic eras ; Oratorio in modern times. Handel: Messiah ; The cantata ; Wayposts in cantata development ; J. S. Bach: Wachet auf! Ruft uns die Stimme ; Other large vocal forms : Passion music : J.S. Bach: The Passion According to St. Matthew. Te Deum Laudamus ; Stabat Mater ; Magnificat ; Salve Regina ; Sacred service. Selected large-scale vocal works -- ".
catalog tableOfContents "17. Musical logic: the symphony : Sources from which the symphony arose ; Patterns for the symphony ; Performing media for symphonies ; Absolute and program symphonies ; Interrelating symphonic movements ; Unusual kinds of symphonies ; Modifications of the symphonic concept ; Wayposts in the rise of the symphony : Formulating the design (c. 1750) ; Symphonism in the Classic era : Filtz: Symphony in A major ; Mozart: Symphony No. 40 in G minor. The Romantic symphony ; Symphonies in the Contemporary era. Particular examples of the symphony : Franz Joseph Haydn: Symphony No. 103 in E-flat major ; Ludwig van Beethoven: Symphony No. 7 in A major ; Felix Mendelssohn: Symphony No. 4 in A major ; Antonin Dvorak: Symphony No. 9 in E minor ; Dmitri Shostakovich: Symphony No. 1 ; Selected symphonies -- ".
catalog tableOfContents "18. Opera: a merger of music and drama : Opera's component arts ; The dramatic essence of opera ; The problems of language ; Organizational patterns in opera ; The operatic cast ; The operatic overture ; Ballet in opera ; Operatic style ; Wayposts in the rise of the opera : Operatic backgrounds ; Growth in the seventeenth century ; In the eighteenth century ; In the nineteenth century ; In the twentieth century. Excerpts from five representative operas : Wolfgang Amadeus Mozart: The Marriage of Figaro, Act I ; Richard Wagner: highlights from Tannhauser ; Giuseppe Verdi: highlights from La Traviata ; Georges Bizet: Carmen, Act II ; George Gershwin: highlights from Porgy and Bess. Selected operas.".
catalog tableOfContents "3. The texture of music : Monophony : Ambrosian chant ; Gallican chant ; Mozarabic chant ; Gregorian chant ; Or la truix trop dure te ; J.S. Bach: two Bourrees from Suite No. 3 for 'Cello ; Wagner: excerpt from Tristan und Isolde ; Bizet: excerpts from L'Arlesienne music ; Mussorgsky: excerpt from Pictures at an Exhibition. Polyphony : Organum ; The canon and round ; The quodlibet ; The motet ; The madrigal ; The invention ; The Fugue (J.S. Bach: "Little" Fugue in G minor) ; Orchestral polyphony : Bizet: "Farandole" from L'Arlesienne Suite No. 2 ; Beethoven: Symphony No. 7, second movement ; Holst: March from First Suite in E-flat major ; Borodin: "On the Steppes of Central Asia". Homophony : Accompaniment ; The harmonic cadence ; Consonance and dissonance. Recent ventures : Ives: variations on "America" ; Schoenberg: quintet for wind instruments, and variations for Orchestra. Some compositions with notable textural qualities".
catalog tableOfContents "4. The instruments of music : Families of musical instruments ; String instruments ; Woodwind instruments ; Brass instruments ; Percussion instruments ; The voice : Soprano ; Contralto ; Tenor ; Bass. Some compositions that demonstrate musical timbre -- 5. The media of music : Solo instruments : Piano ; Organ ; Other keyboard instruments ; Strings ; Winds. Small instrumental ensembles : Duos ; Trios ; Quartets ; Quintets. Large instrumental groups : The symphony orchestra ; The chamber orchestra ; The wind band. Vocal media : Choruses ; The vocal craft ; Solo song ; Chorus and orchestra ; Recent innovations. A conductor's role ; Transcriptions ; Additional compositions for various performing media".
catalog tableOfContents "6. Growth by addition: part form : Binary and ternary part form ; The question of dimension: simple and large part form ; Early part form ; Four and five part form : Brahms: Symphony No. 2 in D Major, third movement. The Da capo aria : Bizet: "Micaela's Aria" from Carmen ; Mozart: se vuol ballare from the Marriage of Figaro. Part form in short works ; Part form in larger works ; The minuet and trio : Mozart: menuetto from Symphony No. 39 in E-flat major. The scherzo : Beethoven: Septet in E-flat major, fifth movements ; Schubert: Octet in F major, third movement. Particular examples of part form : Johann Sebastian Bach: French Suite No. 5 in G major ; Wolfgang Amadeus Mozart: menuetto from Quintet in A major for Clarinet and Strings (K. 581) ; Ludwig van Beethoven: scherzo from Symphony No. 3 in E-flat major ; Johann Strauss, II: On the beautiful Blue Danube Waltzes ; Dmitri Shostakovich: allegretto from Symphony No. 5. Some further examples of part form".
catalog tableOfContents "7. Constancy with change: theme and variation form : The variation theme ; Variation activity : Mozart: variations on Ah, vous dirai-je, Maman. Variation procedures : Schubert: Quintet in A major for piano and strings, fourth movement. Chaconne and Passacaglia : Holst: First suite in E-flat major for military band, first movement. Early variation designs ; Free variations : Richard Strauss: Don Quixote ; Calliett: variations on "Pop Goes the Weasel". Variation form in contemporary popular music ; Particular examples of variation form : Wolfgang Amadeus Mozart: finale from Quintet in A major for Clarinet and Strings (K. 581) ; Ludwig van Beethoven: finale from Symphony No. 3 in E-flat major ; Johannes Brahms: variations on a theme by Joseph Haydn ; Anton Arensky: variations on a theme by Tchaikovsky ; Ernst Dohnanyi: variations on a nursery song. Some further examples of variation form".
catalog tableOfContents "8. Transforming the musical idea: sonata form : Thematic material in sonata form ; The exposition : Mozart: Symphony No. 40 in G minor, first movement. The development ; The recapitulation ; Appendages of sonata form ; A synoptic outline of sonata form ; Sonata form in chamber music : Mozart: Quintet for Strings in G minor (K. 516), first movement ; Beethoven: Piano Sonata No. 8 in C minor (Pathetique), first movement ; Dvorak: Quartet in F major (American), first movement. Sonatina form. Particular examples of sonata form : Franz Schubert: Symphony No. 8 in B minor, first movement ; Carl Maria von Weber: Overture to Oberon ; Michael Glinka: Overture to Ruslan and Ludmilla ; Peter I. Tchaikovsky: Symphony No. 5 in E minor, first movement ; Paul Hindemith: Mathis der Maler Symphony, first movement. Some further examples of sonata form ; Some further examples of sonatina form".
catalog tableOfContents "9. Thematic recurrence: rondo form : The rondo theme ; Some basic rondo qualities ; Early rondos ; Where rondo form may be used ; Simple rondo form : Ghys: "Amaryllis" ; Beethoven: Piano Sonata No. 8 in C minor (Pathetique), No. 2 in A major, second movement ; Mozart: Serenade No. 10 for Thirteen Wind Instruments (K. 361), finale. Sonata rondo form : Beethoven: Concerto No. 4 in G major for Piano, finale. Particular examples of rondo form : J. S. Bach: Gavotte en Rondeau from Partita No. 3 in E major for Solo Violin ; Ludwig van Beethoven : Concerto in D major for Violin, finale ; Felix Mendelssohn: scherzo from incidental music for A Midsummer Night's Dream ; Camille Saint-Saens: Introduction and Rondo Capriccioso for Violin and Orchestra ; Maurice Ravel: Pavane pour une infant defunte. Some further examples of rondo form".
catalog title "The musical idea: a consideration of music and its ways [by] Walter E. Nallin.".
catalog type "text".