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• catalog alternative "Literary works. Selections. English".
• catalog contributor b2149922.
• catalog contributor b2149923.
• catalog contributor b2149924.
• catalog contributor b2149925.
• catalog contributor b2149926.
• catalog contributor b2149927.
• catalog contributor b2149928.
• catalog contributor b2149929.
• catalog created "1964.".
• catalog date "1964".
• catalog date "1964.".
• catalog dateCopyrighted "1964.".
• catalog description "Alliteration unifies expression : Stabreim defined and illustrated -- Poetic value of Stabrein -- Use of rhyme : passing over word speech into tone speech -- Different functions of the word poet and tone poet -- Melody and feeling -- Tonality and expression ; setting Stabreim -- Modulation and action -- Harmony imparts feeling tone to melody -- Poet and musician unite in the orchestra -- Orchestra's power of speech : analogy with gesture -- Foreboding and rememberance -- Example from Lohengrin -- The New musicodramatic unity -- Relation of the poet to the musician -- One artist or two? -- Conclusion.".
• catalog description "Part I. Cultural decadence of the Nineteenth Century : Mercury, god of merchants, reigns over modern culture -- The Rabble and the Philistines set artistic standards -- Criticism of the Vienna Opera House -- Italian opera : an excuse for conversation and social gatherings -- Paris demanded a ballet in Tannh.".
• catalog description "Part II. The Greek ideal -- Greek art and drama -- A Fellowship of players : communion of players and audience -- The Fellowship and the community : the priest as actor -- The Folk creates art -- Definition of the folk -- Myth as it relates to the folk and to art -- The Value of myth is its eternal truth -- Feeling is the basis of understanding.".
• catalog description "Part III. The Origins of modern opera, drama, and music -- Development of the aria : Gluck's contribution -- Mozart and Rossini : the death of opera -- Weber's contribution -- Nadir of opera : music by Meyerbeer, libretto by Scribe -- Opera affirms the separation of the arts -- Origin of modern drama : the Romance and Greek drama -- Essence of the Romance -- Myth diluted by Christianity -- The Romance versus the drama : Romance turns into politics eventually -- The State versus the individual : understanding versus feeling -- Poetry impossible in modern speech.".
• catalog description "Part IV : The Artwork of the future -- Music and reality : Shopenhauer's theory extended by Wagner -- Beethoven's symphonies reveal another world : whose logic is the logic of feeling -- Poetry will combine with music in drama which also obeys the logic of feeling -- Essence of drama is knowing through feeling -- Myth represents a concentration of motives : summary of relations of myth, drama, feeling, and motives -- Word speech must be strengthened to suit mythic drama -- From ordinary speech a new art speech must be created, a concise and vigorous style -- Rhythm determined not by artificial metrics but by the natural liftings and lowerings of the speaking accent.".
• catalog description "Part V : Wagner's development -- Autobiographial sketch -- Rienzi -- The Flying Dutchman : use of myth -- Tannh.".
• catalog description "Part VI. The Art of performance -- Conducting : relation of melody to tempo ; establishing the correct tempo ; the principle of modifying tempo ; performing Beethoven's Ninth Symphony -- Acting : performing The Flying Dutchman -- Singing : Ludwig Schnorr von Carolsfeld, Wagner's ideal Heldentenor.".
• catalog description "Part VII. Bayreuth -- The Founding of the Festspielhaus ; Wagner's speech on the occasion ; the design of the theatre ; hidden orchestra, perspective arrangement, state space -- "Parsifal at Bayreuth," final festival in 1882 ; acting technique, scenery, rehearsals -- The Staging of Tristan and Isolde by Appia.".
• catalog description "Part VIII. Politics -- On state and religion : state guarantees stability ; basic Wahn of political life is patriotism ; public opinion ; the king and religion ; dogma and allegory ; the function of art -- German art and German policy ; German and French civilizations contrasted ; development of the German nation ; the Romantic movement ; the decline of German art ; need for the German princes to support German art ; German union.".
• catalog description "While language declines, music, a new language of feeling, develops, until poetry becomes either philosophy or blends with music -- Haydn and Mozart develop dance music into the modern symphony and make use of folk song and speaking melody -- Yet they fail to achieve dramatic pathos or continuity of action : their works are characterized by a "lofty glee." -- Beethoven makes music express storm and stress. But absolute music can express only mirth or endless yearning ; it lacks the deed, the moral will. The Ninth Symphony is the redemption of music into drama -- Three descriptive and analytic programs : the importance of identifying the poetic subjects of Beethoven's works : a. The "Eroica" Symphony. B. The "Coriolan" Overture. C. The Ninth Symphony (with parallel passages from the poems of Goethe).".
• catalog extent "447 p.".
• catalog hasFormat "Wagner on music and drama.".
• catalog isFormatOf "Wagner on music and drama.".
• catalog issued "1964".
• catalog issued "1964.".
• catalog language "eng".
• catalog publisher "New York, E. P. Dutton,".
• catalog relation "Wagner on music and drama.".
• catalog subject "Drama.".
• catalog subject "ML410.W1 A134".
• catalog subject "Music History and criticism.".
• catalog subject "Music.".
• catalog tableOfContents "Alliteration unifies expression : Stabreim defined and illustrated -- Poetic value of Stabrein -- Use of rhyme : passing over word speech into tone speech -- Different functions of the word poet and tone poet -- Melody and feeling -- Tonality and expression ; setting Stabreim -- Modulation and action -- Harmony imparts feeling tone to melody -- Poet and musician unite in the orchestra -- Orchestra's power of speech : analogy with gesture -- Foreboding and rememberance -- Example from Lohengrin -- The New musicodramatic unity -- Relation of the poet to the musician -- One artist or two? -- Conclusion.".
• catalog tableOfContents "Part I. Cultural decadence of the Nineteenth Century : Mercury, god of merchants, reigns over modern culture -- The Rabble and the Philistines set artistic standards -- Criticism of the Vienna Opera House -- Italian opera : an excuse for conversation and social gatherings -- Paris demanded a ballet in Tannh.".
• catalog tableOfContents "Part II. The Greek ideal -- Greek art and drama -- A Fellowship of players : communion of players and audience -- The Fellowship and the community : the priest as actor -- The Folk creates art -- Definition of the folk -- Myth as it relates to the folk and to art -- The Value of myth is its eternal truth -- Feeling is the basis of understanding.".
• catalog tableOfContents "Part III. The Origins of modern opera, drama, and music -- Development of the aria : Gluck's contribution -- Mozart and Rossini : the death of opera -- Weber's contribution -- Nadir of opera : music by Meyerbeer, libretto by Scribe -- Opera affirms the separation of the arts -- Origin of modern drama : the Romance and Greek drama -- Essence of the Romance -- Myth diluted by Christianity -- The Romance versus the drama : Romance turns into politics eventually -- The State versus the individual : understanding versus feeling -- Poetry impossible in modern speech.".
• catalog tableOfContents "Part IV : The Artwork of the future -- Music and reality : Shopenhauer's theory extended by Wagner -- Beethoven's symphonies reveal another world : whose logic is the logic of feeling -- Poetry will combine with music in drama which also obeys the logic of feeling -- Essence of drama is knowing through feeling -- Myth represents a concentration of motives : summary of relations of myth, drama, feeling, and motives -- Word speech must be strengthened to suit mythic drama -- From ordinary speech a new art speech must be created, a concise and vigorous style -- Rhythm determined not by artificial metrics but by the natural liftings and lowerings of the speaking accent.".
• catalog tableOfContents "Part V : Wagner's development -- Autobiographial sketch -- Rienzi -- The Flying Dutchman : use of myth -- Tannh.".
• catalog tableOfContents "Part VI. The Art of performance -- Conducting : relation of melody to tempo ; establishing the correct tempo ; the principle of modifying tempo ; performing Beethoven's Ninth Symphony -- Acting : performing The Flying Dutchman -- Singing : Ludwig Schnorr von Carolsfeld, Wagner's ideal Heldentenor.".
• catalog tableOfContents "Part VII. Bayreuth -- The Founding of the Festspielhaus ; Wagner's speech on the occasion ; the design of the theatre ; hidden orchestra, perspective arrangement, state space -- "Parsifal at Bayreuth," final festival in 1882 ; acting technique, scenery, rehearsals -- The Staging of Tristan and Isolde by Appia.".
• catalog tableOfContents "Part VIII. Politics -- On state and religion : state guarantees stability ; basic Wahn of political life is patriotism ; public opinion ; the king and religion ; dogma and allegory ; the function of art -- German art and German policy ; German and French civilizations contrasted ; development of the German nation ; the Romantic movement ; the decline of German art ; need for the German princes to support German art ; German union.".
• catalog tableOfContents "While language declines, music, a new language of feeling, develops, until poetry becomes either philosophy or blends with music -- Haydn and Mozart develop dance music into the modern symphony and make use of folk song and speaking melody -- Yet they fail to achieve dramatic pathos or continuity of action : their works are characterized by a "lofty glee." -- Beethoven makes music express storm and stress. But absolute music can express only mirth or endless yearning ; it lacks the deed, the moral will. The Ninth Symphony is the redemption of music into drama -- Three descriptive and analytic programs : the importance of identifying the poetic subjects of Beethoven's works : a. The "Eroica" Symphony. B. The "Coriolan" Overture. C. The Ninth Symphony (with parallel passages from the poems of Goethe).".
• catalog title "Literary works. Selections. English".
• catalog title "Wagner on music and drama; a compendium of Richard Wagner's prose works. Selected and arranged, and with an introd. by Albert Goldman and Evert Sprinchorn. Translated by H. Ashton Ellis.".
• catalog type "text".