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- catalog contributor b2150119.
- catalog created "[1965]".
- catalog date "1965".
- catalog date "[1965]".
- catalog dateCopyrighted "[1965]".
- catalog description "I. 1. Scales and triads ; Extension of time of a triad ; Non-harmonic tones ; A note on a figured bass -- 2. Tonic and dominant ; The dominant seventh chord ; Harmony in two, three, four, or more parts -- 3. The extension of the dominant-tonic relationship ; The II and II7 chords ; Contrapuntal factors -- 4. Further extensions of the dominant-tonic relationship-VI and III ; The circle of fifths (or fourths) -- 5. The IV chord-its history and function ; The VII and VII7 chords -- 6. The augmented fourth and its significance ; The Neapolitan sixth ; The mixed scale ; Augmented sixth chords -- 7. Root progression by seconds ; The first inversion series ; Sequences ; Root progression by thirds ; Sequences ; Root progression by thirds ; Ambiguity and considerations of time -- 8. More on seventh chords ; Equivocal and unequivocal chords ; The diminished seventh ; Ninth, eleventh, and thirteenth chords ; Summary".
- catalog description "II. 9. Tonality and time-span ; Modulation and subdivision ; Key "area" ; Harmonic plan ; Analysis of the Clementi G-major Sonatina, Opus 36, No. 2 -- 10. Chromaticism-stylistic development from Monteverdi to Wagner.".
- catalog extent "xiii, 242 p.".
- catalog hasFormat "Harmony in Western Music.".
- catalog isFormatOf "Harmony in Western Music.".
- catalog issued "1965".
- catalog issued "[1965]".
- catalog language "eng".
- catalog publisher "New York, W. W. Norton".
- catalog relation "Harmony in Western Music.".
- catalog subject "781.3".
- catalog subject "Harmony.".
- catalog subject "MT50.G624 H4 1965".
- catalog subject "MT50.G624 H4".
- catalog tableOfContents "I. 1. Scales and triads ; Extension of time of a triad ; Non-harmonic tones ; A note on a figured bass -- 2. Tonic and dominant ; The dominant seventh chord ; Harmony in two, three, four, or more parts -- 3. The extension of the dominant-tonic relationship ; The II and II7 chords ; Contrapuntal factors -- 4. Further extensions of the dominant-tonic relationship-VI and III ; The circle of fifths (or fourths) -- 5. The IV chord-its history and function ; The VII and VII7 chords -- 6. The augmented fourth and its significance ; The Neapolitan sixth ; The mixed scale ; Augmented sixth chords -- 7. Root progression by seconds ; The first inversion series ; Sequences ; Root progression by thirds ; Sequences ; Root progression by thirds ; Ambiguity and considerations of time -- 8. More on seventh chords ; Equivocal and unequivocal chords ; The diminished seventh ; Ninth, eleventh, and thirteenth chords ; Summary".
- catalog tableOfContents "II. 9. Tonality and time-span ; Modulation and subdivision ; Key "area" ; Harmonic plan ; Analysis of the Clementi G-major Sonatina, Opus 36, No. 2 -- 10. Chromaticism-stylistic development from Monteverdi to Wagner.".
- catalog title "Harmony in Western Music.".
- catalog type "text".