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- catalog contributor b2158815.
- catalog contributor b2158816.
- catalog created "1945-".
- catalog date "1945".
- catalog date "1945-".
- catalog dateCopyrighted "1945-".
- catalog description "v. 1. An analysis of the design of the "Caput" masses by Dufay and Okeghem in their metric and rhythmic aspects, by R.G. Harris.--A contribution to the problem of mode in mediaeval music, by Virginia Seay.--A study of linear design in Gregorian chant and music written in the twelve-tone technique, by Martha Johnson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krěnek. A study of conflicting key-signatures in Francesco Landini's music, by Martha Johnson.".
- catalog extent "v.".
- catalog hasFormat "Hamline studies in musicology.".
- catalog isFormatOf "Hamline studies in musicology.".
- catalog issued "1945".
- catalog issued "1945-".
- catalog language "eng".
- catalog publisher "Minneapolis, Burgess Pub. Co.,".
- catalog relation "Hamline studies in musicology.".
- catalog subject "ML184 .K7".
- catalog subject "Music 500-1400 History and criticism.".
- catalog subject "Music History and criticism.".
- catalog tableOfContents "v. 1. An analysis of the design of the "Caput" masses by Dufay and Okeghem in their metric and rhythmic aspects, by R.G. Harris.--A contribution to the problem of mode in mediaeval music, by Virginia Seay.--A study of linear design in Gregorian chant and music written in the twelve-tone technique, by Martha Johnson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krěnek. A study of conflicting key-signatures in Francesco Landini's music, by Martha Johnson.".
- catalog title "Hamline studies in musicology.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".