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- catalog contributor b2338315.
- catalog created "c1926.".
- catalog date "1926".
- catalog date "c1926.".
- catalog dateCopyrighted "c1926.".
- catalog description "11. The three-part song-form : Ruling principle of all tripartite forms ; Distinction between "recurrence" form ; Influence upon part II of tripartite form ; The three-part period ; Genuine species ; Irregular species ; Incipient grade of three-part song-form ; Details of structure ; Demonstration of this classification (foot-note) ; Resemblance between three-part period and incipient three-part song-form -- 12. The ordinary complete three-part song-form : Definition ; Details of part I: design, length ; Details of part II -- thematic conditions : Total agreement with part I ; Derived from fragments of part I ; Opposite construction ; General formative agreement ; New melodic contents. Tonality of part II ; Structural design of part II ; Sectional form of part II ; Cadence of part II : On dominant ; On other chords. The re-transition ; Details of part III ; Extraneous members: codetta or coda, introduction, interlude -- ".
- catalog description "13. Additional details of the song-forms : Irregular cadence-conditions : Imperfect cadence at end of section ; Perfect cadence in course of section. Influence of thematic idea upon formal design ; Modulation: transient : Complete ; Two general modulatory design. Dynamic design : Other expression-marks. Contrast ; Style: time : Tempo, mode, rhythm ; Emotional elements. Coda and codetta: distinction between : Object and design of coda and codetta ; Derivation of coda and codetta ; Location of codetta -- 14. The incomplete three-part song-form : Definition ; Distinction between incipient grade incomplete form ; Part III a slightly contracted version of part I ; Part I briefly represented at beginning of Part III ; Augmented two-part song-form -- ".
- catalog description "15. Fully developed three-part song-form : Definition ; Four stages of progressive development : Stage 1, literal, or inessentially modified recurrence ; Stage 2, recurrence of portion, extended ; Stage 3, recurrence containing new material ; Stage 4, recurrence containing member from part II. Corroboration ; Large phase-group -- 16. The evolution of the five-part song-form : Repetition of the divisions ; Second part not to be repeated alone ; Modified repetition of second division : Stage 1, repetition of parts II and III with unessential changes ; Stage 2, transposed recurrence of part II ; Stage 3, part IV a transposed and altered recurrence of part II ; Stage 4, part IV a reconstructed version of part II ; Stage 5, part IV new. Treatment of part V ; Old-fashioned rondeau ; Seven-part form -- ".
- catalog description "17. Irregular part-forms : Definition ; Transposed 3rd part ; Group of parts, incipient stage ; Distinct 2nd part ; Repetition of 2nd part alone ; Sequential or transposed reproduction of parts ; Group of parts developed ; Extended".
- catalog description "3. The development or extension of the phrase : Processes of composition ; Means of employed in developing phrase ; Repetition of entire phrase ; Concealing perfect cadence ; Modifications of repetition : Embellishment of melody ; Change of harmony and modulation ; Change of register ; Change of style ; Complete changes in course. Interlude before repetition ; Conditions upon which "repetition" depends ; Series of repetition ; Object of repetitions ; Extensions at the end of the phrase : Repetition of second half ; Repetition or sequence of last member ; Repetition of cadence-group ; Repetition of two cadence-chords ; Reiteration of final tonic chords ; Plagal extension. Object of extensions at end ; Extensions at the beginning of phrase ; Extensions in course of phrase : Repetition of early member ; Sequence of early member ; Expansion of prominent tone or chord ; Importance of "expansion" ; New cadence-member. Extensions in course, when and where appropriate -- ".
- catalog description "4. Chain-phrase ; Melody-expansion ; Irregular phrase-formation ; Miscellaneous examples of phrase-extension -- 5. The period-form : Definition ; Antecedent phrase ; Semicadences ; Character of antecedent phrase ; Construction of consequent phrase : Parallel construction ; Opposite construction ; Contrasting construction. Variety and unity -- 6. Extensions of Period-form : Repetition of entire period ; Repetition of consequent-phrase ; Repetition of antecedent-phrase, or both phrases ; Extensions at beginning of period ; Introduction to consequent-phrase ; Extensions at end of period ; Extension at end of antecedent-phrase ; Extensions in course of period ; Chain-phrase formation of either phrase ; Codetta ; "Postlude" ; Natural location of extensions ; Miscellaneous examples of period-extension -- ".
- catalog description "7. Group-formations : Period with consequent-group ; Distinction between "repetition" and "reproduction" : Essentially different cadences ; Sequential reproduction ; Essential modifications. Period with antecedent-group ; Group of phrases, similar ; Group of dissimilar phrases; Period-group ; Elision -- 8. The double period : Definition ; Inter-relations ; Cadence-conditions ; Parallel construction ; Indefinite transitional grades, between single and double period ; Contrasting construction ; Extensions of double period ; Addition of extraneous members ; Miscellaneous examples of double-period extensions ; Quadruple period".
- catalog description "I. : 1. The phrase : Definition ; Beginning and ending ; Perfect cadence ; Modification of perfect cadence ; Harmonic aspects of phrase ; Approach to the perfect cadence ; Melodic aspect of phrase ; Division of phrase-melody into members ; Means of indicating melodic joints ; Syntax of phrase ; Relations between melodic members -- 2. The harmonic equipment of the phrase-melody : Styles of accompaniment ; Distinction of one-, two-, three-, and four- voiced styles ; Irregular harmonic bulk -- ".
- catalog description "II. The song-forms or part-forms : Comparative definition of "phrase", "part", and "song-form" ; Absolute definition of "part" -- 9. The two-part song-form : Definition : Details of first part: form : Cadence ; Modulation. Details of second part: form : Character ; Cadence. Two-part song-form, primary design ; Coincidence of endings of two parts ; Diminutive two-part form ; Perplexing external resemblance between different formal designs -- 10. The fully developed two-part song-form : Definition ; Extensions: repetitions : Extraneous adjunctions ; Proportion to length of form. Large two-part form, as type of sonatina-form -- ".
- catalog description "III. Compound song-forms : Definition -- 18. Song-form with one "trio" : Definition ; Details of principal song ; Transition ; Details of subordinate song or "trio" ; Character ; Time, key ; Tempo, design ; Re-transition ; Da capo ; Coda ; Miscellaneous examples ; Relation of five-part form to "song with trio" -- 19. Extension of "song with trio" : Repetition of "trio" and da capo ; Song-form with two "trios" group of song-forms".
- catalog description "IV. Conventional styles of composition : Classification ; Definition of lyric class ; Definition of etude-class ; Definition of dance-class ; Distinctions approximate ; Sources of information -- 20. The lyric class : Song, with words, details: text : Setting ; Vocal compass ; Mood of music ; Notation ; Form ; Accompaniment. Instrumental duo ; Song without words, etc. ; Ballade ; "Part songs" : Sacred text ; Ensemble ; Secular text ; Design -- 21. The etude-class : Etude of study ; Toccata, capriccio, etc. ; Scherzo ; Formative elements ; Design -- 22. The dance-class : Old dance-species ; Modern dances ; March.".
- catalog description "Introductory : The requisites of musical composition ; The harmonic fundament ; Basis of chord-succession ; Ornamentation of chords ; Figuration of chords ; The division of musical form".
- catalog extent "xviii, 236 p. :".
- catalog hasFormat "Homophonic forms of musical composition.".
- catalog isFormatOf "Homophonic forms of musical composition.".
- catalog issued "1926".
- catalog issued "c1926.".
- catalog language "eng".
- catalog publisher "New York : G. Schirmer,".
- catalog relation "Homophonic forms of musical composition.".
- catalog subject "MT58 .G58 1926".
- catalog subject "Musical form.".
- catalog tableOfContents "11. The three-part song-form : Ruling principle of all tripartite forms ; Distinction between "recurrence" form ; Influence upon part II of tripartite form ; The three-part period ; Genuine species ; Irregular species ; Incipient grade of three-part song-form ; Details of structure ; Demonstration of this classification (foot-note) ; Resemblance between three-part period and incipient three-part song-form -- 12. The ordinary complete three-part song-form : Definition ; Details of part I: design, length ; Details of part II -- thematic conditions : Total agreement with part I ; Derived from fragments of part I ; Opposite construction ; General formative agreement ; New melodic contents. Tonality of part II ; Structural design of part II ; Sectional form of part II ; Cadence of part II : On dominant ; On other chords. The re-transition ; Details of part III ; Extraneous members: codetta or coda, introduction, interlude -- ".
- catalog tableOfContents "13. Additional details of the song-forms : Irregular cadence-conditions : Imperfect cadence at end of section ; Perfect cadence in course of section. Influence of thematic idea upon formal design ; Modulation: transient : Complete ; Two general modulatory design. Dynamic design : Other expression-marks. Contrast ; Style: time : Tempo, mode, rhythm ; Emotional elements. Coda and codetta: distinction between : Object and design of coda and codetta ; Derivation of coda and codetta ; Location of codetta -- 14. The incomplete three-part song-form : Definition ; Distinction between incipient grade incomplete form ; Part III a slightly contracted version of part I ; Part I briefly represented at beginning of Part III ; Augmented two-part song-form -- ".
- catalog tableOfContents "15. Fully developed three-part song-form : Definition ; Four stages of progressive development : Stage 1, literal, or inessentially modified recurrence ; Stage 2, recurrence of portion, extended ; Stage 3, recurrence containing new material ; Stage 4, recurrence containing member from part II. Corroboration ; Large phase-group -- 16. The evolution of the five-part song-form : Repetition of the divisions ; Second part not to be repeated alone ; Modified repetition of second division : Stage 1, repetition of parts II and III with unessential changes ; Stage 2, transposed recurrence of part II ; Stage 3, part IV a transposed and altered recurrence of part II ; Stage 4, part IV a reconstructed version of part II ; Stage 5, part IV new. Treatment of part V ; Old-fashioned rondeau ; Seven-part form -- ".
- catalog tableOfContents "17. Irregular part-forms : Definition ; Transposed 3rd part ; Group of parts, incipient stage ; Distinct 2nd part ; Repetition of 2nd part alone ; Sequential or transposed reproduction of parts ; Group of parts developed ; Extended".
- catalog tableOfContents "3. The development or extension of the phrase : Processes of composition ; Means of employed in developing phrase ; Repetition of entire phrase ; Concealing perfect cadence ; Modifications of repetition : Embellishment of melody ; Change of harmony and modulation ; Change of register ; Change of style ; Complete changes in course. Interlude before repetition ; Conditions upon which "repetition" depends ; Series of repetition ; Object of repetitions ; Extensions at the end of the phrase : Repetition of second half ; Repetition or sequence of last member ; Repetition of cadence-group ; Repetition of two cadence-chords ; Reiteration of final tonic chords ; Plagal extension. Object of extensions at end ; Extensions at the beginning of phrase ; Extensions in course of phrase : Repetition of early member ; Sequence of early member ; Expansion of prominent tone or chord ; Importance of "expansion" ; New cadence-member. Extensions in course, when and where appropriate -- ".
- catalog tableOfContents "4. Chain-phrase ; Melody-expansion ; Irregular phrase-formation ; Miscellaneous examples of phrase-extension -- 5. The period-form : Definition ; Antecedent phrase ; Semicadences ; Character of antecedent phrase ; Construction of consequent phrase : Parallel construction ; Opposite construction ; Contrasting construction. Variety and unity -- 6. Extensions of Period-form : Repetition of entire period ; Repetition of consequent-phrase ; Repetition of antecedent-phrase, or both phrases ; Extensions at beginning of period ; Introduction to consequent-phrase ; Extensions at end of period ; Extension at end of antecedent-phrase ; Extensions in course of period ; Chain-phrase formation of either phrase ; Codetta ; "Postlude" ; Natural location of extensions ; Miscellaneous examples of period-extension -- ".
- catalog tableOfContents "7. Group-formations : Period with consequent-group ; Distinction between "repetition" and "reproduction" : Essentially different cadences ; Sequential reproduction ; Essential modifications. Period with antecedent-group ; Group of phrases, similar ; Group of dissimilar phrases; Period-group ; Elision -- 8. The double period : Definition ; Inter-relations ; Cadence-conditions ; Parallel construction ; Indefinite transitional grades, between single and double period ; Contrasting construction ; Extensions of double period ; Addition of extraneous members ; Miscellaneous examples of double-period extensions ; Quadruple period".
- catalog tableOfContents "I. : 1. The phrase : Definition ; Beginning and ending ; Perfect cadence ; Modification of perfect cadence ; Harmonic aspects of phrase ; Approach to the perfect cadence ; Melodic aspect of phrase ; Division of phrase-melody into members ; Means of indicating melodic joints ; Syntax of phrase ; Relations between melodic members -- 2. The harmonic equipment of the phrase-melody : Styles of accompaniment ; Distinction of one-, two-, three-, and four- voiced styles ; Irregular harmonic bulk -- ".
- catalog tableOfContents "II. The song-forms or part-forms : Comparative definition of "phrase", "part", and "song-form" ; Absolute definition of "part" -- 9. The two-part song-form : Definition : Details of first part: form : Cadence ; Modulation. Details of second part: form : Character ; Cadence. Two-part song-form, primary design ; Coincidence of endings of two parts ; Diminutive two-part form ; Perplexing external resemblance between different formal designs -- 10. The fully developed two-part song-form : Definition ; Extensions: repetitions : Extraneous adjunctions ; Proportion to length of form. Large two-part form, as type of sonatina-form -- ".
- catalog tableOfContents "III. Compound song-forms : Definition -- 18. Song-form with one "trio" : Definition ; Details of principal song ; Transition ; Details of subordinate song or "trio" ; Character ; Time, key ; Tempo, design ; Re-transition ; Da capo ; Coda ; Miscellaneous examples ; Relation of five-part form to "song with trio" -- 19. Extension of "song with trio" : Repetition of "trio" and da capo ; Song-form with two "trios" group of song-forms".
- catalog tableOfContents "IV. Conventional styles of composition : Classification ; Definition of lyric class ; Definition of etude-class ; Definition of dance-class ; Distinctions approximate ; Sources of information -- 20. The lyric class : Song, with words, details: text : Setting ; Vocal compass ; Mood of music ; Notation ; Form ; Accompaniment. Instrumental duo ; Song without words, etc. ; Ballade ; "Part songs" : Sacred text ; Ensemble ; Secular text ; Design -- 21. The etude-class : Etude of study ; Toccata, capriccio, etc. ; Scherzo ; Formative elements ; Design -- 22. The dance-class : Old dance-species ; Modern dances ; March.".
- catalog tableOfContents "Introductory : The requisites of musical composition ; The harmonic fundament ; Basis of chord-succession ; Ornamentation of chords ; Figuration of chords ; The division of musical form".
- catalog title "The homophonic forms of musical composition : an exhaustive treatise on the structure and development of musical forms ... / by Percy Goetschius.".
- catalog type "text".