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- catalog abstract "From the Back Cover: The American film noir, the popular genre that focused on urban crime and corruption in the 1940s and 1950s, exhibits the greatest amount of narrative experimentation in the modern American cinema. Spurred by postwar disillusionment, cold war anxieties, and changing social circumstances, these films revealed the dark side of American life and, in doing so, created unique narrative structures in order to speak of that darkness. J.P. Telotte's in-depth discussion of classic films noir-including The Lady from Shanghai, The Lady in the Lake, Dark Passage, Double Indemnity, Kiss Me Deadly, and Murder, My Sweet-draws on the work of Michel Foucault to examine four dominant noir narrative strategies.".
- catalog contributor b2364819.
- catalog created "c1989.".
- catalog date "1989".
- catalog date "c1989.".
- catalog dateCopyrighted "c1989.".
- catalog description "Acknowledgments -- Noir narration -- Double indemnity of Noir discourse -- Narration, desire, and The Lady from Shanghai -- Tangled networks and wrong numbers -- Effacement and subjectivity: Murder, my sweet's troubled vision -- Real thing is something else: truth and subjectivity in The lady in the lake -- Seeing in a Dark passage -- Transparent reality of the documentary Noir -- Evolving truth of the documentary Noir -- Film Noir and the dangers of discourse -- Talk and trouble: Kiss me deadly's apocalyptic discourse -- Conclusion: Noir's dark voice -- Appendix: Noir filmograpy -- Bibliography -- Index.".
- catalog description "Bibliography: p. [236]-242.".
- catalog description "Filmography: p. [224]-235.".
- catalog description "From the Back Cover: The American film noir, the popular genre that focused on urban crime and corruption in the 1940s and 1950s, exhibits the greatest amount of narrative experimentation in the modern American cinema. Spurred by postwar disillusionment, cold war anxieties, and changing social circumstances, these films revealed the dark side of American life and, in doing so, created unique narrative structures in order to speak of that darkness. J.P. Telotte's in-depth discussion of classic films noir-including The Lady from Shanghai, The Lady in the Lake, Dark Passage, Double Indemnity, Kiss Me Deadly, and Murder, My Sweet-draws on the work of Michel Foucault to examine four dominant noir narrative strategies.".
- catalog extent "248 p., [10] p. of plates :".
- catalog hasFormat "Voices in the dark.".
- catalog identifier "0252015703 (hard : alk. paper)".
- catalog identifier "0252060563 (pbk. : alk. paper)".
- catalog isFormatOf "Voices in the dark.".
- catalog issued "1989".
- catalog issued "c1989.".
- catalog language "eng".
- catalog publisher "Urbana : University of Illinois Press,".
- catalog relation "Voices in the dark.".
- catalog subject "791.43/09/09355 19".
- catalog subject "Film noir History and criticism.".
- catalog subject "Film noir.".
- catalog subject "PN1995.9.F54 T44 1989".
- catalog tableOfContents "Acknowledgments -- Noir narration -- Double indemnity of Noir discourse -- Narration, desire, and The Lady from Shanghai -- Tangled networks and wrong numbers -- Effacement and subjectivity: Murder, my sweet's troubled vision -- Real thing is something else: truth and subjectivity in The lady in the lake -- Seeing in a Dark passage -- Transparent reality of the documentary Noir -- Evolving truth of the documentary Noir -- Film Noir and the dangers of discourse -- Talk and trouble: Kiss me deadly's apocalyptic discourse -- Conclusion: Noir's dark voice -- Appendix: Noir filmograpy -- Bibliography -- Index.".
- catalog title "Voices in the dark : the narrative patterns of film noir / J.P. Telotte.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".