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• catalog contributor b2837938.
• catalog contributor b2837939.
• catalog contributor b2837940.
• catalog created "c1990.".
• catalog date "1990".
• catalog date "c1990.".
• catalog dateCopyrighted "c1990.".
• catalog description "1. Introduction. Translation of Apologia ; Previous scholarship on the Apologia -- 2. The "things of greater importance". Art to attract donations : the monastic investment. The process of the monastic investment in art : Gauzlin of Fleury and Suger of Saint-Denis ; Art for the honor of God and the obligation to spend ; The response : piety and poverty -- Art to attract donations : the liturgical artwork. Bernard's categories of excess ; The liturgical artwork and the sensory saturation of the holy place -- Art to attract donations : the equation between excessive art and holiness -- Art as opposed to the care of the poor. The sale of liturgical art for the relief of the poor ; Resistance to art as a burden to the poor ; Expenditure on art as similar to almsgiving -- Art as a spiritual distraction to the monk. Art as a spiritual distraction ; Art as a spiritual aid ; Bernard's concept of artistic distraction --".
• catalog description "3. The Apologia and the art of the orders of Cluny and Cîteaux. The capitals of the cloister of Moissac. Instances of Bernard's fourteen examples ; Instances of Bernard's three iconographical categories -- The second Bible of Saint-Martial, and the Bible of Stephen Harding and the Moralia in Job of Cîteaux. Instances of Bernard's fourteen examples ; Instances of Bernard's three iconographical categories ; Frequency, effect, and the distractive quality of art ; Quantity : finial heads and full bodies ; Variety : symmetrical pairs and hybridity ; Narrative : incoherent violence and spiritual struggle ; Other artistic factors -- 4. To whom the Apologia was addressed. Cluny, the Cluniacs, and the non-Cluniac traditional Benedictines -- The new ascetic orders and the Cistercians. The new ascetic orders ; The Cistercians -- 5. Conclusion -- Appendix 1: The origin of the Apologia. Public letters prior to the Apologia ; The immediate origin of the Apologia --".
• catalog description "Appendix 2: The text and translation of the Apologia with art historical commentary. The Apologia ad Guillelmum Abbatem ; Art historical commentary on the Apologia.".
• catalog description "Includes bibliographical references (p. [339]-357) and index.".
• catalog extent "xii, 401 p. :".
• catalog hasFormat "Things of greater importance".".
• catalog identifier "0812281810 (cloth)".
• catalog isFormatOf "Things of greater importance".".
• catalog issued "1990".
• catalog issued "c1990.".
• catalog language "eng".
• catalog language "englat".
• catalog publisher "Philadelphia : University of Pennsylvania Press,".
• catalog relation "Things of greater importance".".
• catalog subject "704.9/482/0940902 20".
• catalog subject "Art and society.".
• catalog subject "Bernard, of Clairvaux, Saint, 1090 or 1091-1153. Apologia ad Guillelmum Abbatem.".
• catalog subject "Christian art and symbolism Medieval, 500-1500.".
• catalog subject "N7850 .R8 1990".
• catalog tableOfContents "1. Introduction. Translation of Apologia ; Previous scholarship on the Apologia -- 2. The "things of greater importance". Art to attract donations : the monastic investment. The process of the monastic investment in art : Gauzlin of Fleury and Suger of Saint-Denis ; Art for the honor of God and the obligation to spend ; The response : piety and poverty -- Art to attract donations : the liturgical artwork. Bernard's categories of excess ; The liturgical artwork and the sensory saturation of the holy place -- Art to attract donations : the equation between excessive art and holiness -- Art as opposed to the care of the poor. The sale of liturgical art for the relief of the poor ; Resistance to art as a burden to the poor ; Expenditure on art as similar to almsgiving -- Art as a spiritual distraction to the monk. Art as a spiritual distraction ; Art as a spiritual aid ; Bernard's concept of artistic distraction --".
• catalog tableOfContents "3. The Apologia and the art of the orders of Cluny and Cîteaux. The capitals of the cloister of Moissac. Instances of Bernard's fourteen examples ; Instances of Bernard's three iconographical categories -- The second Bible of Saint-Martial, and the Bible of Stephen Harding and the Moralia in Job of Cîteaux. Instances of Bernard's fourteen examples ; Instances of Bernard's three iconographical categories ; Frequency, effect, and the distractive quality of art ; Quantity : finial heads and full bodies ; Variety : symmetrical pairs and hybridity ; Narrative : incoherent violence and spiritual struggle ; Other artistic factors -- 4. To whom the Apologia was addressed. Cluny, the Cluniacs, and the non-Cluniac traditional Benedictines -- The new ascetic orders and the Cistercians. The new ascetic orders ; The Cistercians -- 5. Conclusion -- Appendix 1: The origin of the Apologia. Public letters prior to the Apologia ; The immediate origin of the Apologia --".
• catalog tableOfContents "Appendix 2: The text and translation of the Apologia with art historical commentary. The Apologia ad Guillelmum Abbatem ; Art historical commentary on the Apologia.".
• catalog title "The "things of greater importance" : Bernard of Clairvaux's Apologia and the medieval attitude toward art / Conrad Rudolph.".
• catalog type "text".