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- catalog abstract "What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world. -- Publisher's website.".
- catalog contributor b2873887.
- catalog created "c1990.".
- catalog date "1990".
- catalog date "c1990.".
- catalog dateCopyrighted "c1990.".
- catalog description "Includes bibliographical references (p. 181-207) and index.".
- catalog description "Toward a new theory of the arts -- The rule of the word -- Alberti and history -- The circle of Raphael -- Sidney and Hilliard -- Between theory and practice.".
- catalog description "What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world. -- Publisher's website.".
- catalog extent "xv, 215 p. :".
- catalog hasFormat "Rule of art.".
- catalog identifier "0226360520 (alk. paper)".
- catalog isFormatOf "Rule of art.".
- catalog issued "1990".
- catalog issued "c1990.".
- catalog language "eng".
- catalog publisher "Chicago : University of Chicago Press,".
- catalog relation "Rule of art.".
- catalog subject "700/.9/024 20".
- catalog subject "Arts, Renaissance.".
- catalog subject "NX450.5 .H8 1990".
- catalog tableOfContents "Toward a new theory of the arts -- The rule of the word -- Alberti and history -- The circle of Raphael -- Sidney and Hilliard -- Between theory and practice.".
- catalog title "The rule of art : literature and painting in the Renaissance / Clark Hulse.".
- catalog type "text".