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- catalog abstract "This book invites the reader to study with ear and eye some typical examples of the music of the baroque period. Is is not a comprehensive survey or a gallery of the most famous composers and their works. Certain important figures are hardly named, while others lesser known are treated at length, and this goes also for the various categories of composition. The emphasis is upon giving the reader an entry into the most significant manners of composition through concrete examples. The reader will gain a method of approaching the principle styles and genres, keys to intimate understanding and further exploration. The approach to analysis is based as much as possible on criteria and terminology common in the baroque period. -- from Preface.".
- catalog contributor b3025848.
- catalog created "c1991.".
- catalog date "1991".
- catalog date "c1991.".
- catalog dateCopyrighted "c1991.".
- catalog description "Includes bibliographical references and index.".
- catalog description "The baroque ideal -- Origins and foundations -- The recitative style -- The rise of the sacred concerto -- Lute and keyboard music -- The sacred concerto in Germany -- Italian cantata, Oratorio and opera in midcentury -- Sonata, concerto, and sinfonia -- Lute and harpsichord music in France -- Organ and clavier music in Germany -- Opera in France and Italy from Lully to Scarlatti -- Dramatic music in England -- Sacred music in France -- English church music -- Johann Sebastian Bach.".
- catalog description "This book invites the reader to study with ear and eye some typical examples of the music of the baroque period. Is is not a comprehensive survey or a gallery of the most famous composers and their works. Certain important figures are hardly named, while others lesser known are treated at length, and this goes also for the various categories of composition. The emphasis is upon giving the reader an entry into the most significant manners of composition through concrete examples. The reader will gain a method of approaching the principle styles and genres, keys to intimate understanding and further exploration. The approach to analysis is based as much as possible on criteria and terminology common in the baroque period. -- from Preface.".
- catalog extent "xi, 356 p. :".
- catalog hasFormat "Baroque music.".
- catalog identifier "0130584967".
- catalog isFormatOf "Baroque music.".
- catalog isPartOf "Prentice-Hall history of music series".
- catalog issued "1991".
- catalog issued "c1991.".
- catalog language "eng".
- catalog publisher "Englewood Cliffs, N.J. : Prentice Hall,".
- catalog relation "Baroque music.".
- catalog subject "780/.9/032 20".
- catalog subject "ML193 .P34 1991".
- catalog subject "Music 17th century History and criticism.".
- catalog subject "Music 18th century History and criticism.".
- catalog tableOfContents "The baroque ideal -- Origins and foundations -- The recitative style -- The rise of the sacred concerto -- Lute and keyboard music -- The sacred concerto in Germany -- Italian cantata, Oratorio and opera in midcentury -- Sonata, concerto, and sinfonia -- Lute and harpsichord music in France -- Organ and clavier music in Germany -- Opera in France and Italy from Lully to Scarlatti -- Dramatic music in England -- Sacred music in France -- English church music -- Johann Sebastian Bach.".
- catalog title "Baroque music / Claude V. Palisca.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".