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• catalog contributor b3434624.
• catalog created "1992, c1989.".
• catalog date "1992".
• catalog date "1992, c1989.".
• catalog dateCopyrighted "1992, c1989.".
• catalog description "Figured bass: three realisations -- Ornamentation -- Orchestral improvisation -- Responsibility for accidentals -- New thinking on ornaments -- Tempo and rhythm -- A footnote to inequality -- Ornamentation in the reciting style -- Index of ornaments (signs).".
• catalog description "Includes bibliographical references (p. 673-729) and index.".
• catalog description "Introduction: New thinking on early interpretation. Our changing attitude -- Prospects for authenticity -- Authenticity and personality -- Authenticity in early opera -- Past and present -- Present and future -- Book one: Style. The approach of early music -- The interplay of styles -- Music as expression -- Book two: The notes. Part one: Accidentals. Accidentals in early music -- Interpreting written accidentals -- Adding unwritten accidentals -- Part two: Embellishment. The place of embellishment -- Sixteenth-century ornamentaion -- Early baroque ornamentation -- Later baroque ornamentation --- Post-baroque ornamentation -- The cadenza -- Ornaments -- The Appoggiatura proper -- The double appoggiatura -- The slide -- The acciaccatura -- The passing appoggiatura -- Tremolo and B: vibrato -- The trill -- The mordent -- Passing notes and C: changing notes -- The turn -- Broken chords, C: broken notes and C: Broken time -- Compound ornaments -- ".
• catalog description "Part three: Accompaniment. Figured bass -- The figuring. Going beyond the figures -- The texture of the part -- The structure of the part -- Instruments of accompaniment -- The good accompanist -- Book three: The expression. Part one: General. Expression in early music -- Repeats and omissions -- Part two: Tempo. Tempo in early music -- Time-words -- Dance tempos -- Time-signatures -- Pulse -- Variations of tempo -- Part three: Rhythm. Rhythm in early music -- Note-values -- Dotted notes -- Other sharpened rhythms -- Inequality -- Triplet rhythm -- Part four: Punctuation. Phrasing -- Articulation -- Part five: Dynamics. Volume -- Balance -- Accentuation -- Book four: Instruments. Instruments in early music -- Pitch -- Temperament -- The voice -- The viols -- The violins -- Plucked instruments -- The wind department -- Flutes -- Reeds -- Brass -- Percussion -- Keyboards -- Choirs and orchestras -- Acknowledgments and conclusion -- Appendices: Ligatures -- ".
• catalog extent "766 p. :".
• catalog identifier "0393028275".
• catalog identifier "039396003X (pbk.)".
• catalog issued "1992".
• catalog issued "1992, c1989.".
• catalog language "eng".
• catalog publisher "New York : W.W. Norton,".
• catalog subject "780/.9/031 20".
• catalog subject "ML457 .D64 1989".
• catalog subject "Music History and criticism Sources.".
• catalog subject "Musical instruments.".
• catalog subject "Performance practice (Music)".
• catalog subject "Style, Musical.".
• catalog tableOfContents "Figured bass: three realisations -- Ornamentation -- Orchestral improvisation -- Responsibility for accidentals -- New thinking on ornaments -- Tempo and rhythm -- A footnote to inequality -- Ornamentation in the reciting style -- Index of ornaments (signs).".
• catalog tableOfContents "Introduction: New thinking on early interpretation. Our changing attitude -- Prospects for authenticity -- Authenticity and personality -- Authenticity in early opera -- Past and present -- Present and future -- Book one: Style. The approach of early music -- The interplay of styles -- Music as expression -- Book two: The notes. Part one: Accidentals. Accidentals in early music -- Interpreting written accidentals -- Adding unwritten accidentals -- Part two: Embellishment. The place of embellishment -- Sixteenth-century ornamentaion -- Early baroque ornamentation -- Later baroque ornamentation --- Post-baroque ornamentation -- The cadenza -- Ornaments -- The Appoggiatura proper -- The double appoggiatura -- The slide -- The acciaccatura -- The passing appoggiatura -- Tremolo and B: vibrato -- The trill -- The mordent -- Passing notes and C: changing notes -- The turn -- Broken chords, C: broken notes and C: Broken time -- Compound ornaments -- ".
• catalog tableOfContents "Part three: Accompaniment. Figured bass -- The figuring. Going beyond the figures -- The texture of the part -- The structure of the part -- Instruments of accompaniment -- The good accompanist -- Book three: The expression. Part one: General. Expression in early music -- Repeats and omissions -- Part two: Tempo. Tempo in early music -- Time-words -- Dance tempos -- Time-signatures -- Pulse -- Variations of tempo -- Part three: Rhythm. Rhythm in early music -- Note-values -- Dotted notes -- Other sharpened rhythms -- Inequality -- Triplet rhythm -- Part four: Punctuation. Phrasing -- Articulation -- Part five: Dynamics. Volume -- Balance -- Accentuation -- Book four: Instruments. Instruments in early music -- Pitch -- Temperament -- The voice -- The viols -- The violins -- Plucked instruments -- The wind department -- Flutes -- Reeds -- Brass -- Percussion -- Keyboards -- Choirs and orchestras -- Acknowledgments and conclusion -- Appendices: Ligatures -- ".
• catalog title "The interpretation of early music / Robert Donington.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "Sources. fast".
• catalog type "text".