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• catalog abstract "Brian Attebery's "strategies of fantasy" include not only the writer's strategies for inventing believable impossibilities, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebery examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantastic fiction exhibits a remarkable capacity for reinventing narrative conventions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admitted into a story. In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big. Analysis of these texts shows not only that fantasy scholarship can learn from contemporary theory, but also that a close look at fantasy can overturn common assumptions about the nature of narrative. Rather than drawing definitive boundaries for the genre, Attebery proposes a description of fantasy as a "fuzzy set": a grouping based on perceived resemblance to one or more central examples rather than on any particular features shared by the whole set. For many readers and writers, the central example has long been Tolkien's The Lord of the Rings, although Attebery points out that newer forms such as women's coming-of-age stories, postmodernist metafiction, science fantasy, and "real world" fantasy may indicate a shift or expansion of the popular conception of the genre.".
• catalog contributor b3666055.
• catalog created "c1992.".
• catalog date "1992".
• catalog date "c1992.".
• catalog dateCopyrighted "c1992.".
• catalog description "Analysis of these texts shows not only that fantasy scholarship can learn from contemporary theory, but also that a close look at fantasy can overturn common assumptions about the nature of narrative. Rather than drawing definitive boundaries for the genre, Attebery proposes a description of fantasy as a "fuzzy set": a grouping based on perceived resemblance to one or more central examples rather than on any particular features shared by the whole set. For many readers and writers, the central example has long been Tolkien's The Lord of the Rings, although Attebery points out that newer forms such as women's coming-of-age stories, postmodernist metafiction, science fantasy, and "real world" fantasy may indicate a shift or expansion of the popular conception of the genre.".
• catalog description "Brian Attebery's "strategies of fantasy" include not only the writer's strategies for inventing believable impossibilities, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebery examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantastic fiction exhibits a remarkable capacity for reinventing narrative conventions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admitted into a story. ".
• catalog description "Fantasy as mode, genre, formula -- Is fantasy literature? Tolkien and the theorists -- Fantasy and postmodernism -- Fantasy and narrative conventions: story -- Fantasy and narrative conventions: character -- Women's coming of age in fantasy -- Science fantasy -- Recapturing the modern world for the imagination.".
• catalog description "In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big. ".
• catalog description "Includes bibliographical references (p. 143-148) and index.".
• catalog extent "xv, 152 p. ;".
• catalog hasFormat "Strategies of fantasy.".
• catalog identifier "0253310709 (cloth : alk. paper)".
• catalog isFormatOf "Strategies of fantasy.".
• catalog issued "1992".
• catalog issued "c1992.".
• catalog language "eng".
• catalog publisher "Bloomington : Indiana University Press,".
• catalog relation "Strategies of fantasy.".
• catalog spatial "English-speaking countries.".
• catalog subject "813/.0876609 20".
• catalog subject "Fantasy fiction, American History and criticism Theory, etc.".
• catalog subject "Fantasy fiction, English History and criticism Theory, etc.".
• catalog subject "Fantasy literature History and criticism Theory, etc.".
• catalog subject "PS374.F27 A87 1992".
• catalog subject "Postmodernism (Literature) English-speaking countries.".
• catalog subject "Postmodernism (Literature)".
• catalog tableOfContents "Fantasy as mode, genre, formula -- Is fantasy literature? Tolkien and the theorists -- Fantasy and postmodernism -- Fantasy and narrative conventions: story -- Fantasy and narrative conventions: character -- Women's coming of age in fantasy -- Science fantasy -- Recapturing the modern world for the imagination.".
• catalog title "Strategies of fantasy / Brian Attebery.".
• catalog type "text".