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• catalog abstract "Lewis Wickes Hine (1874-1940) was a pivotal figure in the history of American photography. Instrumental in developing the social documentary genre, he is probably best known today for his photographs of immigrants at Ellis Island, child laborers, and European war refugees, and for his later celebrations of industrial worker - a series he referred to as Work Portraits. As early as 1914 Hine also coined the term photo story to describe creative assemblages of photographs. And text. These were designed to make powerful educational and artistic statements on the printed page - twenty years before the editors of Life magazine "invented" the format. Photo Story broadens the perspective on Hine by charting his pioneering role as both a social documentary photographer and photojournalist. Daile Kaplan includes material from his earliest years, 1904-12, as he made the transition from teacher to photographer at the Ethical Culture School in New. York; through the spring of 1918, as he photographed war refugees and relief programs for the American Red Cross throughout Europe; to 1920-39, as he chronicled the construction of the Empire State Building and completed Work Portraits for corporations and federal agencies. The book features previously unpublished credos, diary entries, and letters exchanged with such important figures of the photographic, art, and social welfare communities as Beaumont Newhall, Walter. Rosenblum, Berenice Abbott, Elizabeth McCausland, Roy Stryker, and Paul U. Kellogg. The letters to his longtime collaborator Kellogg, the editor of the Survey Graphic, form the book's centerpiece. Often witty and lyrical, the letters reveal Hine's early influences in the social welfare community; his views about Alfred Stieglitz and the Photo-Secession (a group of art photographers, led by Stieglitz, who eschewed social photographs for soft-focus, mood-manipulating. Images); and his perception of his own photographs as "art." The correspondence sheds light on his decision to become a freelance photographer and pursue the Work Portraits; his attempts to be hired by the Farm Security Administration's photographs division; his debt to Newhall, Abbott, and McCausland for rediscovering him in the late 1930s and mounting the Riverside Museum retrospective; and his financial struggles in the postwar years.".
• catalog contributor b3711046.
• catalog contributor b3711047.
• catalog created "c1992.".
• catalog date "1992".
• catalog date "c1992.".
• catalog dateCopyrighted "c1992.".
• catalog description "1. Becoming a Sociological Photographer, 1900-1910 -- 2. The Transition to Interpretive Photography, 1918-19 -- 3. The Work Portrait and the Evolution of Photojournalism, 1921-33 -- 4. Hine at Work: Editorial, Corporate, and W.P.A. Assignments, 1933-35 -- 5. The Politics of Documentary Photography, 1935-38 -- 6. The Social Documentary Photograph as Art, 1938-39 -- 7. Hope and Loss, 1939-40 -- Biographical Notes / Lewis W. Hine.".
• catalog description "And text. These were designed to make powerful educational and artistic statements on the printed page - twenty years before the editors of Life magazine "invented" the format. Photo Story broadens the perspective on Hine by charting his pioneering role as both a social documentary photographer and photojournalist. Daile Kaplan includes material from his earliest years, 1904-12, as he made the transition from teacher to photographer at the Ethical Culture School in New.".
• catalog description "Images); and his perception of his own photographs as "art." The correspondence sheds light on his decision to become a freelance photographer and pursue the Work Portraits; his attempts to be hired by the Farm Security Administration's photographs division; his debt to Newhall, Abbott, and McCausland for rediscovering him in the late 1930s and mounting the Riverside Museum retrospective; and his financial struggles in the postwar years.".
• catalog description "Includes bibliographical references (p. 181) and index.".
• catalog description "Lewis Wickes Hine (1874-1940) was a pivotal figure in the history of American photography. Instrumental in developing the social documentary genre, he is probably best known today for his photographs of immigrants at Ellis Island, child laborers, and European war refugees, and for his later celebrations of industrial worker - a series he referred to as Work Portraits. As early as 1914 Hine also coined the term photo story to describe creative assemblages of photographs.".
• catalog description "Rosenblum, Berenice Abbott, Elizabeth McCausland, Roy Stryker, and Paul U. Kellogg. The letters to his longtime collaborator Kellogg, the editor of the Survey Graphic, form the book's centerpiece. Often witty and lyrical, the letters reveal Hine's early influences in the social welfare community; his views about Alfred Stieglitz and the Photo-Secession (a group of art photographers, led by Stieglitz, who eschewed social photographs for soft-focus, mood-manipulating.".
• catalog description "York; through the spring of 1918, as he photographed war refugees and relief programs for the American Red Cross throughout Europe; to 1920-39, as he chronicled the construction of the Empire State Building and completed Work Portraits for corporations and federal agencies. The book features previously unpublished credos, diary entries, and letters exchanged with such important figures of the photographic, art, and social welfare communities as Beaumont Newhall, Walter.".
• catalog extent "xxxvi, 192 p., [16] p. of plates :".
• catalog hasFormat "Photo story.".
• catalog identifier "1560981695".
• catalog isFormatOf "Photo story.".
• catalog issued "1992".
• catalog issued "c1992.".
• catalog language "eng".
• catalog publisher "Washington, D.C. : Smithsonian Institution Press,".
• catalog relation "Photo story.".
• catalog spatial "United States".
• catalog subject "770/.92 B 20".
• catalog subject "Hine, Lewis Wickes, 1874-1940 Correspondence.".
• catalog subject "Photographers United States Biography.".
• catalog subject "TR140.H52 A3 1992".
• catalog tableOfContents "1. Becoming a Sociological Photographer, 1900-1910 -- 2. The Transition to Interpretive Photography, 1918-19 -- 3. The Work Portrait and the Evolution of Photojournalism, 1921-33 -- 4. Hine at Work: Editorial, Corporate, and W.P.A. Assignments, 1933-35 -- 5. The Politics of Documentary Photography, 1935-38 -- 6. The Social Documentary Photograph as Art, 1938-39 -- 7. Hope and Loss, 1939-40 -- Biographical Notes / Lewis W. Hine.".
• catalog title "Photo story : selected letters and photographs of Lewis W. Hine / edited by Daile Kaplan.".
• catalog type "Biography. fast".
• catalog type "Records and correspondence. fast".
• catalog type "text".