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• catalog abstract ""Despite its importance among Symbolist, Naturalist, Expressionist, and New-Objectivity printmakers in late nineteenth- and early twentieth-century Germany and Austria, the print portfolio as an art form has never been examined comprehensively in an English-language publication. Its seminal role in defining a new audience for German and Austrian art beginning in the 1890s; its status as a hedge against the rising economic and political turmoil of the 1920s; its value as a reflection of personal and public, economic, social and political concerns; and even its roots in high and low culture make the investigation of this unique graphic format both necessary and exciting. The German Print Portfolio 1890-1930: Serials for a Private Sphere examines the central role played by the portfolio in German and Austrian graphics through the rich examples in the collection of the David and Alfred Smart Museum of Art and the Marcia and Granvil Specks Collection. Two Naturalist series by Lovis Corinth, Expressionist examples by artists of Brücke as well as by Ernst Barlach, Max Beckmann, and Oskar Kokoschka, and New-Objectivity and Realist works by Otto Dix, George Grosz, and the Berlin social critic Rafaello Busoni document the diverse stylistic paths this new trend followed. From Klinger's Eine Liebe (A Love) to Barlach's Schiller, An die Freude (Schiller, Ode to Joy) and again to Kokoschka's Der gefesselte Kolumbus (Columbus Chained), the group of portfolios represents a wide range of print techniques. In addition to a discussion of media and artistic choice, the essays examine the uses and themes of portfolios, from direct political, social, or economic commentary to literary, and even musical allusions."-- Publisher description.".
• catalog contributor b3713846.
• catalog contributor b3713847.
• catalog contributor b3713848.
• catalog contributor b3713849.
• catalog contributor b3713850.
• catalog contributor b3713851.
• catalog contributor b3713852.
• catalog contributor b3713853.
• catalog created "c1992.".
• catalog date "1992".
• catalog date "c1992.".
• catalog dateCopyrighted "c1992.".
• catalog description ""Despite its importance among Symbolist, Naturalist, Expressionist, and New-Objectivity printmakers in late nineteenth- and early twentieth-century Germany and Austria, the print portfolio as an art form has never been examined comprehensively in an English-language publication. Its seminal role in defining a new audience for German and Austrian art beginning in the 1890s; its status as a hedge against the rising economic and political turmoil of the 1920s; its value as a reflection of personal and public, economic, social and political concerns; and even its roots in high and low culture make the investigation of this unique graphic format both necessary and exciting. The German Print Portfolio 1890-1930: Serials for a Private Sphere examines the central role played by the portfolio in German and Austrian graphics through the rich examples in the collection of the David and Alfred Smart Museum of Art and the Marcia and Granvil Specks Collection. Two Naturalist series by Lovis Corinth, Expressionist examples by artists of Brücke as well as by Ernst Barlach, Max Beckmann, and Oskar Kokoschka, and New-Objectivity and Realist works by Otto Dix, George Grosz, and the Berlin social critic Rafaello Busoni document the diverse stylistic paths this new trend followed. From Klinger's Eine Liebe (A Love) to Barlach's Schiller, An die Freude (Schiller, Ode to Joy) and again to Kokoschka's Der gefesselte Kolumbus (Columbus Chained), the group of portfolios represents a wide range of print techniques. In addition to a discussion of media and artistic choice, the essays examine the uses and themes of portfolios, from direct political, social, or economic commentary to literary, and even musical allusions."-- Publisher description.".
• catalog description "Includes bibliographical references (p. [151]-155) and index.".
• catalog extent "159 p., [8] p. of plates :".
• catalog hasFormat "German print portfolio, 1890-1930.".
• catalog identifier "0856674176".
• catalog isFormatOf "German print portfolio, 1890-1930.".
• catalog issued "1992".
• catalog issued "c1992.".
• catalog language "eng".
• catalog publisher "London : P. Wilson, in association with the David and Alfred Smart Museum of Art, the University of Chicago ; New York, NY : Distributed in the USA by Rizzoli International Publications,".
• catalog relation "German print portfolio, 1890-1930.".
• catalog spatial "Germany".
• catalog subject "Brücke (Artists' group) Exhibitions.".
• catalog subject "David and Alfred Smart Museum of Art Exhibitions.".
• catalog subject "Expressionism (Art) Germany Exhibitions.".
• catalog subject "NE651.3 .R447 1992".
• catalog subject "Prints 19th century Germany Exhibitions.".
• catalog subject "Prints 20th century Germany Exhibitions.".
• catalog subject "Prints, German 19th century Exhibitions.".
• catalog subject "Prints, German 20th century Exhibitions.".
• catalog subject "Prints, German Exhibitions.".
• catalog subject "Serial art Germany Exhibitions.".
• catalog subject "Specks, Granvil Art collections Exhibitions.".
• catalog subject "Specks, Marcia Art collections Exhibitions.".
• catalog title "The German print portfolio, 1890-1930 : serials for a private sphere / Robin Reisenfeld ; introduction by Reinhold Heller ; edited by Richard A. Born and Stephanie D'Alessandro.".
• catalog type "Exhibition catalogs. fast".
• catalog type "text".