Matches in Harvard for { <http://id.lib.harvard.edu/aleph/002654129/catalog> ?p ?o. }
Showing items 1 to 28 of
28
with 100 items per page.
- catalog abstract "This catalogue is based on the work of Max Geisberg, Der deutsche Einblatt Holzschnitt in der ersten Hälfte des 16. Jahrhunderts (The German Single-Issued Woodcuts of the First Half of the Sixteenth Century), Munich, 1924-1930. Geisberg was the first to assemble a comprehensive collection of the woodcuts of that period. He issued them in forty-three large portfolios, arranged according to repositories. A great number of woodcuts omitted by Geisberg, or unknown to him, have been added. These volumes are not intended to be a catalogue raisonné, but to serve primarily as a pictorial catalogue in a practical format of the singly-issued woodcuts of the first half of the sixteenth century in Germany, as opposed to book illustrations. But in a sense they are more than that. These woodcuts were produced for the general public, unlike the illustrations for books, and aptly reflected the mores of the age. The survival of the prints is evidence of their popularity and wide distribution. Their variety and even occasional coarseness afford an unusual opportunity to view them not merely as an art form, but as an extraordinarily broad sampling of the culture of the period. - Introductory note.".
- catalog alternative "Deutsche Einblatt Holzschnitt. English".
- catalog contributor b3846568.
- catalog contributor b3846569.
- catalog contributor b3846570.
- catalog created "1974.".
- catalog date "1974".
- catalog date "1974.".
- catalog dateCopyrighted "1974.".
- catalog description "Bibliography: p. ix-xiii (vol. I)".
- catalog description "This catalogue is based on the work of Max Geisberg, Der deutsche Einblatt Holzschnitt in der ersten Hälfte des 16. Jahrhunderts (The German Single-Issued Woodcuts of the First Half of the Sixteenth Century), Munich, 1924-1930. Geisberg was the first to assemble a comprehensive collection of the woodcuts of that period. He issued them in forty-three large portfolios, arranged according to repositories. A great number of woodcuts omitted by Geisberg, or unknown to him, have been added. These volumes are not intended to be a catalogue raisonné, but to serve primarily as a pictorial catalogue in a practical format of the singly-issued woodcuts of the first half of the sixteenth century in Germany, as opposed to book illustrations. But in a sense they are more than that. These woodcuts were produced for the general public, unlike the illustrations for books, and aptly reflected the mores of the age. The survival of the prints is evidence of their popularity and wide distribution. Their variety and even occasional coarseness afford an unusual opportunity to view them not merely as an art form, but as an extraordinarily broad sampling of the culture of the period. - Introductory note.".
- catalog description "Vol. 1. Aldegrever to Buchfurer -- Vol. 2. Burgkmair the Elder to Erlinger -- Vol. 3. Flotner to Erhard Schoen -- Vol. 4. Erhard Schoen (cont.) to Woensam.".
- catalog extent "4 v. (xvii, 1578 p.) :".
- catalog issued "1974".
- catalog issued "1974.".
- catalog language "eng".
- catalog language "engger".
- catalog publisher "New York : Hacker Art Books,".
- catalog spatial "Germany.".
- catalog subject "769/.943".
- catalog subject "NE1150.A1 G413".
- catalog subject "Wood-engraving, German.".
- catalog subject "Wood-engraving, Renaissance Germany.".
- catalog tableOfContents "Vol. 1. Aldegrever to Buchfurer -- Vol. 2. Burgkmair the Elder to Erlinger -- Vol. 3. Flotner to Erhard Schoen -- Vol. 4. Erhard Schoen (cont.) to Woensam.".
- catalog title "Deutsche Einblatt Holzschnitt. English".
- catalog title "The German single-leaf woodcut, 1500-1550 / Max Geisberg ; rev. and edited by Walter L. Strauss.".
- catalog type "Catalogs. fast".
- catalog type "text".