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- catalog alternative "Orality, gender and the "vulgar" body of Jamaican popular culture".
- catalog contributor b4007474.
- catalog coverage "Jamaica.".
- catalog created "1993.".
- catalog date "1993".
- catalog date "1993.".
- catalog dateCopyrighted "1993.".
- catalog description "Discography: p. 209.".
- catalog description "Includes bibliographical references (p. 205-209) and index.".
- catalog description "Introduction: Oral/sexual discourse in Jamaican popular culture -- 'Me know no law, me know no sin: transgressive identities and the voice of innocence: the historical context -- 'Culture an tradition an birthright': proverb as metaphor in the poetry of Louise Bennett -- That cunny jamma oman: representations of female sensibility in the poetry of Louise Bennett -- Words unbroken by the beat: the performance poetry of Jean Binta Breeze and Mikey Smith -- Writing oral history: Sistren Theatre Collective's Lionheart Gal -- Country come to town: Michael Thelwell's The Harder They Come -- Chanting down Babylon: Bob Marley's song as literary text -- Slackness hiding from culture: erotic play in the dancehall -- From 'centre' to 'margin': turning history upside down -- Appendix 1: Proverbs from Louise Bennett -- Appendix 2. Jamaican proverbs: a gender perspective.".
- catalog extent "ix, 214 p. ;".
- catalog hasFormat "Noises in the blood.".
- catalog identifier "0333578244".
- catalog isFormatOf "Noises in the blood.".
- catalog isPartOf "Warwick University Caribbean studies".
- catalog issued "1993".
- catalog issued "1993.".
- catalog language "eng".
- catalog publisher "London ; New York : Macmillan Caribbean,".
- catalog relation "Noises in the blood.".
- catalog spatial "Jamaica.".
- catalog subject "306.44097292 20".
- catalog subject "English language Jamaica.".
- catalog subject "F1874 .C66 1993".
- catalog subject "Popular culture Jamaica.".
- catalog tableOfContents "Introduction: Oral/sexual discourse in Jamaican popular culture -- 'Me know no law, me know no sin: transgressive identities and the voice of innocence: the historical context -- 'Culture an tradition an birthright': proverb as metaphor in the poetry of Louise Bennett -- That cunny jamma oman: representations of female sensibility in the poetry of Louise Bennett -- Words unbroken by the beat: the performance poetry of Jean Binta Breeze and Mikey Smith -- Writing oral history: Sistren Theatre Collective's Lionheart Gal -- Country come to town: Michael Thelwell's The Harder They Come -- Chanting down Babylon: Bob Marley's song as literary text -- Slackness hiding from culture: erotic play in the dancehall -- From 'centre' to 'margin': turning history upside down -- Appendix 1: Proverbs from Louise Bennett -- Appendix 2. Jamaican proverbs: a gender perspective.".
- catalog title "Noises in the blood : orality, gender and the "vulgar" body of Jamaican popular culture / Carolyn Cooper.".
- catalog title "Orality, gender and the "vulgar" body of Jamaican popular culture".
- catalog type "text".