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• catalog abstract "Ma Hezhi and the Illustration of the Book of Odes is the first comprehensive study of one of the major monuments of twelfth-century Chinese painting. Illustrating the Book of Odes (Shijing), an important Chinese anthology of poetry, the series of handscrolls is the final and most ambitious artistic project by which the emperor Gaozong sought to validate the Southern Song dynastic revival and his own legitimacy. The scrolls paired the 305 poems of the ancient anthology (reputedly transcribed by the emperor himself) with compositions by Ma Hezhi, a leading figure in the resurgence of classical illustration at the Hangzhou court. The illustrative program of the Odes scrolls, reconstructed here for the first time, is shown to be closely linked with currents in Song intellectual history and literary studies, as well as with politics and art. In this study, Julia Murray accounts for all previous scholarship on the Odes scrolls, summarizes the exegetical tradition of the text, and documents its illustration in pre-Song times. She then analyzes the Song emperor Gaozong's patronage of traditional culture as an instrument of statecraft, as well as his development as a calligrapher in this context. After discussing the life and art of Ma Hezhi, she examines the Odes scrolls in detail and demonstrates that Ma Hezhi conceived the illustrations through his own creative engagement with the poems and commentaries. A systematic and critical connoisseurship is used to identify the "genuine" scrolls, which the author suggests come from a court workshop that executed designs created by Ma Hezhi. Murray also includes a catalogue raisonne' of all of the scrolls in an appendix and discusses the significance of Ma Hezhi and the Odes scrolls in the larger context of Chinese painting theory.".
• catalog contributor b4181983.
• catalog contributor b4181984.
• catalog created "1993.".
• catalog date "1993".
• catalog date "1993.".
• catalog dateCopyrighted "1993.".
• catalog description "1. Introduction -- 2. The Southern Song dynastic revival and Gaozong's calligraphy -- 3. Ma Hezhi: painter and scholar -- 4. The Odes illustrations: themes, styles, and structures -- 5. The paintings as illustrations -- 6. Problems of connoisseurship and the production of the Odes scrolls -- 7. From dispersal and neglect to antiquarian esteem: the transmission of the Odes scrolls -- Appendix I. Tables and calligraphy charts. Table 1. Finding list for cited Odes poems and their translations. Table 2. Classification of the extant Odes illustrations by painting genre. Table 3. Identification of poem composers (or "speakers") in the "small prefaces" and their depiction in the Odes illustrations. Table 4. Poems with xing images identified by the Mao commentary and the depiction of xing images in the Odes illustrations. Table 5. Summary of the relationships between the Odes poems and their illustrations. Table 6. Calligraphy groups in the Odes scrolls.".
• catalog description "After discussing the life and art of Ma Hezhi, she examines the Odes scrolls in detail and demonstrates that Ma Hezhi conceived the illustrations through his own creative engagement with the poems and commentaries. A systematic and critical connoisseurship is used to identify the "genuine" scrolls, which the author suggests come from a court workshop that executed designs created by Ma Hezhi.".
• catalog description "In this study, Julia Murray accounts for all previous scholarship on the Odes scrolls, summarizes the exegetical tradition of the text, and documents its illustration in pre-Song times. She then analyzes the Song emperor Gaozong's patronage of traditional culture as an instrument of statecraft, as well as his development as a calligrapher in this context.".
• catalog description "Includes bibliographical references (p. 227-239) and index.".
• catalog description "Ma Hezhi and the Illustration of the Book of Odes is the first comprehensive study of one of the major monuments of twelfth-century Chinese painting. Illustrating the Book of Odes (Shijing), an important Chinese anthology of poetry, the series of handscrolls is the final and most ambitious artistic project by which the emperor Gaozong sought to validate the Southern Song dynastic revival and his own legitimacy.".
• catalog description "Murray also includes a catalogue raisonne' of all of the scrolls in an appendix and discusses the significance of Ma Hezhi and the Odes scrolls in the larger context of Chinese painting theory.".
• catalog description "Table 7. Taboo characters observed in the calligraphy on the Odes scrolls. Table 8. Odes scrolls in the collection of the Qianlong emperor. Chart 1. Na stroke. Chart 2. Nu gou hook stroke. Chart 3. The character zhi. Chart 4. The character ye -- Appendix II. Catalogue raisonne of Odes scrolls traditionally attributed to Ma Hezhi.".
• catalog description "The scrolls paired the 305 poems of the ancient anthology (reputedly transcribed by the emperor himself) with compositions by Ma Hezhi, a leading figure in the resurgence of classical illustration at the Hangzhou court. The illustrative program of the Odes scrolls, reconstructed here for the first time, is shown to be closely linked with currents in Song intellectual history and literary studies, as well as with politics and art.".
• catalog extent "xvi, 256 p., [71] p. of plates :".
• catalog identifier "0521417872".
• catalog issued "1993".
• catalog issued "1993.".
• catalog language "eng".
• catalog publisher "Cambridge [England] ; New York : Cambridge University Press,".
• catalog subject "759.951 20".
• catalog subject "Ma, Hezhi, active 12th century Criticism and interpretation.".
• catalog subject "ND1049.M34 M87 1993".
• catalog subject "Scrolls, Chinese Themes, motives.".
• catalog subject "Shi jing Illustrations.".
• catalog tableOfContents "1. Introduction -- 2. The Southern Song dynastic revival and Gaozong's calligraphy -- 3. Ma Hezhi: painter and scholar -- 4. The Odes illustrations: themes, styles, and structures -- 5. The paintings as illustrations -- 6. Problems of connoisseurship and the production of the Odes scrolls -- 7. From dispersal and neglect to antiquarian esteem: the transmission of the Odes scrolls -- Appendix I. Tables and calligraphy charts. Table 1. Finding list for cited Odes poems and their translations. Table 2. Classification of the extant Odes illustrations by painting genre. Table 3. Identification of poem composers (or "speakers") in the "small prefaces" and their depiction in the Odes illustrations. Table 4. Poems with xing images identified by the Mao commentary and the depiction of xing images in the Odes illustrations. Table 5. Summary of the relationships between the Odes poems and their illustrations. Table 6. Calligraphy groups in the Odes scrolls.".
• catalog tableOfContents "Table 7. Taboo characters observed in the calligraphy on the Odes scrolls. Table 8. Odes scrolls in the collection of the Qianlong emperor. Chart 1. Na stroke. Chart 2. Nu gou hook stroke. Chart 3. The character zhi. Chart 4. The character ye -- Appendix II. Catalogue raisonne of Odes scrolls traditionally attributed to Ma Hezhi.".
• catalog title "Ma Hezhi and the illustration of the book of Odes / Julia K. Murray.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "Illustrations. fast".
• catalog type "text".